Norman Blake's Gear

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Blake says this in the article “Predominantly, I’ve played a 1970 335, which we picked up for a few hundred dollars in a shop in Cleveland, Ohio in 1991 or 1992,”

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1928 Martin 00-45.

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A Pinterest post by Michael Hodgin showcases Norman Blake of Teenage Fanclub using the Boss FRV-1 '63 Fender Reverb pedal in his effects setup.

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"I like a 1.5 mm [D’Andrea] Pro Plec. And I use Dunlop some. Sometimes I use the teardrop, and sometimes I use the three-cornered ones. For those, I usually round off a corner. I use the rounded edge of a teardrop pick more than I do its point, but you don’t get as much projection on a microphone. I tend to use a sharper pick when playing on microphones than I would use just sitting around."

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1960s Yamaha FG-160.

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10 seconds in and in any other live video of them Norman is using the AC30 .

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This pedal was designed specifically for Norman Blake of Teenage Fanclub. Per the Tym Guitars website:

"I spoke with Tim about the possibility of him designing a pedal for me just over a year ago. I mentioned that I had been on the lookout for a boost pedal that would compliment the AC30 that I’ve been playing through forever. In the past I’ve used an MXR micro amp and more recently a Keeley Catana Clean Boost, which are both great one knob (the Keeley also has a switch) pedals. Both Tim and I wondered what could be done to give the Teenage Fanboost it’s own personality and character. Tim suggested that we add a knob for the selection of six stepped, fixed frequencies, specifically chosen to help cut through the mix when the boost alone wasn’t doing it. With the further addition of a gentle tone control for tweakage, the pedal design was complete. Tim made a prototype. I’ve been using it for months now and it is everything I could have hoped for. Extremely versatile. A very sweet and musical boost and I can always dial in the right frequency for whatever song I’m playing."

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1937 Gibson J-35.

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1941 Martin 000-21.

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"His three main sets are GHS White Bronze, GHS Boomers Dynamite Alloy (electric), and Martin Retro."

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Norman Blake of Teenage Fanclub uses the Fulltone OCD Obsessive Compulsive Drive pedal, as shown in a Pinterest post by Michael Hodgin featuring his pedal setup.

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In a piece written for the Tym Guitars website about his Tym Teenage Fanboost pedal, Norman Blake refers to having used a Keeley Katana in the past:

"I mentioned that I had been on the lookout for a boost pedal that would compliment the AC30 that I’ve been playing through forever. In the past I’ve used an MXR micro amp and more recently a Keeley Catana Clean Boost, which are both great one knob (the Keeley also has a switch) pedals."

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1933 Gibson L-Century.

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According to the Premier Guitar's interview, one of the guitars Blake uses is the 1938 Martin 000-42.

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According to the Premier Guitar's interview, one of the guitars Blake uses is the Martin 000-28B, his own signature model.

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"His three main sets are GHS White Bronze, GHS Boomers Dynamite Alloy (electric), and Martin Retro."

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A Pinterest post by Michael Hodgin showcases Norman Blake's pedalboard, featuring the Korg Pitchblack Advance tuner, used during his time with Teenage Fanclub.

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A Pinterest post by Michael Hodgin features Norman Blake's pedal setup, showing the MXR M133 Micro Amp among his gear for Teenage Fanclub.

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Norman Blake can be seen using the Gibson Les Paul Custom in this video of Teenage Fanclub live show in New York 1994.

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This is a community-built gear list for Norman Blake.

  • Find relevant music gear like Guitars, Amplifiers, Effects Pedals, and other instruments and add it to Norman Blake.
  • The best places to look for gear usage are typically on the artist's social media, YouTube, live performance images, and interviews.
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