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Average Price: $94
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Based on price data from 5 merchants for "MXR M133 Micro Amp". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unleash the full potential of your sound with the MXR M133 Micro Amp. This compact, yet powerful pedal is like your guitar rig's personal assistant, expertly managing your gain levels. Whether you're switching between guitars with mismatched outputs or battling signal drop-off in a long effects chain, the Micro Amp's got your back. Its single control knob provides a preset amount of gain, offering an instant boost for your lead work or a permanent lift in your effects chain.
By pushing your tube amp into its sweet spot, the Micro Amp not only elevates your volume but also helps you achieve that coveted golden tone. And the best part? It does all this without distorting your beloved characteristic sound. So, whether you're playing on an old Marshall, a Fender, or a Vox, the Micro Amp ensures your leading sound shines through.
Key Features:
- Footswitch toggles amp on/bypass
- Red LED indicates "on"
- Gain knob adjusts total output volume when micro amp is engaged
- Power: Single 9-volt battery or Dunlop ECB-003 AC adapter (sold separately)
- Tough, compact metal enclosure
- Adjustable boost perfect for switching between guitars with unmatched output
- Great for use with long signal chains, or anytime signal drop-off is a problem
- Hardwire bypass
- Made in USA
Product specs
| Pedal Type | Gain Boost |
| Analog/Digital | Analog |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Bypass Switching | True Hardwire |
| Power Source | 9V DC power supply (sold separately) |
| Power Usage | 2.5mA |
| Batteries | 1 x 9V |
| Height | 2.12" (including knobs) |
| Width | 2.62" (including jacks) |
| Depth | 4.37" |
| Weight | 0.74 lbs. |
FAQs
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What is the primary function of the MXR M133 Micro Amp?
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The MXR M133 Micro Amp is designed to boost your guitar signal, providing a consistent gain increase for soloing or balancing output levels between different guitars.
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Does the MXR M133 Micro Amp color the tone of my guitar?
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No, the MXR M133 Micro Amp is known for its transparent boost, meaning it increases your signal without altering the original tone of your guitar.
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Can the MXR M133 Micro Amp be used with bass guitars?
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Yes, the MXR M133 Micro Amp works well with bass guitars, offering a clean boost that enhances your signal without losing low-end frequencies.
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What power options are available for the MXR M133 Micro Amp?
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The MXR M133 Micro Amp can be powered using a 9V DC power supply or a 9V battery, providing flexibility for different performance settings.
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Is the MXR M133 Micro Amp suitable for use in long effects chains?
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Yes, the MXR M133 Micro Amp is ideal for long effects chains as it can compensate for signal loss, maintaining consistent output throughout the chain.
Equipboard's Expert Review
Equipboard tested this
Subtle Boost with Big Impact
The MXR M133 Micro Amp is a reliable and straightforward boost pedal that packs a punch despite its simple design. It has a solid metal construction and high-quality components, which gives us confidence in its durability for long-term use.
The single knob control is refreshingly simple, allowing us to dial in just the right amount of boost without fuss. We found it versatile enough to use with both clean and distorted tones, making it an excellent choice for various playing styles and setups.
Sound-wise, the Micro Amp delivers a clean boost that adds warmth and fullness to your tone. In our experience, it excelled at making solos stand out and balancing weaker pickups. However, we did notice that it's not entirely transparent, adding a slight coloration to the sound and rolling off some highs. This wasn't necessarily a drawback for us, as it often resulted in a pleasing, more rounded tone.
We think the MXR M133 Micro Amp is ideal for guitarists looking for a simple, reliable boost pedal that can add punch and clarity to their sound. It's particularly well-suited for players who appreciate a slight warming effect on their tone. However, those seeking an absolutely transparent boost or requiring more advanced features might want to look elsewhere. Despite its simplicity, we found the Micro Amp to be a valuable addition to our pedalboard, offering a subtle yet impactful boost that can enhance your overall sound.
Videos
ProGuitarShopDemos
MXR Micro Amp Boost Pedal
Reviews
PROS
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Simple one-knob operation for ease of use
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Provides clean, transparent boost without altering tone
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Can warm up tone slightly at higher settings
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Solid metal construction ensures durability
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Versatile; works well with both clean and distorted tones
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Effective for making solos stand out in a mix
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Can be used to boost signal strength on large pedalboards
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Enhances the sound of overdrive and fuzz pedals when placed before them
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Suitable for both live performances and recording
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Can help equalize volume differences between guitars with different pickups
CONS
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Some users find the boost not entirely transparent, slightly colors tone
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High gain settings can introduce a bit of noise
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Not true bypass; may affect signal when off
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Price may be considered high for a pedal with only one function
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Battery access requires unscrewing the back panel
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Some users expected more functionality beyond a simple boost
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about MXR M133 Micro Amp.
Use cases and applications
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Functions as an "always on" pedal for many users, enhancing sound quality with flat EQ and no gain boost, especially effective for single coils.
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Provides a significant mid boost for lap steel when switching from guitar, with low/high rolled off and gain increased.
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Positioned before Tone Bone Plexitube to create a meaty, clean distortion with gain set at 0 on the Plexitube and Micro Amp at 3 o'clock.
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Utilized in FX Loop as a volume boost, demonstrating versatility in different pedalboard configurations.
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Effective for pushing tube amps into a natural breakup, adding compression and character without additional noise, particularly with amps that have lower headroom.
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Utilized in high-gain setups to enhance amp's natural overdrive, especially with amps already near their maximum volume, as noted with Fender Supersonic 22 and Marshall 2525C.
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Placing the Micro Amp before fuzz and overdrive enhances mids and doesn't overly affect the fuzz, providing a versatile sound for varied genres.
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Features and functionality
User experience
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The Micro Amp is praised for preserving note definition and sparkle while adding crunch, making it ideal for replicating John Frusciante's tone on tracks like "Can't Stop."
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Some users replace the pedal after a decade of use, indicating long-term reliability but potential wear over time.
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Comparisons
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Preferred over JHS Prestige and Xotic EP by some users for providing a pure, unfiltered volume boost without altering the tone with extra fatness or treble.
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Some owners regret selling older models from the '80s due to nostalgia and perceived quality, seeking replacements despite their affordability.
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4.5 out of 5
Based on 43 Reviews and 290 Ratings
15323
Very Good When Used as a Clean Boost Pedal
It's worth noting that the Micro Amp is mainly useful in the context of playing live, specifically with a tube amplifier. It's not likely to add much to your solo practice or writing sessions (although if you practice or write at a fairly loud volume, you may find that stomping on this guy when you arrive at a song's solo section fattens your sound a lot, which can be very inspiring) and when used in conjunction with a solid state or hybrid amp, you're unlikely to really be able to take advantage of the M-133's ability to add searing gain to an already-saturated amp sound.
Therefore, please bear in mind that "live performance" is the perspective from which the rest of this review is written, as I have never bothered to use this pedal in a recording context--since two different guitar signals recorded on different tracks can be blended to taste during mixdown, with levels raised or lowered accordingly.
MXR/Dunlop initially marketed the Micro Amp as a mere volume boost, and it definitely does a great job as such. As mentioned earlier, activating on the pedal as you play introduces a boost that is as subtle or extreme as you want it to be; as an added bonus, I can attest that I've never noticed any coloration to my guitar tone when using the M-133. Other boost pedals often introduce a midrange "hump" that I, personally, usually don't mind. But it's nice to know I can use the MXR unit to get more of my sound, unadulterated.
A secondary function, per the manufacturer, is to slam the front end of a tube amplifier with extra volume to create even more saturated gain sounds than an amp is capable of producing on its own. Again, the M-133 Micro Amp excels at this, too.
Recently, MXR/Dunlop has been touting the pedal as a quick fix for guitarists who switch back and forth between, say, a Fender Stratocaster and a Gibson Les Paul during the course of a performance. Anyone who has utilized two instruments with different pickup configurations during the course of a single show is going to be... Read More
40997
You left out the studio. If, like me, you often like to play solos on a vintage spec strat or tele into a an old-school tube amp with moderate amounts of preamp gain, a clean boost like this is an invaluable tool while recording. I used to be a dyed in the wool TS9 man (and later an 80s SD1 guy), often using them as a colored, dirty boost for solos with fender guitars (like everyone and their mother likes to), but in the 90s I got turned on to clean boosts, treble boosts and even the venerable MXR Dynacomp as ways to add gain and 'cut' (these pedals generally turn your hi-z guitar signal into a fairly low-z affair that drives the cable a lot easier which will add/preserve treble just like a buffer) for a solo sound without sacrificing the bandwidth and signature voice of my guitar. I do this more in the studio than live, believe it or not. Live I tend to dime an AC30 and control everything with my guitar volume knob. Maybe I'll run an always-on boost or buffer if I need a line-driver on a big stage.
As far as MXR's claim that this is an easy output matching fix for guys who go between fender and Gibson? The very different frequency responses on bolts with single versus gibbies with buckers means the perceived level may never really match up, but if you're just trying to get them to tickle V1 in your amp similarly it may help. Personally I switch guitars as much for a change in output as I do for a change in feel. I have less need for multiple amps or channel switchers if I recognize that my wannabe-59 tele is not a hard rocker and I save that guitar for ballads and such where a clean, chimey tone and a little less volume at 10 is quite alright... by the same token I have to recognize my 335 mostly wants to rock, but the A2 pickups are soft in tone, low output for humbuckers and sit back in the mix as a rhythm instrument, so I should use her that way live... Then there's my SG. Not a tone of output on paper, but DCR is not the be-all-end-all of output and out-front-ness, because that guitar wants to rock hard and stand out with the vocal as something the audience (when there is one) wants, no.... NEEDS to listen to. And that's just my 3 favorite guitars, they all have a voice and a use which is why MXR's whole marketing conception seems to defeat the point of switching guitars live... or switching at all. Out put and frequency response are 50% of my motivation. a variety of outputs isn't a problem to solve, its a palette of colors to paint with and your tube amp's the brush.
That said, the M-133 is a pretty flat sounding transistorized boost pedal, though it doesn't have the tubey sparkle of a ZVex SHO or any other jfet or mosfet based booster.
15323
Wow. I wish I could add your thoughts to my review as a third-party opinion. That's super valuable input! I haven't really used mine in a studio setting--seemed a little redundant to me, in my admittedly limited experience--so that's very useful information.
I don't really know that MXR is still marketing the MicroAmp as a single-coil/HB matching device, but they sure were about ten years ago when I got mine. Which is odd, given that Seymour Duncan makes a similar device that isn't just a boost pedal, but actually has a bit more going on under the hood. (Like you, though, I'd debate the merits of such a device on grounds that I don't see much point in trying to make different guitars sound the same.)
Thanks for adding those thoughts. I hope anyone who reads my review will also consider your experience as well.
40997
Thanks. I always try to kick out a lot of practical info on pieces of gear I've made extensive use of...
86
Does what it’s supposed to do!
I have a really old Micro Amp … like 30+ years. I added a 3.5mm jack for 9V power back in the day.
I don’t use this all the time, mostly because the Line 6 Spider gives me do much control over the signal chain already. I do find this useful to goose up the signal from my Alvarez acoustic guitar.
Nevertheless, I keep it with me all the time for those moments where I need some punch and want a quick fix.
822
Bring your tone a little shine like a car wax
I got this pedal inspired by the equipboard of Caleb Followill from Kings of Leon, but also this site recommends this pedal. After testing the MXR Micro Amp with my pedalboard, I found that this pedal brings a little shine to the tone, so your sound will have a proper clarity. After the 12 o'clock, the MXR Micro Amp begins to bring overdrive to the amp, as the volume climbs up. At full range, you obtain a greatly overdrive increase (depending your amp will raise the volume or the gain). The dynamics in this pedal are awesome, it improves my playing a lot.
MXR Micro Amp into a Vox AC15 (Class A amp)
Very subtle volume push, until you reach closely full pot, but instead adds gain frequencies and overdriving your signal. It is a nice transparent push when you like more of your Class A amp without messing on volumes, or having an overdriven setup and cleaning the signal with the guitar pot.
MXR Micro Amp into a Fender Custom Deluxe Reverb '68 (Class AB amp)
You get volume raising, subtle added frequencies. Still trying to figure how to match this pedal with the amp.
822
I should talk more about this pedal, which I feel it is glorious to me. It improves the frequencies from the amp, so the clarity obtained let you to low the volumen knob from your guitar without losing dynamics. This is great!
Best clean boost.
I like the EHX LPB a great deal. But this is a bit cleaner and less colouring, giving a nice, well, boost, to your tone. It works your amplifier perfectly, and can be used to push a slightly driven amp into a 'creamy' saturation. I like it as a clean boost - kick it on for a solo without losing tone, or adding unwanted gain. A very versatile and useful pedal
Preferred Settings + Usage:
Hard to know - the one knob about 11...
227
Elegant
It gives you a little push or a shove and adds that grain that might be lacking strength to your amp
This review has been translated automatically into English. See original222
the white brick
The only booster I've ever had or tried. I've always used my EHX Big Muff NYC with sustain at min after the DS2 to boost up my level during solos but I needed something for cleans. DS2 with the I setting is also good, with gain at min, but it alters the sound too much. This too, but it adds a little sparkle that I like. Sounds great with single coils. Gain at 10 o' clock or higher and you are good to go. This can go up very very loud. As the Dyna Comp, gets the job done.
253
Looking for a good all around clean boost well you're in the right ballpark
If you're looking for a clean boost in sound for just a little extra oomph then this could be a pedal for you its sturdy and does the job, but coming from mxr that would be just selling them short on their good quality products, now is it the most amazing pedal well for me no but that is not for me to decide but for you to go out and try it for yourself. I gave this a 4/5 because its a good pedal but nothing to really be blown away by its just a simple little pedal to do one thing and do it pretty well
234
Best clean boost I've found so far!
If you need a clean boost for solos, this is the one to buy! Unless you feel the need to have some tone sculpting as well to make your leads cut a little more and want to buy the Micro Amp+, this is perfect!
Having the single, big dial makes for easy on-stage adjustments if you find it's not quite the right volume in the moment.
As with all MXR pedals, very sturdy and reliable.
44626
Had you tried TC Electronic's Spark Booster or the mini one?
142
What a great pedal!!!
Smooth, warm, and easy to use. Very helpful to give a punch in the mix to the guitar. Also if you're playing a solo it gives you a little bit of volume without adding gain, in case you put it after the gain pedals. If you put it before, this pedal makes you raise the gain of the pedal in the level you need. Also, it gonna makes you gain a lot of bit of punch in a tube amp. Simply a really great boost pedal.
Artist usage
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Used with Foo Fighters "around the time of the second album", as stated by guitar tech Earnie Bailey in this August 21, 2017 Effects Bay interview.
What was the typical set up for Dave in those days?
A ProCo Turbo Rat into a 100 watt Marshall JCM800, a black Gibson Explorer, an 80’s tobacco Sunburst Les Paul Standard and a white Les Paul Custom is the earliest setup I can recall. A Boss DM-2 delay and MXR Micro Amp were added around the time of the second album.
A mainstay on John Frusciante's pedalboard, his MXR M-133 Micro Amp Pedal can be seen in the bottom row of this pedalboard from circa 2006 (Stadium Arcadium era). It is to the right of his Big Muff Pi. The photo is from Guitar Player magazine, November 2006 issue. Photo credit David Lee.
This photo of Jack White's pedalboard shows he uses the MXR M-133 Micro Amp (top right of the board).
He has also placed an MXR M-133 Micro Amp inside of a couple guitars. From an interview in GuitarPlayer:
"I had a couple of guitars made for the Raconteurs. I designed a Gretsch “Triple Jet” by adding a third pickup to a Double Jet, and putting an MXR Micro Amp inside the guitar. You can instantly get an overdriven sound by clicking on that pickup. You can just plug into an amplifier. If it’s time to play a solo and break out a little more, just click that switch on the guitar."
The pedal was mentioned in the 2019 Premier Guitar interview.
Alex Turner uses a MXR Micro Amp on his board as a boost to his clean signal or to boost the drive of his amp/overdrives for solos. Turner uses the pedal when playing in both Arctic Monkeys as it has been seen in every tour/ recording session since their second album and also during the second Last Shadow Puppets tour.
Adding a preset amount of gain with just a single control, the Micro Amp is a great way to boost the signal for lead work or adjust between two different guitars with unmatched output such as humbuckers to single-coils. It can also provide a permanent boost in a long effects chain where signal drop off is a problem.
Pictured is Turner’s pedal board early during the “Humbug” era in 2009. The Mirco Amp can be seen mid-board next to Alex’s Vintage TS808 Tube screamer.
In a photo from "Green Day Pictures: The Early Days, 1987-1993" on Greendayauthority, Billie Joe Armstrong is seen with an MXR M133 Micro Amp pedal.
Flea uses the MXR M-133 Micro Amp Pedal as a clean boost when doing leads, or slapping (it's shown at 5:47 into this video).
The MXR M-133 can be seen in this photo of Mac DeMarco's setup at a show in Rio de Janero.
You can clearly see the MXR M-133 Micro Amp in this photo of Noel Gallagher's pedalboard.
Album Usage
The MXR M133 Micro Amp has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use MXR M133 Micro Amp, it is most commonly used with the following gear.
Community setups
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