From a Vintage Guitar Magazine article, "John Frusciante: Red Hot On The Empyrean" it is revealed that John Frusciante owns a 1969 Gibson Les Paul Custom: > The Les Paul is a ’69, but I’m not sure what years the ES-175 and 335 are from. I don’t play those much; I bought them because Steve Howe played them, but they don’t really go with my style that well. I feel like Strats are an extension of me, and a Jaguar feels like the next closest thing to being an extension of me. Les Pauls and SGs seem like a further stretch. With a 175 or 335, I feel like a totally different person. I barely see a relationship to the way I play and the way those guitars are set up. You grow up developing a style on a Strat, and that’s what you play all the time. Article can be found [here](https://www.vintageguitar.com/3743/john-frusciante/).more
At 0:20, McCartney comes out with a black Gibson Les Paul Custom. The side views (such as at 0:40) show this guitar has the thickness of a standard Les Paul Custom, indicating this is not the black Les Paul Custom Lite gifted to McCartney by Les Paul in 1988. The presence of white binding along the back of the body also supports this. McCartney's LPC Lite only had white binding on the front of the body.more
In this photo, one can see Richards with a Gibson Les Paul Custom. [Gibson](http://www.gibson.com/News-Lifestyle/Features/en-us/keith-richards-0502-2011.aspx) writes : "By 1966, Richards was using three-pickup Les Paul Customs (the so-called “Black Beauty”). He had four, at least. He first used one in ’66, but that was stolen on tour in 1967. He purchased a new one in London, and this one was later painted by himself and then-partner Anita Pallenberg. It is now apparently owned by a U.K. guitar collector. So why did that one go? Various stories say Keef gave it away or forgetfully left it in a Canadian guitar shop. He bought two new Les Paul Customs for the Stones’ 1969 tour, and used one for open-G tuning on “Jumpin’ Jack Flash” and “Street Fighting Man” (live), the other in standard tuning. Both these Black Beauties were reportedly stolen from Nellcote in July 1971. Bad luck or simple carelessness? By ’73, Keef was still using a ’54 Custom for “Midnight Rambler” on The Stones’ ’72-73 tours. The Rolling Stones’ Rock and Roll Circus film shows Keith rocking one of his early LP Customs."more
In addition to the G&L guitars, Cantrell plays a Gibson Les Paul Custom. “You know, pretty much within key to my sound all along,” he says at (3:09). “I play them both, depending on the song.” You can also see Jerry using this Les Paul live [here](http://youtu.be/woK6p_fD7Sk?t=16m31s)more
"Pete Townshend’s occasional use of a 1956 Gibson Les Paul Custom “Black Beauty” guitar. Notably seen on “Relay” as mimed on the Russell Harty Show television program, 3 Jan. 1973. The Black Beauty featured one black P-90 pickup in the bridge position and one Alnico V pickup in neck position."more
"This guitar was reportedly borrowed for use on SY's July 18th 2000 appearance on 'Late Night with Conan O'Brien', performing 'Nevermind'. Supposedly Thurston's maroon Les Paul was unavailable so they rented a "real" Les Paul -- which Thurston liked so much, he purchased a new Les Paul for himself for the west coast July 2000 tour. However, the matching 'Terrence & Philip' stickers on Lee and Thurston's guitars for this performance are curious..." - [Chris Lawrence](http://www.sonicyouth.com/mustang/eq/gtr108.html).more
The guitar in this picture is actually a Les Paul Custom, rather than a Les Paul Standard as originally posted. Les Paul Customs are characterized by block inlays rather than trapezoids and the diamond inlay on the headstock. The pick up switch is removed as he usually has the neck pick removed.more
Frank Zappa began playing a Gibson Les Paul Cherry Sunburst in the late 1970s. While it started as a standard version, he of course modified it over time, according to this [article from Gibson](http://www.gibson.com/News-Lifestyle/Features/en-us/frank-zappa-0902-2011.aspx). [Guitar Player](http://www.guitarplayer.com/news/1024/frank-zappa-inside-the-guitars-and-amps-of-his-greatest-recordings--video/54379) writes : "Pictured on the Shut Up ’n Play Yer Guitar cover (right), this Les Paul Custom was originally loaded with (white) Dimarzio pickups but were later changed to (black) Seymour Duncan humbuckers that are in it today, and has been outfitted with a Dan Armstrong Green Ringer circuit (which was installed in the control cavity) and an XLR output jack. An extra knob located in the midst of the stock controls is a nine-position rotary switch that allows for single-coil/humbucker and out-of-phase options. The mini-toggle switch selects between series and parallel operation."more
Sonic Youth's [website](http://www.sonicyouth.com/mustang/eq/gtr74.html) says, about Lee Ranaldo's Les Paul Custom: "Used by Lee: 2006 -- D#D#A#D#GG (Incinerate, Rapture?, Pink Steam) & DD#A#D#GC (Sleepin' Around) 2007 -- D#D#A#D#GG (Incinerate, Rapture?, Pink Steam) 2008 -- D#D#A#D#GG (Incinerate, Rapture?, Pink Steam) 2009 -- D#D#A#D#GG (Pink Steam) NOTES: For Sonic Youth's performance on "Late Night with Conan O'Brien", Thurston had to borrow a Les Paul because his maroon one was unavailable. He liked it so much, he bought his own, which he began using on the west coast tour that started 2 days later. However, he continued using the maroon one more frequently. A few years later, Lee adopted it as one of his main 'Rather Ripped' guitars. Dark tobacco sunburst finish 2 humbuckers Rosewood fretboard 1 toggle switch 4 knobs Black pick guard"more
In this video lesson for Bulletproof Heart, Ray is using a Gibson. I can't exactly identify the model because the video's 240p, so I went with the most plausible choice. If anyone can find a higher res version of this video, please let me know as I'm dying to find one. (NOTE: I FOUND A HIGHER QUALITY VIDEO ON THE GERMAN HOST SITE http://www.bonedo.de/artikel/einzelansicht/play-alike-36-my-chemical-romance.html)more
"Literally hundreds of instruments passed through his hands in the Eighties alone, from the trusty black 1972 Les Paul Custom that he used to record the band’s early albums to various Kramers, Charvels and Hamers in every imaginable shape." - [*Guitar World*](http://www.guitarworld.com/node/19047).more
In this video, Smith is playing the LP Custom on "2 Minutes to Midnight" (during Rock Am Ring 2014 concert). The guitar first appeared in the 2000s and can be seen in the "Wicker Man" video; also, Adrian used the Custom on other occasions in live tours, including for "The Great Unknown" (during The Book of Souls Tour - 2017 leg).more
On a [Gibson's website](http://www2.gibson.com/News-Lifestyle/Features/en-us/Stone-Sour-s-Corey-Taylor-Talks-Les-Pauls.aspx) interview, Corey Taylor answers in response to the guitars he uses: "For recording, I have a bunch of different Les Pauls. I’m such a spoiled Les Paul kid, it’s not even funny! I’ve been collecting them all over the world. I have a great ‘84 Silverburst. I’ve got an old, 1960 reissue, and I used a couple of those on the new album."more
Paul Banks of Interpol can be seen playing a black Les Paul Custom, one of his primary guitars. This photo of him is from their Coachella 2011 performance (originally sourced from rock.about.com). His Les Paul Custom differs slightly from a completely stock version, since he has removed the humbucker covers.more
When he appeared at the 2010 Dallas International Guitar Festival, Lynch was playing a great sounding Tele copy but suddenly stopped mid-song. While his backing band played on, Lynch wandered offstage having spied a rack of vintage guitars. He snatched a gorgeous 1955 Gibson Les Paul Black Beauty from its perch and though it had no strap and still had the price tag dangling from its head stock, brought it triumphantly back onstage. Ripping into this historic guitar on one knee, Lynch made the $55,000 antique screech and shriek to the delight of the guitar fest fans.more
Today’s Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance.more
What was your first guitar? A Les Paul. I can’t remember how old I was. I got a job and saved my money until I had $500. Two months after that, I met Kerry [King], and that’s how Slayer got started. I worked in an office building at the time, and this other band practiced in one of the rooms. After work, I’d go hang out with those guys and play, just to learn the instrument. Kerry was actually trying out for that band, but we were more in tune with one another, musically speaking, so we decided to start a group. He also played with Tom [Araya] in another band, and he knew a drummer that lived on his block. So it all just fell together.more
I think this guitar is actually Dante Schwebel's, because he frequently uses it [live](htthttps://www.liveinlimbo.com/2017/07/07/concert-reviews/city-colour-blue-rodeo-the-strumbellas-stars-and-dear-rouge-at-niagara-on-the-lake.htmlp://), but Dallas borrows it from time to time. Knowing his preference for vintage gear, this Custom is also most likely vintage (especially considering how much it's yellowed).more
In this interview you can see that Johnny Bond Uses a 2002 Gibson Les Paul that has been equipped with a Bigsby. Artist Quotes ""I literally bought this [a Bigsby-equipped Gibson Les Paul] the other day, in Nashville, towards the end of the American tour. It's a 2002, and our roadie fitted the Bigsby for me, because I do quite a lot of mad dive-bombing stuff."more
In [this article](http://www2.gibson.com/News-Lifestyle/Features/en-us/fleetwood-mac-1005.aspx), Lindsey Buckingham's story as a part of Fleetwood Mac is detailed. It says, "Buckingham acquired a white 1975 Les Paul 20th Anniversary reissue model as he joined the band, and it became his main electric guitar on stage. Based on the Les Paul Custom more than the original Les Paul Gold Top, Buckingham’s instrument had humbuckers and was gifted with superb clarity and punch, responding briskly to every nuance of his self-made finger-and-nail picking style."more
Used during the "Social Distortion" album era. In this video (live at UC Irvine in 1990), the black LP Custom can be seen clearly at the beginning and other times throughout the video. Also to note, Ness has a white LP Custom in the "Story of My Life" video. Not much has been spoken of by Ness or others regarding the Les Paul Customs used by him, and it is not known whether he owned/owns them or they were borrowed.more
From Steve Hackett's official website: > Heavily modified with Floyd Rose trem and Roland hex pickup and controls for the Roland GR-700 guitar synth. Steve is quoted as saying: > **Steve:** "A really fat sounding guitar with a warm tone plus the added facility of mixing the neck and bridge pick-ups together - creamy, bitey, nutty, crunchy!" Official website found [here](http://hackettsongs.com/instrument.html).more
Mike’s current main squeeze is a 1985 Gibson Les Paul Custom that he bought in his hometown of Chicago at Rock N Roll Vintage. Since acquiring the guitar, he dropped in new pickups—a high-wound Lollar Imperial in the bridge and a standard Lollar Imperial in the neck. Sullivan goes with D’Addario NYXL .011–.056 strings and tunes this one to a DADGAD variant—C#-G#-D-G-C-A#. When it comes to picks, he’s been loyal to the Dunlop Max-Grip Jazz III since he found some inside a box for an Andy Timmons pedal. Sullivan’s backup is this ’81 Gibson Les Paul Custom (with the original pickups) and is reserved for songs in A-A-D-G-A-D tuning including a new song off 2016’s Guidance called “Afrika.”more
According to [this](http://www.guitarplayer.com/artist-lessons/1026/play-like-marc-bolan/13350) Guitar Player article "His go-to guitars included a Gibson Les Paul Custom refinished in translucent orange, a black, tremequipped Flying V, a late-’60s Olympic White Fender Stratocaster, a Veleno aluminum ax, and a Burns Flyte."more
Daniel Johns bought this Gibson Les Paul Custom Electric Guitar (ebony finish) in late 1997, and it was used for some Freak Show shows in Drop-D tuning and most notably the 1997 Recovery TV show (clip: https://www.youtube.com/watch?v=TPfu9IeJlvw). Now tuned in Open Db: (Db-Ab-Db-Ab-Db-Db) and used for Emotion Sickness, Without You, Paint Pastel Princess, and Spawn Again since Neon Ballroom tours. Anti Duck Hunting sticker added during Neon Ballroom. Original source: http://bit.ly/1tJMaBAmore
The Stratocaster remains one of Asheton’s primary guitars today (“..because of the whammy bar, and that good, clean sound it gets with wah-wah, that biting, hurts-your-ears sound”), but he also owns three Guild X79s (“It had the good pickups, and it just barked“), a Gibson SG Junior, and a 1969 Gibson Les Paul, which has “great sustain – but if you’ve got it on for a couple hours, it gets heavy on your shoulder,” he said.more
"...a little more subtle on the binding. I didn't want it to look too blocky. And then, I don't know if you can see on camera, but all the parts are chrome." (4:30) Tommy Thayer shows off his new white metallic Gibson Les Paul Custom in this [rig rundown](http://youtu.be/Dg2fRBXhB6Q?t=4m20s) for Premier Guitar.more
According to an article on Guitarthai, in addition to his own signature ESP Eclipse lineup, Sugizo also used an ESP Horizon, Fender Jaguars, Fender Stratocasters, Fender Telecasters, Gibson ES175, a Gibson Les Paul Custom, a Richenbacker 330, and electric violins made by Kranz. He also used Diezel VH4 head, a Mesa Boogie Dual Rectifier head, a Mesa Boogie 4x12 cabinet, a TC Electronic TC 2290 Rackmount Dynamic Digital Delay, Decimator ProRack G power conditioner, a script Phase 90, a Boss CE-2 Chorus pedal, a Boss OD-1 pedal, a Providence Final Booster, a Digitech Whammy II, an Eventide Pitchfactor, an Eventide TimeFactor, an Eventide ModFactor, a TC Electronic G System, a Boss PS-5 Super Shifter, a Blackstar HT-DIST Distortion pedal, and a Providence Stampede Overdrive.more
You’ve been around for so long. How have you seen the development of your gear? Have you been changing and adopting to what’s been in the market and do you keep track of that stuff? Not at all (laughs). The thing is, I’m very conservative and traditional. I’ve played the one guitar I always wanted to play, let’s put it like that. I’ve done the Gibson Les Paul customs for many years now and I play them through a Marshall amp, which I think is the most classic and the best-sounding combination you can get. But then again, new gear is coming up. We’ve also used the Kemper amps a little bit for practical reasons and also when the regular amps break down, which they do. The Kemper amp is a really good solution and substitute for it. But like I said, I’m very conservative. All I really want to have is a Gibson, a wah and a Marshall. - See more at: http://metalassault.com/Interviews/2014/12/16/in-flames-guitarist-bjorn-gelotte-talks-touring-gear-more/#sthash.9eHhRyYV.dpuf Multiple References on youtube and wikipedia: https://en.wikipedia.org/wiki/Bj%C3%B6rn_Gelotte https://www.youtube.com/watch?v=XSXHETQt57omore
Fallon uses at least two Les Paul Customs. According to The Music Zoo, where Fallon got those, he had used the ebony one (Ebony 58 LP with a walnut colored back) on "Handwritten". The other one is a Gibson Custom Shop Orange Sunset Fade Heavily Aged R9. More details and pictures on http://www.themusiczoo.com/blog/2013/brian-fallon-of-the-gaslight-anthem-visits-the-zoo/more
“I sold one guitar to make ends meet; we’d hit some hard times on the road, it was a Les Paul Custom with a peace sign on it that was hand-painted. But the one that really gets me, my grandfather passed away recently and when I was just starting out he gave me a 1966 Fender Bassman head and the 2×12 matching cabinet. The head got stolen and I’ll never see it again…”more
In [this article](http://www.premierguitar.com/articles/Interview_James_Williamson_Return_to_the_Raw) on the making of the Stooges' album *Raw Power*, Williamson's gear at the time of recording is explained as such: "Armed with a 1969 Gibson Les Paul Custom driving a Vox AC30, as well as a Martin D-28 acoustic—the latter two of which he borrowed from the studio—Williamson dove headfirst into the recording process. Although he hadn’t previously tried the Vox-and-Paul combo, he was delighted after plugging in. 'That driving sound on the record is a combination of the way I play and the sound I was able to get with the combination of that instrument and that amp. It’s definitely a good sound.'"more
He possibly used many more of Gibson Les Paul Customs. This one has two humbuckers, and it was used during the 2006 tour, as this photo from Limburg concert in Netherlands shows. It has a silver sticker attached to it, as well as some kind of purple tape. The same one was used in [2009 Rock Am Ring](https://www.youtube.com/watch?v=ni8i0x7suBo) festival for "Every You, Every Me".more
> “Around 1974, I walked into a store in Westchester, Pennsylvania, and saw this and another Custom with P-90s hanging on the wall and asked if I could play them. Phenomenal! I asked if they were for sale, and the guy said, ‘Not really. Keith Richards’ roadie brought them in for fret jobs about two years ago and no one ever came to pick them up.’ I told the guy that since the work was not paid for, he could invoke a mechanic’s lien, where you send the owner a letter saying that you’re entitled to be paid for your work, and that if you’re not, you can sell the instruments. I asked the guy to send a registered letter to the Stones’ label, which he did, and then a few months later he sent another one, neither of which they responded to. So the guy was free to sell the instruments. I once had to take a pickup out to fix something, and out came a matchbook from the Bag O’ Nails in London, which is a club where the Stones used to play.”more
"Mainly a 1957 black Les Paul Custom, my Firebird, a Chet Atkins guitar for the Spanish guitar bits, a Guild 12-string acoustic and a 1951 Telecaster. I used my Blade for all the rhythmic parts plus the lead sound on Rayo di Bala, which I was very pleased with. Nearly all the solos are played on a Marshall head straight into the desk, not using a speaker."more
This left-handed Gibson Les Paul Custom in Alpine White finish (which has yellowed with age) was bought by Blake Schwarzenbach in about 1995 and used for touring and recording with Jawbreaker (most notably on their last album, "Dear You"), Jets to Brazil, Thorns Of Life, Forgetters.more
The "Fretless Wonder" of which Ric Referrs to in the interview is better known as the Gibson Les Paul Custom in guitar circles. "Guitars? My favorite ones are always Gibsons. Fenders like the Jaguar I'll use on stuff like 'My Best Friend's Girl.' clicky stuff where I'm lust playing eighth notes. The Gibsons I like for more distorted, bigger, raw kinds of sounds." One of them is a '54 Fretless Wonder; the others arc mostly late 50s and early 60s Les Paul' TV models he picked up on various Cars tours. Curiously, Ocasek's guitars all come in red, white or black finishes except for a lone acoustic Martin. "I can't use a guitar with a natural finish. I don't like the look of wood guitars." Whatever their color, they all go through a 50-watt Marshall amp. Everything else is plugged straight into the board.more
"Gillard plays his ‘76 Les Paul Custom through his Mesa/ Boogie Dual Rectifier half-stack, and uses a pedal-board loaded with a Boss TtJ-2 tuner, a Boss BD2 Blues Driver overdrive, a Boss TR-2 tremolo, and an Ibanez CF-7 chorus/flanger." - 2001 Guitar World Interview, interview was found on the official Guided by Voices website.more
In this picture Chad can be seen playing this guitar. He also owns 2 others Gibson Les Paul Custom Electric Guitar, a red one cdn.thedeadhub.com/wp-content/gallery/uploads/2010/03/newfoundglorychicago5.jpg and a white one www.mtv.com/news/photos/l/les_paul_players_09/g_new_found_glory.jpgmore
In [this article](http://www.musicradar.com/news/guitars/sleeping-with-sirens-guitarists-on-gear-madness-and-pushing-the-limits-618526) Jack and fellow SWS guitarist Nick Martin describe their gear. Jack states he "goes back and forth between" his Gibson Les Pauls. In the photo, you can see Jack playing one of said Les Pauls.more
George Kooymans used a black Gibson Les Paul Custom on the recording of Radar Love. This is also explained in detail in the book 'Songs, snaren & gitaren'. The guitar was bought as occasion in 1969 at Muziekhuis Servaas in Den Haag and was previously owned by Andy Tielman. Seen here is the guitar being used - which was a 3 pickup model - playing the track in question live in 1973. The pickup covers were removed to brighten up the sound, and it's very much viewable in close in the promo they did for "She Flies on Strange Wings".more
He's been seen sometimes playing live with a black Les Paul custom in different periods of the band. Here's a link with another picture of him playing it: https://www.gettyimages.es/detail/fotograf%C3%ADa-de-noticias/american-musician-and-guitarist-evan-dando-of-fotograf%C3%ADa-de-noticias/763436525more
She used this through the early days. She nowdays she swaped to a Gibson SG. "*I can’t play that black Les Paul any more because it’s too heavy for me. I’m not gonna do it! I’m not going to wear that tree-trunk around my neck any more. So that’s what I’ve been playing: my SGs and my Les Paul.*" http://iheartguitarblog.com/2014/09/interview-veruca-salts-louise-post.html#sthash.8omXnYQh.dpbsmore
"And I really only have two main guitars in the studio: One is a ’68 Les Paul Custom Black Beauty, and then I have a ’69 Tele that’s really light. I tend to always be on the bridge pickup—I’d rather have the guitar always sound bright, and then just dial the treble back on the amp."more
"To cop some of the Larry Carlton-era sounds, Herington recently picked up a ’70s Gibson Les Paul Custom and upgraded it with larger frets and Lindy Fralin pickups. The electronics are modified in the same way as his ES-336," states [this](http://www.premierguitar.com/articles/Rig_Rundown_Steely_Dans_Jon_Herington) Premier Guitar rig rundown.more
McKay is left handed and always favored vintage instruments. He’s used many guitars over the years, but his number #1 was a left-handed ’72 Gibson 335. Other guitars he used back in his tenure with Earth Wind & Fire included a Les Paul Custom, Fender Telecaster, Gibson L5, and a Gibson SG.more
"astroflexagram Bizarra Locomotiva Coliseu de Lisboa Foto: Hugo Adelino - WAV Magazine #bizarralocomotiva #coliseudelisboa #lisbon #lisboa #lisboalive #gibsoncustom #gibson #gibsonguitars #gibsonlespaul #gibsonlespaulcustom #blackbeauty #lespaulappreciationsociety @astroflexagram"more
From [2009 Guitarsite Interview](http://www.guitarsite.com/news/features/interview_with_colin_macdonald_and_john-angus_macdonald_from_the_trews/): "A ‘74 custom that I had Les Paul sign when I met him in New York City in '06". Personal Note: John-Angus brought this guitar for a guitar lesson with him in October 2013 as a result of their PledgeMusic campaign for their 2014 album "The Trews".more
"So, continuing to rummage through the junk under the bed, I pulled this out. It's a Les Paul Custom I acquired sometime in the late 80's. According to the Guitar Dater serial number lookup thing, it was made in Nashville on August 19, 1983 (Production Number: 3) - more info than I needed, probably, but kind of fun to know. I've heard people say that all the post-Kalamazoo Les Pauls were "weight-relieved" or "chambered", i.e. they had huge hunks of wood hacked out of them to make them lighter, and I agree that that seems like a terrible, terrible thing to do. But there's no way this particular one was "relieved" in any way. It's crazy heavy, shoulder-destroying heavy, the heaviest guitar I've ever lifted, the guitar equivalent of a medium sized anvil or a set of encyclopedias. So I guess some specimens must have escaped the chambering. It was my main guitar for a couple of years there in the late '80s/early '90s, after my old SG's neck snapped off. (I had it repaired but looking down at the scar made me sad.) Then when I got the white Junior in '91 or so I immediately retired it, partly because of the weight, but mainly of course because pretty much nothing could compete with a Les Paul Jr. from 1957, funky though it always was. I gotta say though, this thing is solid as they come and hasn't suffered at all from being bashed around by a guy who didn't know how to play for a stretch and then neglected, forgotten, and stored under a bed for 25 years. Been playing it all morning (through that old Mesa Boogie Mark IV I used to use back then) and it's a stout dependable beast, all the sustain you'd want, and a great tone considering the fact that it has those humbuckers. Plus, if I were ever to have to face a horde of marauding Viking warriors on stage, I know the guitar I'd choose as a shield. Sturdy, man."more
Josh Portman posted a picture of his favorite guitars, in which the Gibson Custom Les Paul Custom Electric Guitar Alpine White is shown. "Happy Tuesday from me and my five favorite children! '86 Alpine White Les Paul Custom, '78 Les Paul Custom Black Beauty w/ maple neck, '88 Fender Mary Kaye Blonde '57 Reissue P-Bass, Charvel Warren DeMartini Signature Snake, and my original Washburn Nuno Bettencourt N4, signed by the man himself!"more
Ryan Mendez has owned several Gibson Les Paul Custom's. It was his first guitar too, as revealed in [this interview](http://www2.gibson.com/News-Lifestyle/Features/en-us/Yellowcard-Guitarists-Hit-the.aspx). He says, "'When I was 16, I got my first real guitar, which was a black Gibson Les Paul Custom, and it was like a dream come true,' Mendez remembers. 'I come from a background of liking a lot of the harder rock stuff. Growing up, a lot of the artists I listened to used Gibson: Slash, Zakk Wylde, Led Zeppelin. To me, it’s like the classic hard-rock guitar.'”more
The description of this YouTube Video from *TC Electronic* states "Volbeats' bass- and guitar tech, Tue Bayer, takes us through the guitar rig of Volbeats' guitarist Thomas Bredahl." At 2:23 Tue says "This is Thomas’ Gibson custom in white, which I classify as the main gibson he plays on, it’s a pretty stock guitar, I put in a different pickup in it, the [Seymour Duncan JB](https://equipboard.com/items/seymour-duncan-tb4-jb-model-trembucker-pickup)”.more
"How did you get better at your current style? I’m self-taught. I don’t know how to read and write scores, I go by ear and only took two guitar lessons in my life. I have a style I created in order to compensate for what I don’t know. At 14 I found this classic guitar teacher (a guitar monster) who was giving guitar lessons. I called him up and he asked me what I wanted to play. Naturally, my answer was “heavy stuff.” He came to my house with a Gibson Les Paul Custom that I had only seen on record covers. He was already an idol. If you play a Les Paul Custom you MUST be great, right? At least when you’re 14 this is the vibe, if you know what I mean, after you discover it’s a lot different."more
Beecher was loaned multiple black Les Paul Customs by Gibson, particularly in 1956. billd13 of The Les Paul Forum, who once played on the same bill as Beecher, [mentioned that Beecher played Les Paul Customs from 1954 and 1957](https://www.lespaulforum.com/forum/showthread.php?139799-1954-Les-Paul-Custom-Black-Beauty). > As an aside, I believe you'll find that Danny Cedrone and Frannie Beecher of Bill Haley's Comets used a '54 Custom on all of their recordings up until some time in mid to late '57 when Frannie switched to a '57 Custom, always being played through a Fender Twin. When I met them and played on the same bill in early '58 Frannie was using the '57 but still carried the '54 as a backup and used in in practice. Remembering the sound that guitar had was one of the reasons I decided to get my '54 last year.more
I'm more of a Fender guy when it comes to moving around on the neck and balance, as Les Pauls especially feel very bottom heavy. However, I've always wanted one of these. Can't get over their sound (dat sustain), and I have to have one.
This is like the "grand piano in the living room" of all my guitars - meaning I absolutely love the way it looks, it sounds fantastic, but it spends a lot of time in its case. Don't know why, just never adopted it as one of my main guitars. I find Les Pauls to be a tad too heavy for my taste, maybe that's why.. Very fortunate to have it though!
I don't like using it for live stuff since it is bottom heavy, but if I'm just recording or playing then it's my go-to guitar. There's a reason they're on the heavy side. The tones are great, and it's got nice action. Les Pauls are rightly at the top of their field. Only thing I don't like, aside for the weight, is the price. But that's coming from a college student whose last five meals have consisted of peanut butter sandwiches and granola bars so, whatever. In the grand scheme of things, maybe $5000 is a reasonable price.
The beautifully designed and sized mahogany body both balances the instrument impeccably and radiates sustain throughout the entire tonal range, with harmonics developing in a linear, predictable fashion as the ambient volume increases. . The intuitively proportioned, narrow neck and fingerboard, combined with its medium scale make extended chords and widely spaced fingering surprisingly easy, taking advantage of an ergonomically radius that comfortably encourages movement along its length, while the full bodied comfortable frets in conjunction with the natural balance reduce tiredness during and after extended playing and exude confidence from all but the least experienced musician. . Gibson's pickups are without doubt clear, articulate and sensitive, with the kind of quiet, cleanliness one would expect from a premium guitar, the ability to register even the slightest nuances at low level and a rich, powerful projection when cranked up that enable the musical purity to cut through the well controlled and subtle microphony that even in the cleanly manufactured wax potted coils, makes its presence felt, but at a level that adds character in spades, rather than the coarse, uncontrolled, discordant fashion of lesser offerings. . Potentiometers, wiring, earthing and shielding of cavities are silent for the most part with little, or no R.F. Interfearance, maintaining the musicality of the outgoing signal. . The machine heads are precise, with little backlash in the gearing and a soft, smooth operation which when set, stays put throughout all but the most vigorous strumming and string bending, making for a. Rewarding rich sounding experience, with minimal need for adjustment due to string creep. . With the attention to quality control in the hardware section, the plating is very even and lustrous, giving yet more reason, if any were needed, to trust in Gibson's ability to produce what is and has been for some considerable time, the industry standard where electric guitars are concerned. . If I HAD to make one criticism, it would be to highlight the guitar's tendency to resonate in a very slightly bass heavy fashion, but that is nothing that can't be allowed for in the choice of strings and amplifier settings........ . By far the biggest accomplishment in my opinion, is the way the guitar lends itself to customisation. Especially in the wiring department. Replacing the bridge pickup with a very slightly "Brighter" one transforms the guitar, in my opinion. Opening its range and vocabulary. Making it by far the most versatile and playable guitar on the market today... . All this being said. These are purely my own, personal opinions, no doubt endowed with just a little positive bias having owned many Gibson Les Paul models over the years. Each one being the leader in its price range.
I love my Gibson Les Paul Custom. It's really a work of art and plays superbly. The setup out of the box was great and you can see why these guitars cost a little extra. The tones are amazing and the playability is smooth.
The tone on this guitar is equally insanely crunchy and undeniably classic. Whenever we write a song that needs that extra "rock n roll" vibe, we bust this thing out and it always delivers the goods. There is a reason that it resides in our studio's most visible spot.
2007 Gibson Les Paul Custom in Ebony. 2007 appears to be the last year that Gibson produced these guitars with ebony fingerboards, before they switched to using Richlite. The guitar has previously been upgraded with a Seymour Duncan JB in the bridge position, and has now been fitted with the Seymour Duncan Blackouts Active Modular Pre-Amp.
Hi! This is FloeMedia Team. 1 Guitar wash described by Dr. Michael Kasha as an instrument that had "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often incurved sides''. Modern guitars come in four main types. The classical guitar is used for classical music. The term acoustic guitar is generally used for popular music, even though a classical guitar is also an an acoustic instrument. There are many music, even though a classical guitar is also an acoustic instrument. There are many other different types of acoustic guitars form different parts of the world. A guitar can be flat, hollow, or semi-hollow (solid with hollow pockets on the sides), and produces sound through its pickups, which are wire-wound magnets that are screwed onto the guitar. Some guitars combine the hollow acoustic body with amplified sound. Bass guitars are designed to make a low bass rhythm. A special electric folding travel guitar called the Foldaxe '' briefly manufactured by Hoyer in 1977" was invented for Chet Atkins (in Atkins' book "Me and My Guitars") by inventor and guitarist Roger Field, Featuring a built-in way to keep the string tension and tuning the same even when folden, and ready to play when folded, and ready to play when unfolded. Atkins demonstrated his several times on US television, and also on the today show with les paul, who was with as a guest.
I usually have multiple guitars on stage, fully meaning to switch for different song voicing, but always seem to keep my Custom playing throughout the set. Great sounding, looking, and playing guitar.
I've had my Gibson Les Paul Custom for nearly four years now and it's probably my favorite guitar. It plays beautifully and nails the classic Les Paul sound. It's also very versatile, and fits in with both heavy and lighter fare. Definitely a keeper.