Paul Waggoner

"Paul controls his Fractal with a Rocktron All Access foot controller, but sets his patches up in song mode, with rhythms, leads, and other patches for each song based on the song’s tempo and tonal requirements. For the current tour he has dozens and dozens of patches—including an organ for the opening of the band’s cover of Queen’s “Bohemian Rhapsody”—because each song can have three to eight tonal presets triggered by the Rocktron. Like Waring, Waggoner has a few traditional boxes: two Mission Engineering EP-1 expression pedals (to control volume and delay times), a Strymon TimeLine (the main delay used for mainly clean tones and the pedal’s ice function that adds an ethereal harmonizer to the mix), a Wampler Faux Tape Echo (used for longer, shimmering delay vibes), Port City Salem Boost (to cut through on solos), a Wampler Leviathan Fuzz (usually kicked on top of a clean patch and played with Waggoner’s neck pickup on), and a TC Electronic PolyTune"

"Here I have an Ibanez Weeping Demon wah pedal."

Seen at 1:46

".. a Strymon TimeLine (the main delay used for mainly clean tones and the pedal’s ice function that adds an ethereal harmonizer to the mix)"

"And then I use this guy, this Port City boost..."

Seen at 34:53

"Ibanez Tube Screamer, which I just use for a gain boost on some of my leads."

Seen at 2:05

"We have a DD-3 Boss delay unit and a Boss reverb."

Seen at 1:08

"Compressor/Sustainer pedal, which I also use for leads."

Shown at 2:07

"And then this is a Boss noise suppressor which is pretty much standard in anyone that plays metal's setup..."

Discussed at 2:24

"Waggoner has a few traditional boxes: two Mission Engineering EP-1 expression pedals (to control volume and delay times)"

"(... )a Wampler Faux Tape Echo (used for longer, shimmering delay vibes) (...)"

"Paul controls his Fractal with a Rocktron All Access foot controller, but sets his patches up in song mode, with rhythms, leads, and other patches for each song based on the song’s tempo and tonal requirements. For the current tour he has dozens and dozens of patches—including an organ for the opening of the band’s cover of Queen’s “Bohemian Rhapsody”—because each song can have three to eight tonal presets triggered by the Rocktron. Like Waring, Waggoner has a few traditional boxes: two Mission Engineering EP-1 expression pedals (to control volume and delay times), a Strymon TimeLine (the main delay used for mainly clean tones and the pedal’s ice function that adds an ethereal harmonizer to the mix), a Wampler Faux Tape Echo (used for longer, shimmering delay vibes), Port City Salem Boost (to cut through on solos), a Wampler Leviathan Fuzz (usually kicked on top of a clean patch and played with Waggoner’s neck pickup on), and a TC Electronic PolyTune"

"We have a DD-3 Boss delay unit and a Boss reverb."

Seen at 1:08

"This is a digital delay pedal, Boss DD-6 which I use for tempo delays..."

Seen at 2:11

"This is a tuner pedal, it's how I stay in tune during the set."

Seen at 2:06, Discussed at 2:44

Seen during the pedal overview at 2:06