Peter Christopherson

"Our sound sources include quite a lot of original analog gear (OSCAR, Korg Poly-6, EMS synthi, Roland Juno60 - all midi-retro fitted BTW) plus the usual samplers (Emax, s1000, Samplecell II). These are controlled by sequencers including Studio Vision, Cubase and the "retro-style" Doepfer (originally made for Kraftwerk). The sounds are intially effected by various standard echoes and FX including a Roland SDX-330 Dimensional Expander (3D-ish) and a Boss SE70 (good vocoder presets!)."

In 1:07, and 7:22 of this video (as well as at other times during the hectic editing) you can see Sleazy using a Nord Lead synthesizer. I think it's a Lead 1, though that doesn't come up on equipboard. He also mentions using a Nord for Coil's Ape of Naples in this interview: https://archive.org/stream/CoilInterviewTheMillionDollarAltar/Coil%20interview%20-%20The%20Million%20Dollar%20Altar_djvu.txt

"Our sound sources include quite a lot of original analog gear (OSCAR, Korg Poly-6, EMS synthi, Roland Juno60 - all midi-retro fitted BTW) plus the usual samplers (Emax, s1000, Samplecell II). These are controlled by sequencers including Studio Vision, Cubase and the "retro-style" Doepfer (originally made for Kraftwerk). The sounds are intially effected by various standard echoes and FX including a Roland SDX-330 Dimensional Expander (3D-ish) and a Boss SE70 (good vocoder presets!)."

A Korg MS-20 can be seen in a 1997 photo posted to Drew McDowall's Instagram

sleazy used the persephone in lots of live soisong stuff, easy to see in this vid

A Novation Bass Station Keyboard can be seen in this photo of Coil's home studio

Peter Christopherson is holding a Bugbrand Board Weevil in this press photo

Sleazy mentions this not only the Keyboard Magazine Interview from 1987, but again in the COIL website FAQ from 2001.

Sleazy frequently mentioned that the main sound source for the early records was the E-mu Emulator II, although its sounds were sometimes exported to the Fairlight via MIDI and edited on it.

"Our sound sources include quite a lot of original analog gear (OSCAR, Korg Poly-6, EMS synthi, Roland Juno60 - all midi-retro fitted BTW) plus the usual samplers (Emax, s1000, Samplecell II). These are controlled by sequencers including Studio Vision, Cubase and the "retro-style" Doepfer (originally made for Kraftwerk). The sounds are intially effected by various standard echoes and FX including a Roland SDX-330 Dimensional Expander (3D-ish) and a Boss SE70 (good vocoder presets!)."

"Our sound sources include quite a lot of original analog gear (OSCAR, Korg Poly-6, EMS synthi, Roland Juno60 - all midi-retro fitted BTW) plus the usual samplers (Emax, s1000, Samplecell II). These are controlled by sequencers including Studio Vision, Cubase and the "retro-style" Doepfer (originally made for Kraftwerk). The sounds are intially effected by various standard echoes and FX including a Roland SDX-330 Dimensional Expander (3D-ish) and a Boss SE70 (good vocoder presets!)."

Sleazy mentions this sampler in the Keyboard Magazine interview from July 1987.

Sleazy mentions this classic synth in the Keyboard Magazine interview from 1987.

In a photo from the same session as the one used to capture the Mackie 32/8 bus mixer, the Oberheim Matrix 6R can be seen under the computer.