Listed there and here https://www.matrixsynth.com/2005/07/ministry-for-sale.html

Al selling his equipment

There is written following in the book "Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed" by Jake Brown

"Jourgensen recalled that “we had the Fairlight, but that was very limited in sense that it had a 1.6 second sampling time, so we used some Fairlight, but on a lot of those early Ministry albums, I used a Roland Juno 60 and Roland Jupiter 8, and I also had a Prophet 5 I used for some strings, but it was mainly Roland with a little bit of Fairlight thrown in"

Fairlight CMI IIx is in this photo. He had it in his personal studio.

Mark and Jerry Casale are sitting in front of their Fairlight IIx in this video from 1984. The Fairlight IIx was used all over DEVO's 1984 album Shout (the album is almost completely composed of the factory sounds that came with the Fairlight), as well as TotalDevo from 1988 (although its use isn't near as prominent as it is on Shout; it was mainly used for sequencing). It can be heard on Mark's solo album Muzik for Insomniaks, released in 1988. The IIx sound "SWANEE" was used by Mothersbaugh in the theme song to the long-running Nickelodeon series Rugrats.

Sleazy mentions this sampler in the Keyboard Magazine interview from July 1987.

"We've had it updated to a Series IIX, says Humphreys. "That's been really helpful because, although the sampling on the Fairlight isn't too hot, it's a fantastic writing tool. Now we can get really crisp samples by MIDIing it to the Emulator. We still use it a lot, but there are still certain things, like sampling voices, that it can't handle."

In the music video for Giuffria's "Lonely In Love," you can see the Fairlight CMI IIx monitor at the 2-minute and 18-second mark. The CMI IIx keyboard is visible at the 1-minute and 49-second mark on Gregg Giuffria's left-hand side, positioned on the middle tier of his keyboard stand. This is confirmed by the video on YouTube, provided by Metaldog38's Home Of Metal.

Fairlight CMI IIx was used on John Lawry Solo on the live album Petra - Captured In Time and Space in 1985.

Fairlight CMI IIx can be seen in 9:09.

In this video at 1:03 we can see Fairlight CMI IIx

In the YouTube video titled "classix nouveaux..the end or the beginning.studio rehearsal...(take 1)," posted by robbos44, S Paul Wilson can be seen using a Fairlight CMI IIx synthesizer during a studio rehearsal.

At this time, Leer had his own Fairlight Series II on which had built up a considerable sound library. But that comfortable situation was to come to an untimely end when the Fairlight was reclaimed by Arista on his leaving the label. Leer retains a great deal of sentimentality for his old Fairlight but he's not so enthusiastic about the Series III, however, preferring the older model's grainy, eight-bit sound quality.

David Van Tieghem is credited with using the Fairlight CMI IIx on his album Safety in Numbers, as evidenced by an image showing the album credits.