Rich Robinson

According to Rich Robinson’s guitar tech, Gibson is producing a reissue of the classic 1963 Gibson ES-335. “This 335,” he says at (3:43), “is a Rich Robinson prototype now that Gibson's going to make. It's the same thing. It's 1963, exact replica of the one that we lost in the [Hurricane Sandy] flood.”

Rich Robinson also uses a 50th Anniversary Vox AC30HH for smaller venues. According to Robinson’s tech, (28:57) it’s a “a hand-wired Vox. Brand new. He really likes the sound of the EL84's and the EL34's together, just has really nice blend. We keep both of them on all the time. You know our sound guy probably does a little mixing during solos between the both of them, but it's...the whole sound is really both of these amps.”

According to Rich Robinson’s tech, he's “the only person in the world that can control a Big Muff and a Gretsch hollow body.” (22:03)

According to Robinson’s tech, the Way Huge pedals are, “really good. They're loud and their control's really clean,” (21:28).

According to Rich Robinson’s tech at (8:17), the Fender 1952 Reissue Telecaster, “was our main guitar for a while. It's one of the first ones we got after the flood. We got it from our friend Teddy at Make'n Music in Chicago. It's just a '52 Fender reissue Telecaster. I put an Arcane pickup in it. We found the Arcane pickups...James Trussart was using them. We really liked what Rob did, so Rich had me put them in every guitar.”

“What's interesting about this one,” Robinson’s guitar tech says at (0:41), “is most of James' guitars are metal, steel, this is actually beechwood. Really beautiful guitar. We use this a lot. We use it on "Thorn in My Pride."

“The most important thing here,” according to Rich Robinson’s guitar tech, “are our Fulltone Tube Tape Echoes. Rich really uses these a lot. This guy's just a really quick, just for a slap-back. Echo-2 and Echo-1 is for a longer delay. It's also good to have two of them, in case. Sometimes the tapes get jammed. Big part of the show, great sound and the new Fulltones are pretty reliable, compared to the old, original Echoplexes.”

Rich Robinson’s 1962 SG Reissue has been relic’d by Cobra Guitars in New York City. “We just give it to Cobra and he beats them up and drags them around the parking lot,” Robinson’s guitar tech says at (1:52). It “adds a lot of mojo to the guitar. It's a really cool guitar. It's fooled a lot of people. It's got the maestro bar on there. This is G with the capo. There's going to be, "No Speak No Slave" tonight. We're going to open the show with this.”

Robinson has a custom made Zemaitis guitar, engraved with a personalized Black Crowes themed metal front. “They're really amazing guitars,” Robinson’s guitar tech says at (12:05) They really feel and sound really good. I'm very close to the original Tony Zemaitis. They did a special plate for Rich.”

According to Rich Robinson’s tech, “Angry Troll's pretty much all we really use, when he just needs a little more boost, when he's playing slide, he uses that.” (21:00)

Rich Robinson of the Black Crowes got one from Jim Weider while at Levon Helm's studion in Woodstock, and used it on a few tracks of their 2009 album

Rich Robinson sometimes plays a custom made Teye La Perla Guitar. The guitars are hand made, “in Austin, Texas. The guy's really amazing,” according to Robinson’s tech at (4:09) “…He's got some people working with him. He does all the engraving himself. All of the...every little thing, all of the inlays…Really nice inlay work they do. They're great guitars and they feel good. They play great…I think he uses Lollar pickups in them.”

One of Rich Robinson’s guitars is a Fender Esquire, modified with a humbucker in the neck position. According to his tech at (7:30) Robinson’s Esquire is fitted with, “the Fender B-Bender system, which is pretty cool. You can see it back there, how it works. We're not using it as a B-Bender right now. It's been so good. We're using it on so many songs that we're not using the B-Bender mechanism. The guitar sounds great, and it looks really cool.

Unfortunately, Rich Robinson’s Gretsch Streamliner was destroyed in the Hurricane Sandy flood. “This one really got it bad,” Robinson’s tech says at (8:05). This was right in the front door. It took us a few days to finally be able to even get to the warehouse. Probably almost a week to get to the stuff. This was a beautiful... It's called the "Streamliner." We got it from Matt Brewster at 30th Street Guitars in New York. It was really a special guitar, and Rich loved it. It was all split. The binding was broken. I never thought we'd see it again. Steve Stern, the guy at Gretsch, he's the man at the custom shop. He put it back together for us. He called me up and he said, "I don't know if I want to refinish this. It looks pretty cool how it is."

He sent some pictures and it looked good. It's like, "Yeah, send it." We're using this all the time. You can still see all the crud on there. This was covered in corrosion.”

The guitar, according to Robinson’s tech, was saved. “This poor baby!” he says at (9:41). “Pickups, they saved. They redid some of this hardware. He did a fret job. It's back better than ever. It sounds great.”

After the Black Crowes lost gear to the Hurricane Sandy flood, Robinson had an exact replica of his Mary Kay Stratocaster rebuilt at Fender. “They made an exact replica of the Mary Kaye that he lost down to... the dings, and nicks, and everything,” Robinson’s guitar tech says at (6:41).

In this YouTube video Rich can be seen playing a Gibson Les Paul Special Double Cutaway (TV Yellow) for the duration of the song Remedy on July 21st in Nashville, TN for the Shake Your Money Maker Tour.

Robinson’s 1976 Guild F112 was badly damaged in the Hurricane Sandy flood, but “We sent it to Guild and a guy named Chris Seeger put it all back together for us. It was covered in mold. Everything was split apart. It didn't look like you could do anything with it,” Robinson’s tech says at (18:53). “All he had to do, he put a new fret board on and a new back. It's a '76, F112. The sides are all original. The front's original, you can see. He even went as far as doing every tuner, and cleaning every tuner up on it.”

“We'll use the Uni-vibe once in a while,” Rich Robinson’s tech says at (22:10).

"It's hard to think of a single guitar that I would save. The guitar with the most sentimental value for me is my 1953 Martin D-28. It belonged to my father and he gave it to me. I've played it on every record I've ever made - probably the most notable song I played it on is She Talks To Angels."

Rich Robinson is associated with the Electro-Harmonix Deluxe Memory Man, a highly sought-after analog delay pedal. Known for its vibrant echo, spatial chorus, and haunting vibrato, this pedal was part of Robinson's gear collection. The specific unit was sold in a "destroyed" condition due to damage from the Nashville flood, as listed on Reverb.

One of Rich Robinson’s Teye Guitars, handmade in Austin, Texas. “I change the strings on this one after...he gets one song out of it, so I change them every day,” Robinson’s tech says. “This one's really... this is only one of two, and it's called the "El Dorado. Really nice inlay work they do. They're great guitars and they feel good. They play great.”

Another of Robinson’s guitars is a modified Gretsch Black Falcon. “This is a ‘Japanese Black Falcon,” Robinson’s tech says at (11:45). The guitar was modified at Cobra Guitars in New York City. “He added a little armrest plate there. This is another great guitar. Rich just loves the Gretsch guitars. He's just a big fan of them…I don't know if you've ever seen in the Black Falcons how bright they are. They're blinding almost when you get them. I don't know what he did, if he painted over it. He really dulled it out. Rich just loves what he does to them.”

Robinson also owns a Zemaitis metal front guitar. “This was another Japanese one that they gave us,” Robinson’s tech says at (13:19). The guitar was untouched by the flood disaster that befell the Black Crowes during Hurricane Sandy. Much of the band’s gear was ruined, but “This, I just plugged it in. I cleaned everything off as fast as possible,” Robinson’s tech says (13:19). “This guy, I just wiped it off, plugged it in, and it worked. Don't ask me why. I didn't have to do anything. I didn't even change any of the pots. The guitar was just fine. I cleaned them out, but that was it. I didn't even need to do the fret board.

Most of the guitars were in cases like this. They were completely submerged. I can't remember if this was in a different case or not, but for some reason it survived. We don't use it as much. I use it in a crew band [laughs] more. It has all the nice engraving on it too. They're great guitars.”

“The Strymon pedal which you heard today,” Robinson’s tech says at (22:50) “No use lying, it's just like a Leslie simulator. It sounds really good. We have the expression pedal down there to make it faster and slower. Right now, that's all it's used for. We've only had it for about a week, since they've been playing that song again, which just came out.”

Rich Robinson is associated with the Durham Electronics Sex Drive pedal. Originally designed to meet the specific needs of musician Charlie Sexton, this clean-boost pedal enhances bottom end and sustain without altering the amplifier's natural tone or adding unwanted nasal qualities. The Reverb listing confirms Robinson's ownership of this pedal.

In this picture you can see Rich Robinson and his Brother Chris Robinson standing together, and Rich is holding his signature Gretsch “Magpie” Falcon, adorned with magpie pickguard design, and on the limited version like he is holding a magpie feather on the body. According to the Gretsch website on the description it says “ A veritable hollow body cannon, this signature Falcon-style guitar features a highly resonant 3-ply maple body with solid spruce top and 1959-style trestle bracing with a spruce block under the bridge, and oversized F-holes for explosive sonic projection and maximum feedback control. A 12”-radius ebony fingerboard with 22 medium frets and mother of pearl Neo-Classic™ thumbnail inlays tops off a maple neck for playability as impressive as its style. A TV Jones® Classic Plus humbucking bridge pickup provides pristine highs and stout lows with balanced harmonics, while a Broad’Tron™ BT65 neck pickup drives the guitar’s unique voice with a robust and punchy midrange and an uncommonly smooth high-end. The control layout— separate bridge and neck volume knobs, three-way position toggle switch, master tone and master volume with treble bleed circuit—allows for infinite tonal variations.”

“It's a great backup for one of the two tape echoes. It really sounds great,” Robinson’s tech says at (22:10)

“This is an old Tremolo, which Rich has used for years, just on the flips. We could always use more if anyone ever sees them, because they don't make them anymore.” (22:10)

“This is a great, this is something great, which everyone should have,” Robinson’s tech says (23:00) “Mark Snyder, who made the rack, does the Framptone pedals. He makes all the stuff for Peter Frampton. So this is our amp-splitter device. This is the last thing in the rack, and it goes right out to both amps.”

Rich Robinson plays through a signature Reason amp. Rich Robinson’s guitar tech explains how he started using these amps at (27:25). “We were playing in St. Louis at the Pageant and I went into Killer Vintage Guitars, which is a place we always go to when we're in St. Louis. I don't know if you know those guys. Dave Hinson and one of the guys who works there, Jimmy, was like, "You gotta hear this amp, you gotta hear this amp," and then we ran out of the store. Whenever somebody says "You gotta hear this amp," you know, we hear amps all the time and I was walking out the door he started playing it and I said, "Bring it over." We brought it over and I put it on top of Rich's rig that he was using and it was there ever since.”