Thomas DeLonge

A diagram of Thomas DeLonge's live setup from the early Blink-182 days features the Marshall JCM900 4100 100-watt 2-channel Tube Head, as shown on the Tom DeLonge fan site.

In the YouTube video source with VOX ALL ACCES, Thomas DeLonge talks and "rocks" the Vox AC30.

Tom used this amp paired with his JCM 900 on just about every album up until the Angels and Airwaves stuff. It was then that he switched over to Voxs and Fenders. In almost all of blink-182's live footage, you can see a triple rectifier and a JCM 900 paired together. It is also seen in thier music video for "Josie".

In this video with Tom's Guitar Tech Doug, starting at :42 seconds this Fender Twin Reverb amp can be seen.

At 0:30 minustes, you can see that there is a JCM800 head sitting on a cabinet. in this clip, Tom explains that he used the Marshall and a Mesa Boogie for Blink 182's studio album "Dude Ranch".

This Jackson 4x12 Stereo Half-Stack (right bottom box in the source picture) was used by Tom in very early years of "Blink-182".

Tom had two Ampegs, a VL-502 and a VL-1002. They're the same amp just one is 50 watts (502) and the other 100 watts (1002). This is the 1002 with the Ampeg logo removed and replaced with a custom blink logo. He would later revert back to the Ampeg logo. Starting in 1996, Tom would have both in his live rack rig.

The VL-502 was used to record "Cheshire Cat". The VL-1002 was used to record "They Came To Conquer Uranus", and "Lemmings". Dude Ranch was not recorded with this amp as previously thought. Dude Ranch was recorded with a Marshall JCM 900 Dual Reverb.

Photo of the amp in Doubletime Studios recording sessions for Cheshire Cat: https://i.imgur.com/RPT87OG.png

In the YouTube video titled "VOX ALL ACCESS: Tom DeLonge Rocks the AC30," Thomas DeLonge showcases his Angels & Airwaves studio and discusses using the Vox AC30H2 amplifier.

In this photo, Tom is seen using two slightly different variations of Ampeg VL, the bottom one is a 502.

At 8:45 in this video, you can see that Tom used a Silver Jubilee in 2003 when recording the Blink 182 self titled album.

In this video, Tom talks about mixing the Triaxis with a Marshall JMP-1 for many years in tour with blink

During the late 1990s to mid-2000s, Thomas DeLonge of Blink-182 frequently used the Mesa/Boogie Rectifier Standard 4x12'' Straight cabinet in combination with Marshall and Mesa Boogie heads, both live and in the studio. This is highlighted in the Ernie Ball video titled "Ernie Ball Paradigm: Stronger Than Tom DeLonge" on YouTube.

All through the 2000 Big Day Out preformance, you see Tom using a Mesa Boogie Triple Recifier TAN coloured model. He used this for his distorted tones.

At 7:22 in the video you can see Tom playing through a Diezel VH4

In this photo (taken in October 1993), DeLonge uses a Princeton Chorus combo, alogside other Fender amp and Jackson cabinet.

You can see it in his rack

In this picture (taken in October 1993), Tom is seen using Fender 2150 power amp (look for green/red flare just below Fender combo).

You can see it here in his rack

In this Guitar Center interview from 2009, Tom talks about some of the gear he uses for his signature sound with Blink-182 & Angels and Airwaves. At 0:51, he mentions that, in his switch to combo amps in the studio in his evolution as a player, he used a Matchless Chieftain combo, among other combo amps.

In the music video for The Adventure at 1:50, Tom can be seen playing two Mesa Boogies in the tan color.

Tom used two for his Mesa Boogie head and one for his Marshall

While it is a modeler used, Tom’s tech says part of his live sound is a jumped Plexi. 23:44

While it is a modeler, Tom’s tech mentions part of his live sound is a Plexi blended with an X88.

While it is a modeler, Tom’s tech mentions part of his clean sound uses a Fender Deluxe. 24:07.

In the video "Blink-182 Rig Rundown" by Premier Guitar, at the 19:44 mark, Justin Sweet, the technician for Thomas DeLonge, confirms the use of the Custom Audio Electronics CAE 3+ SE amplifier in DeLonge's setup.

January-October 1997 - This is the amp heard on all the 1997 Warped Tour videos.

From the “Pursuit of Tone” video by Ernie Ball you can see a Vox AC30C2 blue limited edition on the floor.

You can see it against the back wall in Tom’s studio.

A Dual Rectifier three channel is in Tom’s studio.

In Thomas DeLonge's studio, there is a full Marshall stack featuring a Marshall JMP 2203 Mk II Master Lead 100w head in fawn, as evidenced by an image on Equipboard.