Towa Tei

the Minimoog Voyager can be seen in this image

“When I debuted with Deee-Lite around 1990, I was using SONY components. Of course, the mixing was done in an outside studio, so it was only used when writing songs at home. After that, I also bought the Yamaha NS-10M just because everyone uses it, but I didn't like it because the sound was so stiff. Still, it's a studio standard, so I didn't like it, so I kept using it."

"And as GENELEC spread widely, I switched to GENELEC. At first I used a black 1030A, later I switched to a white 8040A. It was a good speaker for both making and listening to music, but I got tired of using it. So I bought the RL906 from MUSIK because it could be painted white.”

"And as GENELEC spread widely, I switched to GENELEC. At first I used a black 1030A, later I switched to a white 8040A. It was a good speaker for both making and listening to music, but I got tired of using it. So I bought the RL906 from MUSIK because it could be painted white.”

"After taking a sip of tea saying this, he finally taught me the charm of the Amphion. 'I like the design. It is beautiful to have three circular units with the same outer diameter placed side by side in a row. I can't work if the design of the equipment isn't good. (Laughs) I don't look at the speakers consciously, but it's true that the second most eye-catching part next to a computer monitor when working is the speaker, right? I’m sorry, but I think I see more than Kami-san who I work with (laughs). So design is very important.'"

the Dave Smith Instruments Prophet 12 can be seen in the 1st and 2nd image on this page

the Yamaha Motif Rack ES can be seen in the 1st and 2nd image on this page

the Nord Lead 4 Rack can be seen in the 1st and 2nd image on this page

the Yamaha 01V96i can be seen in the 2nd image on this page

the Elektron Digitakt can be seen in the 2nd image on this page

the Akai Rhythm Wolf can be seen in the 2nd image on this page

the Yamaha Reface YC can be seen in the 2nd image on this page

the Korg MS-20 Mini can be seen in this image

two Genelec 8050A Bi-Amplified White Studio Monitors can be seen in this image

the Access Virus TI Polar can be seen in this image

the Minimoog Voyager Rack Mount can be seen in this image

the Maestro Rhythm & Sound G2 can be seen in this image

the Maestro Rhythm King MK-1 can be seen in this image

the Moogerfooger MF-102 can be seen in this image

the Moogerfooger MF-101 can be seen in this image

the Moogerfooger MF-103 can be seen in this image

the Chandler Germanium Pre Amp/DI can be seen in this image

two Samson S-Patch's can be seen in this image

the TC Electronic Finalizer 96K can be seen in this image

the Roland SDE-2000 can be seen in this image

Towa Tei can be seen using two Technics SL-1200's starting at 0:56

Towa Tei can be seen using a GLI PMX 9000 starting at 0:56

here on this magazine cover, Towa Tei can be seen holding a Roland SH-101

can be seen using it in this performance

can be seen at 4:02 in this performance