clipping.

The band mentions using the synth to make a bassline. "There’s also a bass line under this part that we created in a digital synth called Zebra"

Clipping mentions using the microphone for recording one of their songs. "The microphone we used for most of the sounds in “Bout That” was the SM58 that sits on the desk in our studio which we usually only use as a talkback mic when somebody is upstairs in the vocal booth."

"During the bridge in “Bout That,” we bring in a new sound: a swirling digital additive synth we made in a program called MetaSynth."

"One of the ways we alleviate these issues is by doing the pitch-shifting with an Eventide H3000 harmonizer, which is an amazing, old piece of gear, first released in the late 1980s, and it sounds much better than software."

Jonathan Snipes has an Odyssey Mark 1 and an Emax in this performance.

Jonathan Snipes has an Odyssey Mark 1 and an Emax in this performance.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

A Death Metal Distortion pedal can be seen at 1:44 in the Wriggle music video.

You can see the band using the OTO Machines Boum in their performance on KEXP starting at 0:40

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

In this article about the making of "bout.that", clipping. shows the arrangement of the song in Logic Pro.

You can see the band using the OTO Machines Bam in their performance on KEXP starting at 0:40

Can be seen in use throughout this video, at the bottom of the right hand pedalboard with the red LED sliders.

A Sony TCM cassette recorder can be seen at 4:31 in this video.

clipping. has a MacBook Pro in this performance.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

You can see the band using a Faderfox DJ4 in their performance on KEXP starting at 0:40

A selection of Gamelan Strips can be seen in use by clipping. at 0:37 in this video.

Can be seen in use throughout this video.

A Cioks DC10 is powering clipping.'s pedal board in this video.

A Lo-Fi Junky can be seen on the pedalboard at 4:29 in this video.

An El Capistan can be seen on the pedalboard at 4:29 in this video.

Snipes and Hutson discuss their use of the K-Mix in this article from the Keith McMillen website: "What I love is how incredibly versatile it is. Occasionally we show up in a new environment and we’re like “Oh, we need to submix this that we don’t usually need to submix” and it’s like “Oh cool, I’ll just do that in a new layer and I’ll just spit you out this” and it’s like “Done!” And it’s so fast and so easy to do stuff like that. And it sounds really good. And it’s indestructible. So those are all really important things for the road."

In the video titled "clipping. live for no audience during a global pandemic," you can clearly see a laptop running Ableton Live, providing evidence that the artist clipping. utilizes this DAW software in their music production.

Jonathan Snipes of clipping. confirmed in an interview with The Needle Drop that the group used the DinSync RE-303 clone for their record. Snipes mentioned, "We ended up with the Dinsync RE 303 clone, which I decided sounded the best, short of buying a real 303, which is wildly expensive and impossible to do."