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In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at the 0:04 mark, a Crane Song Avocet Stereo Monitor Controller is visibly placed on Vance Powell's mixing desk.

Took this picture during the illion tour in 2024.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, Vance Powell, a renowned music producer and audio engineer, is seen showcasing his studio setup at 38:42. Among the reverb units displayed on a shelf is the Sansui RA-990 Reverberation Amplifier, confirming its use in his equipment lineup.

In the video titled "Vance Powell: Recording Rock," produced by Sound On Sound magazine, a pair of Universal Audio LA-3A Dual Leveling Amplifiers is visibly placed in a rack behind Vance Powell at the 0:07 mark. Powell later discusses these amplifiers in detail at 24:10.

At 21:45 in the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, music producer and audio engineer Vance Powell demonstrates the use of the Universal Audio 1176 Classic Limiting Amplifier Blue Stripe plugin while deconstructing the track "Loaded Dice & Buried Money."

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, Vance Powell demonstrates his use of the Universal Audio FATSO Jr./Sr. Tape Sim. & Compressor Plugin at 21:43 while deconstructing the track "Loaded Dice & Buried Money."

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at the 8:12 mark, music producer and audio engineer Vance Powell is seen utilizing the Universal Audio Pultec EQP-1A Legacy plugin during his recording process.

In the video "Vance Powell: Recording Rock" by Sound On Sound magazine, at 5:16, Vance Powell is shown demonstrating an Epiphone Valve Junior Combo guitar amplifier connected to the baritone guitars used by the band's guitarists.

At 12:01 in the Sound On Sound magazine's YouTube video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," a Tube-Tech SMC 2B Stereo Multi-Band Compressor is visibly integrated into the mixing desk at A.R. Rahman's Firdaus Studio.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," produced by Sound On Sound magazine, Yamaha YM-40 Standard Padauk Marimbas are visible at 9:26 in A.R. Rahman's Firdaus Studio.

In a video produced by Sound On Sound magazine titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman discusses his use of the Roland DM-80 Multi-Track Disk Recorder for music production. This conversation occurs at the 5:54 mark, providing clear evidence of his utilization of this specific piece of studio recording gear.

In the video titled "Oak Felder - Recording Demi Lovato's 'Sorry Not Sorry'" produced by Sound On Sound magazine, Warren "Oak" Felder is shown using the Apple Logic Compressor plug-in at 0:25 during his music production process, and he further utilizes it again at 38:14. He states:

This is my salt and pepper. I use it on each and very single track. It's super transparent.

In the Sound On Sound magazine video titled "Oak Felder - Recording Demi Lovato's 'Sorry Not Sorry'," at the 0:20 mark, a Steven Slate Audio RAVEN MTZ 43" Multi-touch Production Console is visibly positioned on music producer Oak Felder's work desk.

In the YouTube video titled "Oak Felder - Recording Demi Lovato's 'Sorry Not Sorry'" by Sound On Sound magazine, Warren "Oak" Felder is shown using Apple Logic Pro X at 0:19 on his computer, and he further discusses it at 0:38.

In the Sound On Sound magazine video titled "Jeff Ellis: Engineering Frank Ocean," at the 13:23 mark, audio engineer Jeff Ellis is shown using a Pyle PSPL03 Mini Digital Sound Level Meter to measure the sound level of his PMC speakers.

At 10:06 in the Sound On Sound magazine video titled "Jeff Ellis: Engineering Frank Ocean," audio engineer Jeff Ellis mentions using the Waves H-Delay Hybrid Delay plugin for mixing purposes.

In the video "Jeff Ellis: Engineering Frank Ocean" by Sound On Sound magazine, a ZVex Fuzz Factory Fuzz Pedal is clearly visible as part of Jeff Ellis' studio setup at the 6:25 mark.

In a video by Sound On Sound magazine titled "Jeff Ellis: Engineering Frank Ocean," at timestamp 15:38, a Pyle Audio PCA1 Compact Stereo Power Amplifier is visibly positioned on a rack near the Avantone Pro MixCube Active Monitor in Jeff Ellis' studio setup.

In the video titled "Jeff Ellis: Engineering Frank Ocean" by Sound On Sound magazine, a pair of KRK ROKIT 6 G3 Studio Monitors can be seen in Jeff Ellis' recording room at the 0:28 mark, confirming their use by the audio engineer.