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In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro" on YouTube, at the timestamp of 21:34, Michael Beinhorn is seen discussing the use of a Gretsch 1957 Silver Jet guitar in the production of the track "Black Hole Sun."

In the video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," at 11:14, Michael Beinhorn discusses using the Studer A 827 reel-to-reel tape recorder for recording the track "Black Hole Sun."

According to his artist page on the official KRK website, Ben Grosse uses the KRK V6 Series 4 2-Way 6.5" Active Studio Monitors (Pair).

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions at 3:27 that he used Zildjian K Series cymbals during the recording of the track "Black Hole Sun."

According to his artist page on the official KRK website, Ben Grosse uses the KRK V4 V Series 2-Way 4" Active Studio Monitors (Pair).

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn – Warren Huart: Produce Like A Pro," Michael Beinhorn discusses the use of a Keplinger Stainless Steel Snare Drum 14" x 8" at the 0:58 mark, referring to its role in the recording of "Black Hole Sun" at Bad Animals/Studio X in Seattle, WA.

In a video by Produce Like A Pro titled "Foo Fighters Everlong: Inside the song - Warren Huart: Produce Like A Pro," Bradley Cook specifically mentions at 24:23 that he used the Ampex Corporation Ampex 456 reel tape for recording the song "Everlong."

In an interview video titled "Ben Grosse Interview and Studio Tour" by Produce Like A Pro, at the 48:31 mark, Ben Grosse confirms using the Slate Pro Audio Dragon.

In the video titled "Foo Fighters Everlong: Inside the song - Warren Huart: Produce Like A Pro," Bradley Cook discusses the guitar rig used during the recording of "Everlong" at the 5:01 mark, specifically mentioning the use of a Fender Tone Master Deluxe Reverb Blonde amplifier.

In an interview video titled "Ben Grosse Interview and Studio Tour" by Produce Like A Pro, at the 48:31 mark, Ben Grosse confirms using the Focusrite ISA 110.

In the video "Foo Fighters Everlong: Inside the Song – Warren Huart: Produce Like A Pro," Bradley Cook is seen at 3:07 discussing the recording of the song "Everlong" utilizing a Studer A 827 reel-to-reel tape recorder. This confirms his use of the equipment in the recording process.

At 9:15 in the video titled "Moses Schneider: Drums With Character" by Sound On Sound magazine, a Urei Universal Audio 1176LN Rev. G Limiting Amplifier is visible in a rack in Moses Schneider’s studio.

At 6:11 in the Sound On Sound magazine video titled "Moses Schneider: Drums With Character," a 1963 Fender Vibroverb amplifier is visibly present in the studio of bassist, music producer, and audio engineer Moses Schneider.

In the video titled "Moses Schneider: Drums With Character" by Sound On Sound magazine, at the 3:08 mark, Solid State Logic (SSL) XR627 VHD Input Modules are visible in an SSL X-Rack chassis on a rack to the left of Moses Schneider.

In an interview video titled "Ben Grosse Interview and Studio Tour" by Produce Like A Pro, at the 39:18 mark, Ben Grosse confirms using the Universal Audio Teletronix LA-3A Audio Leveler.

In an interview video titled "Ben Grosse Interview and Studio Tour" by Produce Like A Pro, at the 39:18 mark, Ben Grosse confirms using the DBX 160X.

In the video titled "Moses Schneider: Drums With Character" by Sound On Sound magazine, a Fredenstein Bento 10 500-series 10-slot rack is visible in Moses Schneider’s studio at 0:06.

In the Sound On Sound magazine video titled "From Raw Vocal To Killer Track In ONE HOUR," at 0:09, a SanDisk Professional G-DRIVE PRO Desktop Drive Thunderbolt-3 is visible on the right side of music producer !llmind's work desk.

In an interview video titled "Ben Grosse Interview and Studio Tour" by Produce Like A Pro, at the 38:05 mark, Ben Grosse confirms using the EAR 822Q Amplifier.

In the video titled "From Raw Vocal To Killer Track In ONE HOUR" by Sound On Sound magazine, a Havana MDE250 acoustic mandolin is visible behind music producer !llmind at the 0:50 mark.