Pricing and availability
Average Price: $3,250
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$100
$501+
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Description
Step into the world of classic yet contemporary audio dynamics with the Teletronix LA-3A Audio Leveler. This iconic compressor, hailed as a "secret weapon" by audio professionals, is renowned for its ability to bring instruments and vocals to the forefront with unmatched clarity and character. Blending the legendary warmth of the LA-2A with the solid-state precision of the 1176, the LA-3A offers a unique sonic signature that’s perfect for guitars, vocals, synths, and drums.
Introduced in 1969, the LA-3A marked a turning point in audio processing by combining optical compression design with solid-state technology. Today, this meticulously modeled plugin captures all the nuanced tones and dynamic control of the rare original hardware, allowing you to infuse your tracks with vintage charm while benefiting from modern enhancements.
With features like the HF Emphasis sidechain filter, you can effortlessly accentuate drum busses without overloading the compressor, while the Dry/Wet Mix control offers seamless parallel compression. These intuitive controls make the LA-3A an indispensable tool for musicians and producers seeking to add bold, mid-forward compression to their mixes.
Compatible with both Mac and PC, and designed to integrate smoothly with popular DAWs, the Teletronix LA-3A offers unparalleled flexibility. Whether you're working in a high-end studio or a home setup, this audio leveler ensures your productions are as dynamic and engaging as they are timeless.
Key Features:
- Iconic solid-state optical compressor with unique tone
- HF Emphasis sidechain filter for enhanced drum bus processing
- Dry/Wet Mix control for easy parallel compression
- Compatible with UAD Native and Apollo Realtime/UAD-2
- Works seamlessly with major DAWs like Pro Tools, Logic Pro, and Ableton Live
- Requires macOS 10.15 or Windows 10/11, with Intel, AMD, or Apple silicon processor
- iLok account needed for activation; no physical dongle required
FAQs
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What type of compressor is the Universal Audio Teletronix LA-3A Audio Leveler?
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The Universal Audio Teletronix LA-3A is an electro-optical leveling amplifier, which uses a light element and detector to control compression, offering a unique solid-state optical compression tone.
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Is the LA-3A suitable for vocals and acoustic guitars?
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Yes, the LA-3A is ideal for adding energy and harmonics to vocals and acoustic guitars, enhancing their presence in a mix with its smooth optical compression.
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Can the LA-3A be used with any audio interface?
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Yes, the LA-3A can be used with any audio interface as it includes both UAD Native and Apollo Realtime/UAD-2 versions for versatile compatibility.
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How does the LA-3A affect electric guitars and bass?
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The LA-3A injects grit and texture to electric guitars and bass, making it a favorite for adding midrange character and punch to these instruments.
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What are the compression ratios of the LA-3A?
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The LA-3A offers a compression ratio of approximately 3:1 in Compress mode and an infinity:1 ratio in Limit mode, although these ratios are nonlinear and frequency dependent.
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Does the LA-3A offer any special features for drum processing?
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Yes, the LA-3A features a HF Emphasis sidechain filter and a parallel Dry/Wet Mix, which are particularly useful for adding punch and presence to drum tracks.
Videos
Mix With Jerry
Is the LA-3A compressor UNDERRATED?
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Universal Audio Teletronix LA-3A Audio Leveler.
Comparisons
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The LA-3A imparts more character and color than the CL-1B, making it ideal for synths and bass, while the CL-1B is favored for its transparency in rap/pop.
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The Black Rooster Audio version of the LA-3A is lauded for its smoothness on guitars, being less aggressive than Overloud's emulation.
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Apogee's Opto-3A plugin is praised for its quality, with some preferring it over UAD's offerings due to positive experiences with Apogee's Pultec emulation.
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Features and functionality
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The LA-3A uses a solid-state amplifier, differentiating it from the LA-2A’s tube amplifier, affecting color and character in sound.
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Use cases and applications
User experience
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Some owners prefer LA-3A for its significant low-mid tightness, despite variance in sound due to vintage unit parts.
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It's reported that the Black Rooster Audio LA-3A emulation effectively captures the spirit of the original hardware, with users finding it transparent and easy to dial in.
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Software and compatibility
Critic Reviews
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Based on 0 Reviews and 1 Rating
Artist usage
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Mix engineer Tommaso Colliva on recording Drones : “We also took a DI from the bass guitar, which allowed us to re–amp things later on if needed, and a distorted DI, taken post–pedal, and I sometimes had an LA3A or a Distressor on the DI.”
Seen in Buck Owen's studio (owned by Korn frontman Jonathan Davis since around 2010) at the 4:45 mark in this YouTube interview with Synergistic Research.
Visconti says that the basic vocal chain on the album consisted of Bowie's own Manley Gold Reference Mic into an Avalon mic pre, into an LA-3A compressor and a Focusrite Red EQ, then into an Apogee 8000 A/D converter and a G4 Mac running Logic Audio. “I started recording vocals on analog, as I did with all of the drums [16-track at 15 ips with Dolby SR, or 30 ips with no noise reduction — I consider it to be the ultimate tape format,” Visconti says, but the lock-up became tedious, so we stayed in the digital realm — 24-bit, 44.1k]. On one song, ‘I Took a Trip on a Gemini Spacecraft,’ I used a Shure SM57 to get a rockier sound, but I later regretted that because the Manley spoiled me rotten. It's such a sweet mic, very musical in the midrange. The Manley mic vocals just leapt out of the mixes, whilst the 57 needed lots of EQ, compression and, ultimately, de-essing to get it above the mix.”
"To make a vocal command attention I'll put it through an Teletronix LA3A and maybe pummel it with 20dB of compression, so the meter is pinned down. If the beginnings of the words then have too much attack, I'll put the vocals through an SSL compressor with a really fast attack, to take off or smooth out the extra attack that the LA3A adds."
Album Usage
The Universal Audio Teletronix LA-3A Audio Leveler has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use Universal Audio Teletronix LA-3A Audio Leveler, it is most commonly used with the following gear.
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