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In a photo from an interview with Martin Yam Møller, Jonas Bjerre's eurorack setup clearly includes the Hikari Instruments Eucrhythm, positioned near the top left of his arrangement.

In a photo from an interview with Martin Yam Møller, Jonas Bjerre's eurorack setup clearly includes the 4MS Spectral Multiband Resonator, positioned near the top left of his arrangement.

In a photo from an interview with Martin Yam Møller, Jonas Bjerre's eurorack setup clearly includes the System80 Jove, positioned toward the middle of his arrangement.

In a photograph featured in an interview on The Sleeping Shaman webzine, the MXR M120 Auto Q Wah is visibly present on Poia's pedalboard.

In a photo from an interview with Martin Yam Møller, Jonas Bjerre's eurorack setup clearly includes the ALM Busy Circuits ALM011 Akemie's Castle, positioned below the top left of his arrangement.

In an interview with Martin Yam Møller, Jonas Bjerre states that he uses a Make Noise Black & Gold Shared System almost every day in his modular setup at home.

In an interview with The Sleeping Shaman, Poia, guitarist and keyboardist of Ufomammut, confirms the use of his Green Matamp head and cab. Poia mentions that his interest in Matamp amplifiers was sparked after seeing one in a Sleep video, leading him to acquire a Matamp head as a form of payment for design work he and his art department, Malleus, completed for Joe Wheeler of Matamp USA.

Esta guitarra se la compro a su vecino después de vender la suya para poder pagar lo que sería el album debut de candelabro "ahora o nunca". No se sabe exactamente de qué año es. Aparte, no tiene el mismo mástil que una R-2 normal.

In a photograph featured in an interview on The Sleeping Shaman webzine, the EHX Pitch Fork is visibly present on Poia's pedalboard.

In a photograph featured in an interview on The Sleeping Shaman webzine, the EHX Nano Small Stone is visibly present on Poia's pedalboard.

In a photograph featured in an interview on The Sleeping Shaman webzine, the Boss OS-2 OverDrive/Distortion is visibly present on Poia's pedalboard.

In the YouTube video titled "What does my home recording studio look like?" by Jordan Rakei, he is seen using the UDO Audio Super Gemini at the 0:38 timestamp.

In this photo, Kaye’s guitar is clearly a Fender instrument with a rosewood fretboard and an offset body, and Jazzmaster pickups are clearly visible. It also lacks the distinctive switches of a Jaguar, as can be seen in a second photo from the same photoshoot in which she is seated next to Bill Pitman. That photo can be viewed here: https://www.facebook.com/groups/FenderAmplifiers/posts/10166892156627538/

Kaye bought this guitar in the late 50s or early 60s. In a Facebook post, she explains that she took it to her tech, Milt Owen, to convert it to a 12-String guitar and replace the pickups with hotter ones.

She used it on several records, including a couple of tracks on the Beach Boys’ seminal album Pet Sounds. The guitar can be heard on “I’m Waiting For the Day” and “God Only Knows”.

She also claims to have used it on sessions for Sonny & Cher.

Sources:

https://www.facebook.com/story.php?story_fbid=1771633622943135&id=100064727737776&http_ref=eyJ0cyI6MTc3NjIxOTU0ODAwMCwiciI6IiJ9

https://www.talkbass.com/threads/carol-kaye-gear.1438612/

https://beachboyssessions.com/pet-sounds/im-waiting-for-the-day/

https://beachboyssessions.com/pet-sounds/god-only-knows/

In an interview with Martin Yam Møller, Jonas Bjerre stated that Mew used a Roland Juno-6 synthesizer at one point, expressing regret over the decision to sell it.

In a photo from Jonas Bjerre's home studio, the Fender Rhodes Mark II Stage Piano 73 is clearly visible among his collection of keyboards. This image was featured in an interview with Martin Yam Møller.

In a photo from Jonas Bjerre's home studio, a Sequential Circuits Prophet VS synthesizer is clearly visible among his collection of keyboards. This image was featured in an interview with Martin Yam Møller.

In a photo from Jonas Bjerre's home studio, a Yamaha CS-50 synthesizer is clearly visible among his collection of keyboards. This image was featured in an interview with Martin Yam Møller.

In an image of Jonas Bjerre's mic booth, it is clear that he uses a Telefunken U47 microphone for his home studio setup. This is confirmed by the caption accompanying the photo from an interview with Martin Yam Møller.