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Pricing and availability
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Description
Discover the joy of traditional folk music with the Moon A Plus E Series Mandolin, a beautifully crafted string instrument that seamlessly blends classic design with modern playability. This mandolin is perfect for both beginners and seasoned musicians, providing a versatile platform to explore a variety of musical genres. The Moon A Plus E Series is meticulously constructed to deliver a warm, resonant tone that captures the essence of traditional mandolin sound.
What sets this mandolin apart is its solid spruce top, which ensures exceptional sound projection and clarity. The back and sides are made from high-quality mahogany, providing a balanced tonal foundation that complements the crisp highs of the spruce top. Whether you're strumming along with a bluegrass band or picking a delicate Celtic melody, this mandolin offers a responsive and dynamic range.
Equipped with a comfortable neck and a smooth fretboard, the Moon A Plus E Series ensures effortless playability, allowing you to focus on your creativity. Its robust build and reliable tuning pegs make it a trusty companion for gigs and sessions alike. The Moon A Plus E Series Mandolin is not just an instrument; it's an invitation to explore the rich tapestry of folk and world music.
Key Features:
- Solid spruce top for excellent sound projection
- Mahogany back and sides for warm, balanced tones
- Comfortable neck with smooth fretboard
- Reliable tuning pegs for stable tuning
- Ideal for a variety of musical genres, from bluegrass to Celtic music
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Artist usage
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On Moon Guitars' website, Guy is listed as an artist which uses their instruments. It says "We met Guy a few years ago when he was looking for a mandolin to use in their live shows. He was delighted with the A plus". Guy used the Mandolin throughout the Viva La Vida tour.
Album Usage
The Moon A Plus E Series Mandolin has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
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