Your tracks cover so much ground; they’re dynamic both in the material and in the production. Even down to the fine details, such as the string machine pad at the end of “Equinox.” "Kontakt, baby! I am like a Native Instruments commercial. Their samples are great. Those strings are one-shot audio samples. Just little bits in an extended line you can bring in as sample players or in audio and crossfade and do different things to extend them longer if you want to build pads."more
Laidback Luke posts a photo to Instagram (Jan 2015) of an Ableton Live DAW session, with Native Instruments Kontakt Sampler open in the top left corner of the screen. He says, "I know I don't post it often but I still enjoy this view on a daily bases! #Studio #Ableton #Kontakt" The instrument he has selected is [Big Fish Audio Electri6ity](https://equipboard.com/items/big-fish-audio-electri6ity).more
In MusicRadar's interview with Depeche Mode's techs on the Delta Machines tour it was revealed that ""Sample wise we're using Native Instruments Kontakt and Massive a lot too. We're also using a lot of GMedia ImpOSCar and Synthogy Ivory for pianos too. There are some sounds you can't get with the synths, so we use the samples for those, but there's a lot we can do and we try to use the synths as much as possible. Stripped is a good example of that. The big lead sound is Massive and ImpOSCar all layered up to create that main riff sound." Martin is strictly using software when he puts his guitars down for older material, he has a Roland Edirol controller as well as an Access Virus both commanding Muse Receptors with various plugins loaded.more
"For live stuff I keep it pretty simple. Basically I use Ableton and a few third-party synths like Massive, FM8 and Sylenth. In the studio, I use Cubase, the Waves plug-ins. I'm a big fan of the iZotope plugins, Ozone and Alloy. Synth-wise: things like Massive, FM8 are sounding cool... and Sylenth for a lot of very cool analog sounds. It's kind of all the normal ones really! I use Kontakt quite a lot as well. "more
On Four Tet's Bandcamp page for his new album, New Energy, there's a note at the bottom that says "Created on a laptop computer using Ableton Live software to control and mix VST plugins as well as manipulations of audio recordings. Plugins used for sound generation include Omnisphere, **Kontakt**, Dexed and Arturia V Collection. "more
In his reddit AMA, Doctor P say he uses the following "instruments: massive kontakt battery nexus diva korg legacy collection minimoog processing: fabfilter pro q camel phat waves C1 waves SSL comp SPL tube tech izotope ozone wow i never realised how small the list of my plug ins would be"more
In response to a tweet asking "What's one of your favorite/go to plugins for your sounds? Any type?@wymanofficial @DimitriVangelis", Dimitri responds with "Omnisphere, Kontakt and Reaktor!" Given the recency of this tweet, it's a reasonable assumption that they're using the most recent version of Kontakt.more
Throughout Varien's Youtube video, instances of Kontakt 5 appear in the channel strips for his song "Morphine". Additionally, at the 59 second mark he opens an instance of Kontakt and says "I've got my Kontakt 5 here, Kontakt 5 is where I have all my fancy synths and, y'know, choirs, strings, organs, blah-blah that you love so much about the Varien sound, it's all in here..."more
Mentioned by Hellberg in "The Girl"'s official Splice project annotations (released May 1, 2015). > Piano Chords: The whole project started from the chords. I had written the chord progression of the entire track before I did anything else in the track. The piano is Alicia's Keys in Kontakt 5. Not much else on there I think except a ValhallaRoom reverb that I use a lot. > Piano Bassnotes: I separated the lower notes from the the rest of the piano chords because I wanted them to be much more reverb-y than the higher notes which are pretty dry and unprocessed. The lower notes are also played by another VST than the higher ones, the lower one being TruePianos and the higher ones being Alicia's Keys in Kontakt 5.more
It ended up being quite flexible, because we got him to do dynamic multisamples of each kit that we got [drummer Paul Kodish] to play, and then loaded that into Kontakt, and had both the live recorded audio and the audio from Kontakt coming out of about 32 different channels into 32 groups, and we just mixed them from the groups. So any time if we played something and we were changing the song, at any point we could just switch the live drums out and play it in Kontakt. It was quite cool mixing through the groups, because you couldn't even tell that it was switched. Literally, it just sounded like the same take.more
During the Delta Machines tour, DM's keyboard tech Paul Eastman informed MusicRadar... "Sample wise we're using Native Instruments Kontakt and Massive a lot too. We're also using a lot of GMedia ImpOSCar and Synthogy Ivory for pianos too. There are some sounds you can't get with the synths, so we use the samples for those, but there's a lot we can do and we try to use the synths as much as possible. Stripped is a good example of that. The big lead sound is Massive and ImpOSCar all layered up to create that main riff sound."more
exclusive the upbeats interview for russian dnbarena: question 6: what kind of software and hardware do you use in studio? upbeats: ....logic, our primaries is: kontakt, vanguard, albino,Amplitube ? Guitar rig. what about hardware- only one gear we used everytime it's our sound interface motu828 also we have few synthesizers . like old juno or korg legacy, but we don't use that last timemore
What software are you using in Logic? "I love what Native Instruments do and you can't go wrong with Komplete. I love using Massive and Kontakt, they get used every single day. Omnisphere is massive for me as well, but the only other thing I'll use is Logic's built-in EXS24 sampler, which is a godsend for programming all my drums."more
At 4:12 in this video for [Maschine](https://equipboard.com/items/native-instruments-maschine-studio), DJ Toomp talks about Kontakt integration with Maschine "When it comes to using Komplete, Mostly I want Kontact and that's where I pull up most of my sounds, as far really building my foundation. It's incredible that you can actually pull it up on Maschine, without having to open anything else 'cause everything is right here integrated. That's definitely friendly, I love that."more
in this intagram video of D.O.D instagram account (@dj_dod), you can see there's Kontakt in the end of the video, D.O.D use it as a sampler for his voice. "#Temper is OUT NOW on @mixmashrecords exclusively on @beatport! I sampled my voice to celebrate! Link to download is in my description :-)"more
Used to automate the pitch of the strings on "Solo", as stated by mix engineer Mark Ralph in this November 2018 *Sound on Sound* interview. > “The main treatments on some of the Bollywood strings come from the Valhalla VintageVerb, the SoundToys Little AlterBoy and the Cableguys ShaperBox. We could have asked the string players to do those pitch slides, but because we wanted things to sound slightly synthesized we used a combination of pitch-bend automation in NI Kontakt, when we resampled them, and Little Alterboy to do this. Instead of going smoothly between notes, it bends up to the notes, and this plug-in is really good for automated pitch shifts like that."more
From an interview with Boom Gaspar and Josh Evans on Keyboard Mag. "The combination of the grittiness of a vintage B-3, the reliability and quality of the Nord Stage, and the flexibility of the Receptor and [Native Instruments] Kontakt allows Boom to have a good hybrid between vintage keyboard sounds and modern synthesis and expandability."more
There is so much ingenuity in this plugin, its no wonder this thing cost an arm and a leg (and your liver, kidney, and spleen). And i would pay all that minus the arm, because then i can't make anymore more music.
All joking aside, Ill focus more on the plugins that are meant to replicate real world instruments. Pianos, strings, orchesteas, violins, cellos, etc. They all sound dynamic, vivid, and just realistic.
Lets take the string sounds for example. Kontact has many libabries to replicate different ways you can make the same note on a violin (like playing p, mp, mf, f, fff, different bowing techniques, bouncing bow, pizzicato, i can go on). Not all from one library of course. But if you ever get to play around with action strings, you will know what i mean. I felt like i had a symphony orchestra ready at my fingertips, and i was their conductor.
Piano sounds sound amazing. most piano synths would have this sort of twangy sound, which i dislike and it feels fake. Their piano libraries have such clarity, you can easily capture the elegance and grace of the piano.
Brass are ok.
I do think that I have this plugin on every track. The libraries are amazing, even the factory library has pretty decent sounds and I tend to fall heavily on it anytime I do any orchestral work. If I never have said what my favourite plugin is, this one comes very close to that title.
This plugin is very easy to use, some libraries are heavily sampled, giving your effortless creative experimentation. Speaking of the libraries, they range from effects such as EQs and compressors all the way up to orchestral ensembles all contained inside of a little window on your desktop! Just pray your CPU can handle it.
Kontakt's workflow isn't bad, not all of it's instruments are mind blowing or essential but what it lacks in these areas it gains so much in flexibility. Kontakt covers so many bases that I can't even begin to imagine working without it now. It's not that it's absolutely crucial to every production but knowing I have it there means if I need a weird sound or a particular instrument to work with I will always have the means to get that in my productions.
This is an amazing player. It allows me to use a variety of organic instruments and sounds that I've purchased online. It allows you to play more than one instrument per note which makes for on-the-go musical layering. For 400$, you can't go wrong with it! Although I did find it expensive initially. But that comes with becoming a producer, you must invest invest invest!
Kontakt 5 is a very good sampler, but sadly, I only use it for Studio Drummer. I make a lot of Dubstep/Brostep/Big Room/Deep House, and I use it for the snare rolls I can make in Studio Drummer, but I have so much stuff for it that I don't use. It depends what you make. You can try it out yourself and see. I still like it, I just don't use it a lot.
I use Kontakt a lot for electric bass or when I need symphonic/orchestral elements, great sounding instruments. For pianos I mostly use the add on packs 'Alicia Keys' or 'Una Corda', but the standard ones sound pretty nice too. If you hear any electric guitar sounds in of my tracks it's also most commonly from the ilya Efimov guitar instruments for Kontakt, that I really like
I'm sure there will be detractors from the upper echelon geeks but I don't know anyone who doesn't use this sampler. Even the hardcore Logicheads... [myself included]. Easy to use yet infinite miles down the rabbit hole if thats where you want to drive this puppy, not to mention infinite sound libraries from everyone and their mother who is a tapehead. Can't live/produce without it. Glad I don't.
Been Using It For 2 Week Already. To Put It Simple..... I Should Have Use It A Long Time Ago Because Kontakt Is A Beast. Masterpiece Sound And Wide Range Of Library. Best Part Is That I Can Save The Library On An External Drive