joris_van_dorpe

It's the cheapest 12" cab on the market with a vintage 30 in it. Totally worth the money

only 500 mah for the 9 volt pedals combined.... that's ridiculous. that's basically one fuzz, one reverb and one digital delay lol... The build quality is very sturdy, that's about the only positive thing I have to say about this power supply.

flimsy pots, as with all behringer pedals. Probably one of the best overdrives within it's pricerange. This comes at a cost that It takes up about the room of three normal sized pedals on a board.

It's expensive for something that's basically a dan armstrong green ringer mod with a 15 dollar circuit, but I like the design and it does what it's supposed to properly

Tone suck! The problem is you get a huge signal drop after you move the depth post 50%. I actually really like what the pedal does, but it's weird that even the modern tr2s don't have this fixed.

like fuck all the other modes this pedal has. Just use the shimmer with the tweak setting al out with a high reverb time, with a subtle octave down and dream the fuck into oblivion. Best shimmer reverb effect I've ever heard.

I use this delay mainly when I want a tiny bit of slapback delay to add to the clean sound. The only downside of the pedal is the modulation setting which doesn't go all out into crazy modulation madness,very subtle modulation only.

Solid wah, it's pretty annoying to mount it to a pedalboard though. I cut a piece of triplex, glued it to the bottom of the wah and put the velcro on that wood to fix that. For me it has a little bit too many options, making me doubt and swap around settings constantly.

This multi-effect pedal is very good at reverbs and modulation, but it plain out sucks for overdrive and distortion. I bought it just because it does the leslie and univibe emulation really well.

It's digital, has warm dark repeats and has modulation. It will do anything from swells to reverse delays to ducking. It's really solidly built and is a pedal everyone that is looking for delays on a budget should consider.

I have the Taiwanese version and it does it's job. It seems to cause alot more noise on the signal though than the Japanese counterpart I tried at a friends house. I'd rate the japanese one a solid four and the Taiwan one a meager three. It's just very noisy

Pretty good. Not the same like a real ts9, but it's pretty good. A tad muddier than the real deal.

I love the spring and hall. The halo is fun for soundscapes but is a bit gimmicky. The reverse reverb is very fun to stack with reverse delays->oscillation for optimal madness.

It's a clone of the deluxe memoryman, the pots feel a bit wonkey, but it's a good clone. The repeats are alot darker than on the memoryman though.(which I actually like better). I think it's horrible to copy designs, but atleast they've done a good job at it

Decent silicon fuzz that takes up little space. Nothing more or less. edit: 'after 6 years of having it on and off my board i'd have to say it's the least exciting, most reliable fuzz I've ever used. Which is definitely a plus if you're going for a classic fuzz tone.'

Honestly I think it's more useful to spend the 100 euros into the cheapest focusrite and just record your sessions into a pc or use a cheap zoom recording mic. Just not worth the money tbh