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Average Price: $213
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$150
$601+
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Based on price data from 3 merchants for "Line 6 M5 Stompbox Modeler". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Line 6 M5 Stompbox Modeler Guitar Multi Effects Pedal - the secret weapon that has the power to supercharge your pedalboard. This compact, road-ready powerhouse delivers over 100 essential stompbox models right at your feet, providing a comprehensive collection of vintage-inspired tones and modern effects in a straightforward, easy-to-use format.
This pedal offers a complete solution for guitarists seeking to craft and customize their tone without complex menus or presets. Simply twist the dedicated knobs to shape your sound and tap the footswitch to change effects. With a broad spectrum of genres spanning rock, blues, alternative and more, this single pedal contains enough tonal variety to inspire for years to come.
Forget about complicated menus and presets, the M5 Stompbox Modeler is as user-friendly as a standard analog stompbox. Simply turn the model select knob to choose from 11 categories and over 100 effects, then tweak the effect with the dedicated parameter knobs. Tap the footswitch to activate the built-in tuner, or bypass an effect. The large, high-contrast screen displays the selected effect name, category and parameter details at a glance.
Key Features:
- Over 100 stompbox effects in a single pedal
- Simple one-effect-at-a-time design
- Dedicated knobs control each effect parameter
- Built-in chromatic tuner
- Analog and MIDI I/O
- Expression pedal jack for real-time adjustment of various parameters
- Heavy-duty, road-ready all-metal chassis and footswitches
- User-friendly interface with easy-to-read high-contrast screen
- Tap Tempo syncs for time-based effects
- Save up to 24 effect presets for instant access to your favorite tones
- True Analog Bypass or DSP Bypass
- 5-pin MIDI in/out
- Compact size, perfect for any pedalboard or gig bag
- Comprehensive collection of vintage-inspired tones and modern effects
Owner's manual
Line 6 M5 Stompbox Modeler User ManualProduct specs
| Pedal Type | Multi-FX |
| Analog/Digital | Digital |
| Presets | 24 Factory |
| Number of Effects | 103 |
| Effects Types | 15 x Delay, 22 x Modulation, 16 x Drive, 19 x Filter, 12 x Reverb |
| Inputs | 2 x 1/4" |
| Outputs | 2 x 1/4" |
| MIDI I/O | In/Out/Thru |
| Expression Control | 1 x 1/4" |
| True Bypass | Yes |
| Bypass Switching | True Bypass, DSP Bypass |
| Power Source | 9V DC 500 mA power supply (included) |
| Height | 2.4" |
| Width | 6" |
| Depth | 6.5" |
| Weight | 2.5 lbs. |
FAQs
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How many effects can the Line 6 M5 Stompbox Modeler produce?
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The Line 6 M5 Stompbox Modeler offers 103 effects, including 15 delays, 22 modulations, 16 drives, 19 filters, and 12 reverbs.
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Does the Line 6 M5 Stompbox Modeler support true bypass?
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Yes, the Line 6 M5 Stompbox Modeler features true bypass, ensuring your guitar's natural tone is preserved when the pedal is not engaged.
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Can I control the Line 6 M5 Stompbox Modeler with an expression pedal?
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Yes, the Line 6 M5 has an expression control input that allows you to connect an expression pedal for real-time control over various effect parameters.
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Is the Line 6 M5 Stompbox Modeler suitable for live performances?
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The Line 6 M5 is ideal for live performances, offering quick access to 24 factory presets and the ability to switch effects seamlessly with its true bypass feature.
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What power supply does the Line 6 M5 Stompbox Modeler require?
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The Line 6 M5 requires a 9V DC 500 mA power supply, which is included with the pedal.
Videos
Sweetwater
Line 6 HX Stomp Guitar Multi-effects Processor Demo
Reviews
PROS
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Over 100 effects options, including delays, mods, and distortions
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Robust all-metal housing and durable construction
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Easy to navigate and tweak settings
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Includes tap tempo and a built-in tuner
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MIDI compatibility for syncing with other gear
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Saves space on pedalboards by combining multiple effects into one
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Can work with external MIDI controllers and expression pedals
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Good sound quality, especially delays, reverbs, and modulations
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Useful for both live performances and studio recordings
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Compatible with various power supplies and comes with its own
CONS
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Only one effect can be used at a time
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Some distortions and overdrives are described as lackluster
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Footswitches can be impractical for precision during live sets
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Power consumption higher than advertised, requiring specific power supplies
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Digital signal conversion may introduce noise in certain setups
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Learning curve to fully utilize its capabilities
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Larger footprint than some might prefer on a pedalboard
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Pitch tracking and some effects algorithms could use updates
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Some users report noise issues, especially with drive functions
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Plastic footswitches may feel less durable to some users
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Line 6 M5 Stompbox Modeler.
Features and functionality
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The M5 has MIDI operated presets but lacks MIDI thru, which requires it to be placed at the end of the MIDI chain for some users.
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The expression pedal option allows for manipulation of any combination of knobs, providing extensive sound customization.
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The M5's 'Pitch Bend' effect allows for clean blend manipulation, providing a full octave range with a +/- 12 semitone setting.
Source
Comparisons
Build quality
User experience
Value and pricing
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Owners find the M5 offers great value at approximately $100 used, especially for its range of effects and MIDI capabilities.
Source
Use cases and applications
Critic Reviews
4.5 out of 5
Based on 22 Reviews and 110 Ratings
41029
great, utilitarian lvie box
combines all the DL4, M4 etc models into one little stomp that does one effect at a time. Most of the distortions leave me a bit flat and the wah/fitler stuff is hit or miss, but the modulation, delay, compression and reverb is pretty solid. I mainly use it for the modualtions since it models a lot of the iconic units I've owned or still own so I can approximate tones I record without brining a pile of old pedals around. Its got MIDI in and out so I'm a big fan of that. Iw as doing all MIDI for a while. I sue this less now that I've got my old AC30s gig worthy because I sue their old Vibrato in a wet/dry setup to produce a phase/chorus type sound and I'm kinda retiring the MIDI rig for now, going with less effects again. But when I wanna do a big MIDI setup this guy is indispensable. You could get a bigger unit and use multiple effects at ocne but frankly I'm not a reverb guy and I like my TC and Korg delays so I pretty much just use the modulations on this and how often do you really run 2 modulation effects in tandem? maybe phase and trem? but I can use my amp trem if I'm playing vintage voxes. This is the perfect little device for a less is more guy like me. Maybe not studio quality one very effect, but hella stage worthy! AND SMALL!
254
Jack of all traits, master of none. . . with some issues. . .
Awesome as far as the quantity of features, many of them being good to great quality. Delays are fantastic, Modulations and filters are great. Good verbs. Distortion, & comp aren't great, even without the noise problems (which I have a fantastic rant on below).
Which brings me to the noise issues:
My fast qualm with this pedal, is the fact that it converts all your signal to digital and back-- no true bypass-- buffered-- etc. It causes 60 cycle hum sounds if placed in certain types of effect loops. Not overly a huge deal, but the pedal didn't like my fender supersonic or mesa mark 5:25 loops, due to the digital signal conversion. I also think this conversion adds to the noise issue-- which is pure speculation.
Also, I get a large amount of buzz from the unit, especially when using the drive functions-- which i avoid anyways. The gain and volume knobs act like noise levels and only make the pedal buzz louder, and louder. The buzz is also there in bypass and using non-drive effects. I've tried several power adapters, batteries, a new line 6 adapter plugged into a power conditioner, as well as a gig rig generator, and voodoo lab power supplies -- and still can't get rid of the noise. I've looked at the pedal myself (I'm an electrical engineer), and sent the pedal back to be looked at from the store I purchased it from, and cleaned the board and internals with circuit board cleaning spray and it looks/works/functions as it was meant apparently according to everyone who's looked at it.
Strictly opinion: [ Pedal needs a switcher to be used in my opinion, so you can minimize the damage from the buzz. The lack of true or buffered bypass and the excess of noise created in the ASP to DSP back to ASP (ANALOG--> Digital--> Analog).]
Well... sorry about the rant, but overall this is a decent pedal to use as a multi-tool on a smaller board, or as a Swiss army knife to get you by for live tones.
Also, works well with basses as a side note.
776
Really flexible, great modulation effects
I picked this up to replace what used to be three separate modulation pedals. The thought process was, "okay, maybe having one pedal that can do everything will save some space and give me more flexibility." So far it's lived up to that!
The modulation effects sound great. I'm particularly a fan of the barberpole phaser (so good for buildups). Lots of cool delay models that sound really great, too! I haven't messed with the distortions, but they're supposedly not bad.
That said, these are the same algorithms Line6 has been shipping for over a decade, now, and I really think some of them could use an update. The pitch tracking on this thing is pitiful. It can barely track a single monophonic phrase with any accuracy, and that kills a lot of otherwise cool features on it :(
I'd love to see this thing be just a tad bit smaller, too, as it doesn't fit the normal pedal form-factor at all and is easy to accidentally stomp on if you put pedals above it!
Overall, though, I am happy.
254
Ótimo custo benefício
Great stomp but the cut in the tail of the effect, when changing presets is a bit annoying. But the effects are quite cool, for the cost benefit.
This review has been translated automatically into English. See original127
It's the best multieffect ever!!!
This is a midi multieffect, everybody calls this "the best cheap swiss army knife pedal" because have a lot of functions and you can put it in any option that you can imagine: Reverb, Delay, Wah, Volume, Overdrive, Fuzz, Distortion, etc. To get the most out of it you need to use this with a external midi controller and an expression pedal. This pedal was released in the year 2011 and has been fighting for more than 10 years. The drives isn't all good because is too old construction but with an external analog drive you can sound awesome.
44626
Nice wildcard to try effects, sadly Line 6 never gave firmware updates to make it better
I had this unit for a short time with the purpose of testing different effects. That was during a transition period between my projects which led me to touch a little of my rig configuration.
The distortions have some character but are still sterile, while I found no sweet spots on the reverbs and the delays may be fine but I gave those little consideration due to being covered there with other pedals there, I took advantage on the possibility of trying different filters due to my idea of getting into wah or whammys, which I've never had a good relation with but started to have some interest on.
The pitch glide turned to be nice for me, and with the expression pedal you can choose different kind of configurations that refines subtle tweaks that you can't make on the original Whammys. I ended with a Whammy 4 after making this my favorite application of the M5 and I must tell that between the two things I've just chosen the Whammy mainly for a matter of footprint on my pedalboard (the Whammy 5 may offer a definitively better behavior about the polyphonic tracking).
Most modulation effects sound very clean and with some lack of texture/depth –as happens with most digital modulation effects– but I really could make myself the idea of buying the unit again to stick with it if someday they upgrade its firmware to allow setting the modulation effects' rate in ms/BPM as it's already possible with delays. By now I just have to cross my fingers about finding a Guyatone Ultrem or maybe getting a Strymon Mobius just for this tiny feature they had and the M5 lacks of. I have other advanced ideas they could perform with firmware updates, but with that basic point I would just give my bucks away for it again.
800
Easy and nice effects
Im not the ¨ohh i need 50 effects¨ kinda guy. i use max 3 effects. And thats in the studio. This little multi effect does it for me live. It sounds nice. Its built like a boss pedal. And its easy to use. Sometimes i up the same and use 2 with different effects. If you do this remember to label the pedals ;)
120
Genius
Has all the sounds from the Line 6 modeller pedals. But 24 presets into a much smaller footprint with a display. As with all modelling FX, some sounds are more useable than others. But all the DL4/MM4 sounds are here. Superb. Have gigged one for 6 years with no problems.
201
Good for modulation and time-based effects
The modulation, reverb and delay effects on the M5 are amazing. Take a look at the octo reverb, the particle reverb, the volume swells, the synth modes. It's a really impressive pedal on that front, but the distortions and overdrives really let it down. Not bad on the compression front though.
152
Cheap option to have many effects in a single pedal
I've had the M13 and M9, currently I use the M5 for some modulation or filter effects on my pedalboard. Like its larger versions, it has many options, it works like a kind of Swiss knife. Although it lacks many extra options that the M9 and M13 do have, for its size and price it offers many options. It helps me a lot to go and try out with new bands without having to carry 3 or 4 modulation pedals or any other effect.
This review has been translated automatically into English. See originalArtist usage
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In this Rig Rundown feature for Premier Guitar magazine, longtime U2 guitar tech Dallas Schoo shows off Edge's 2018 touring rig, which includes an M5 pedal.
In this rig rundown of Russell Lissack’s pedalboard, at 18:02, his Line 6 M5 Stompbox Modeler pedal can be seen. Lissack says:
"This is Line 6 M5 which has a bunch of different sounds in it. I got this by accident because I was trying to find a tremolo pedal that had a BPM counter on it, because I didn't want to use MIDI - I don't like MIDI, really. It's kind of unreliable, I find. So I couldn't find one that you could adjust to precise BPM which is annoying. I bought [the M5] before I realized that, then I found actually that it had some other kind of cool sounds in it, which you can combine things. We've got a song called Virtue which has a pulsing keyboard sounding riff... it makes something really simple sound really big and dramatic."
He goes on to demo the riff from Virtue using the Line 6 M5. He actually uses the "octo reverb" setting for "Virtue". Using the setting of "particle verb", Lissack can create his riffs in the songs 'Eden' and 'Different Drugs'.
Toru Kitajima uses the Line 6 M5 Stompbox Modeler, as evidenced by its presence on his pedalboard during the "i'mperfect" album era, as seen in the provided image.
In a YouTube video titled "Line 6 M5 'Synth O'Matic' Patch and Rockett Pedals Flex Drive - Mark Lettieri," Mark Lettieri demonstrates the Line 6 M5 Stompbox Modeler. The video suggests he uses the "growler" preset, which is believed to be featured in his solo performance of "In the Clearing."
Trey Anastasio uses two Line 6 M5 Stompbox Modelers in his pedalboard, and can be seen explaining them at 22:47 in this video of his guitar rig.
The Line 6 M5 can be seen next to his buddha pedals. It appears that James painted it gold, but the controls are very identifiable.
Gem Archer can be seen using the Line 6 M5 Stompbox Modeler on his pedalboard during a soundcheck, as shown in a video by Anything Oasis Official on YouTube.
Reeves Gabrels is shown using the Line 6 M5 Stompbox Modeler in a photo on his Facebook page.
In this Reddit thread the Line6 M5 pedal can be seen in the first row of pedals.
https://www.reddit.com/r/wolfalice/comments/a4jeig/joff_oddies_pedal_board_xpost_from_rguitarpedals/
“That’s my, ‘I need this one random thing for this one part in this one song’ pedal. There’s a couple of things that need that for whatever reason, like the parked wah: there’s a riff in The Artist In The Ambulance that just doesn’t work without that effect. And the Whammy-like pitch-shifter pedal thing for the end of For Miles.”
Starting at 5:23 into this video, Tim Pierce demonstrates and talks about the Line 6 M5 Stompbox Modeler on his pedalboard:
"...On this particular board, the only modulation source I have is the [Line 6] M5. So let's see what's up right now - a vibrato... I see these M5s on a lot of Nashville studio guitarist pedalboards. It's really a really good workhorse. Nice reverb... if somebody asks for a phaser or flanger it's there for you."
Album Usage
The Line 6 M5 Stompbox Modeler has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use Line 6 M5 Stompbox Modeler, it is most commonly used with the following gear.
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Show yoursSimilar
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Does a similar job but only comes with 16 models before you must buy more. Not worth the money
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