Andrew Huang

Visible throughout this video. Its first clear appearance is at 0:05.

throughout the video andrew huang contrasts PO-33 and and PO-35's functions while making beats. "the first 15 slots treat your sample with vocal synthesis" "8 different syntheses examples" "you can also pitchshift yoru sample (left knobs)" "formant shiting (right knobs)" "you can use the two knobs for trimming and speed shifting"

Shown at 5:38 on the video along with the Apollo 8p on Andrew's rack

Seen at 5:50, Huang can be seen using his Ibanez Talman and an unknown microphone in conjuction with the Boss VO-1, a gift to him from Rob Scallon.

Two instances of Trackspacer are used on the bass of "Sparkle Mountain", as described in the project breakdown at 1:30.

Visible throughout this February 5, 2013 video.

Used on "Ganglia", as featured in this March 25, 2020 video at 18:21.

This is Pam, Pamela's NEW Workout, fantastic new module. One of my favorite modules, probably, like, the most functionality for something of its size. It's a rhythm generator and there's a lot of different ways that you can control what kind of rhythyms it generates, but something really is that it has these two CV inputs and you can assign those to modulate the timings of those rhythms. So on my track "Ganglia", I had that happening on some hi-hats and some other little background percussive noises and at the same time I was using another signal to modulate the pitch of those samples randomly

Featured in this July 27, 2017 video. It was used to created the Suture Sound Kastle sample pack.

Featured in this January 11, 2018 video.

Introduced in this October 8, 2020 video at 1:01.

Featured in this October 8, 2020 video at 3:45.

Featured in this October 26, 2020 video.

Visible throughout this January 18, 2018 video.

Featured in this November 12, 2019 studio tour video at 5:45.

Visible throughout this April 10, 2019 video, starting at 0:05.

Featured in this May 18, 2019 video.

Used on “Summertime Feeling”. Huang demos the plugin in this May 23, 2020 Waves video.

Developed in collaboration with Wenzl McGowen and Michael Wilbur. The creation process is documented in videos released January 28, 2020 and February 22, 2020.

Gifted to Huang by Fender, as featured in this April 23, 2020 video at 5:14.

Visible very briefly at 1:38

Footnoted at the bottom of this blog post on home mastering are four more plugins Andrew uses, but doesn't swear by. About the Multiband, Andrew says, "For the type of song where I want something a little more drastic - forceful pumping bass, aggressive cutting highs - I'll add this to the beginning of the chain and tweak one of the many usable presets."

Another plug in Andrew mentions in his home mastering blog post. "For simpler material where loudness is more important than dynamics - sparse hip-hop beats, driving dance tracks - I'll use this instead of the Precision Maximizer. You can push stuff quite far without the audio breaking up."

From Andrew's blog post about special pug ins, where he illustrates the tools he uses for specific tasks in production. "If something, anything, needs to sound FATTER, slap this on. Never fails."

From Andrew's blog post outlining his plug in staples. "It's kind of seen as an 'eighties' verb, but that doesn't give it enough credit. While you can definitely get those big digital washes on drums and vocals, there's a lot of flexibility in this plug-in to dial in lush spaces that sit beautifully in a mix."

From Andrew's blog post outlining his plug in staples. "Aside from the occasions when I'll choose to get really fussy with a convolution reverb, this is the plug-in I pull up when I'm looking for realistic-sounding large spaces. Before getting the 224, I had RVerb on a return track in my default project template because I knew I'd always end up putting it on something."

From Andrew's blog post outlining his plug in staples. "I like Massive because I know I can load it up whether I'm going after a twinkly bell, a soothing pad, or a dubstep wobble. The drag-and-drop modulation assignment makes so much more sense to my brain than disconnected knobs with drop-down menus. And as the name suggests, there's a ton to explore in this synth. You can get lost in all the tabs, or even in the sheer number of presets. But it's worth it!"

From Andrew's blog post outlining his plug in staples and soft synths. "And Reaktor is perhaps a cheat of an answer, because it encompasses so many cool synths and effects that have been built for it. Some of the official NI ones are fantastic: Razor, Monark, The Finger. But the user library is amazing as well - you can get thousands of homemade plug-ins for free."

https://youtu.be/oEAXvB1qZ2k?t=4m48s

Has the same buttons as the NTG4, also has the power symbol indicating it is the NTG4+ model.

In multiple places throughout the video, a DrumBrute is seen on Andrew's desk.

This video shows Andrew unboxing both the Maschine MK3 and the Komplete Kontrol mk2 and he lays on the floor with them.