Andy Martin

At his TPS video he explains that he always favored tape delay sounds instead of reverb, reason why he has the Catalinbread Belle Epoch Deluxe and the special edition PGS tweaked TC Electronic Alter Ego/Flashback delay

In a demo by ProGuitarShopDemos on YouTube, Andy Martin showcases the Dunlop FFM6 Band of Gypsys Fuzz Face Mini. This pedal, inspired by the unique tone Jimi Hendrix achieved with his modified Fuzz Face in the late '60s, offers a distinct, aggressive sound. The video highlights how Dunlop's engineers meticulously recreated this iconic tone by refining the Octavio circuit, which excludes the upper octave for a sharper, raspier effect. The FFM6 features modern enhancements like a power jack and LED indicator and is crafted in the USA.

Andy Martin uses the Catalinbread Adineko, as demonstrated in a video by ProGuitarShopDemos on YouTube. This pedal authentically recreates the vintage oil can delay effect from the 1960s, offering extended delay times and unique features like adjustable oil thickness and reverb. The Adineko is known for its ability to create haunting soundscapes and vintage tones, making it a versatile tool in Martin's gear lineup.

It’s more my style since I often use it to mimic a fast Leslie speaker. Sometimes I swap this out for a Phase 100 or an Ibanez PT-9 which is great for Clash tunes with it’s higher resonance and squishier sound.

The Marshall Bluesbreaker is one of my first pedals I got around ‘94. It’s very transparent and gets along well with most of my amps. I was unaware people were cloning this pedal nowadays but can understand why.

It has a way of bringing out the good qualities in an amp and it’s perfect for lead boosts. It trades places with an OCD ver.3 that I also picked out of a batch I was testing.

In a video by ProGuitarShopDemos, Andy Martin demonstrates the Function F(x) Cluster Fuzz pedal. This versatile fuzz effects pedal offers a range of tones, from light overdrive to intense, gated fuzz, thanks to its interactive controls and unique features like the clipping switch and 8-Bit knob. The Cluster Fuzz is highlighted for its ability to clean up beautifully with the guitar's volume rolled back, showcasing its dynamic range and quality craftsmanship.

At his TPS video he explains that he always favored tape delay sounds instead of reverb, reason why he has the Catalinbread Belle Epoch Deluxe and the special edition PGS tweaked TC Electronic Alter Ego/Flashback delay

It’s more my style since I often use it to mimic a fast Leslie speaker. Sometimes I swap this out for a Phase 100 or an Ibanez PT-9 which is great for Clash tunes with it’s higher resonance and squishier sound.

The EH Octave Multiplexer is one of the few stock pedals in my collection. It sounds great with fuzz and phase for mean single note solos and such. I used to have the big box version but now I have more room for fuzzes!

The Fulltone '69 Fuzz cleans up like no other fuzz I’ve owned, almost overdrive like. The enclosure was obviously a B-stock for it’s lack of lettering and for that I love it even more!

The ‘69 Fuzz is one I assembled while I was at Fulltone.

Last is a Fulltone Supa-Trem which has a sweet amp like pulse. The half speed switch gets a lot of use.

It has a way of bringing out the good qualities in an amp and it’s perfect for lead boosts. It trades places with an OCD ver.3 that I also picked out of a batch I was testing.

In a demo video by ProGuitarShopDemos on YouTube, Andy Martin showcases the BeatBuddy Mini Personal Drummer. This compact multi-effects pedal provides real-time control of a virtual drummer, featuring over 100 songs across 24 genres. Martin demonstrates its capabilities, including adding fills and transitions, using a single footswitch and optional additional controls.

In a ProGuitarShopDemos video on YouTube, Andy Martin demonstrates the Alexander Jubilee Silver Overdrive Pedal. This all-analog pedal is designed to emulate the Marshall 2555 Silver Jubilee, featuring a robust EQ stack and unique gain and loudness controls for versatile sound shaping. The pedal is hand-built in North Carolina, ensuring high-quality components and exceptional tone.

Andy Martin uses the Dawner Prince Electronics Boonar Multi-Head Drum Echo, as demonstrated in a video by ProGuitarShopDemos on YouTube. The Boonar is a modern take on the classic Binson Echorec, featuring advanced DSP technology and customizable controls for a rich, vintage echo experience. Each unit is meticulously hand-crafted in Croatia, adding a personal connection for fans from the region.

Until recently, I wasn’t happy with my tuner choices. They were always buffered, and I could tell how it affected other pedals. The TC Polytune is not only cool for the poly mode, but small and true bypass.

Andy Martin about TC PolyTune.

The Voodoo Lab micro vibe is an older model, no LED and I swapped the DC jack for a boss style. It’s does the Hendrix thing pretty well, and the speed knob has been swapped for easy foot adjustments.

I like to place all my modulation effects first to avoid that harsh distorted white noise swish.

Andy Martin utilizes the Alexander La Calavera Phaser, as demonstrated in a video by ProGuitarShopDemos on YouTube. This versatile pedal offers three modes: Sauve, a ten-stage phaser for classic tones; Dynamica, which adjusts speed based on playing dynamics; and Loco, providing intense modulation and ring modulator effects. Whether for classic or unique sounds, the La Calavera Phaser is integral to Martin's gear lineup.

Andy Martin is featured using the Keeley Oxblood Overdrive V2 in a demo video by ProGuitarShopDemos on YouTube. This pedal, known for its versatile gain range and unique frequency response, is highlighted for its ability to cut through a mix effectively, whether in low-gain or high-gain settings. The video showcases the Oxblood's engineering precision and dynamic capabilities, illustrating why it's a preferred choice for both lead and rhythm guitarists.

In a video by ProGuitarShopDemos, Andy Martin demonstrates the Wren and Cuff Eye See Pi Op-Amp Distortion pedal. Known for its crunchy and aggressive fuzz, this pedal is a modern take on the 1976 IC Big Muff, distinguished by its use of op-amps instead of transistors. The Eye See Pi also features a Tone Bypass toggle switch, offering a more open and raw distortion. As with all Wren and Cuff products, it boasts exceptional build quality and tone.

The “Black Box” is one of many fuzz kits built by my dad or myself. This one is the “Boutique Late 60’s Fuzz” from GGG. It has a unique sound from a set of germanium transistors.

Not sure which models they are but one is a top hat style and the other tall and cylindrical. It sounds a bit more nasty and compressed than you’d expect a germ fuzz to sound. I place it in front of the wah to get that barfy fuzz wah tone, like Bowie era Ronson.

The Vox V847 reissue is from the 90’s and it’s had some heavy modding. It has a Fox Rox buffer installed, the same one in the Teese Wahs, to help widen the sweep and prevent the lame oscillation when a fuzz is placed after it. The Wah also had the inductor swapped with a Halo type and quite a few resistor and diode changes. Basically I like the classic vocal wah style with an extended high end sweep. I’m not interested in boosting bass.

In a demonstration video by ProGuitarShopDemos on YouTube, Andy Martin showcases the ModTone MT-FZ The Fuzz pedal. This fuzz pedal, celebrated for its rich, throaty tone and versatile tone control, is highlighted in the video for its ability to deliver both a thick, raw base tone at low gain and a searing lead tone at higher settings, making it ideal for various rock styles. The video provides an in-depth look at its capabilities, demonstrating why it’s a staple in Martin’s gear lineup.

At around 0:55 into this video, it is mentioned that Muffroom Cloud is used into this video.

In a video by ProGuitarShopDemos, Andy Martin is shown using the Dunlop Band of Gypsys Fuzz Face Mini Chrome Limited. This compact fuzz pedal captures the distinctive sound associated with Hendrix's legendary performances, wrapped in a striking chrome finish.

In a video by ProGuitarShopDemos titled "ModTone Analog Delay," Andy Martin demonstrates the Modtone MT-AD Vintage Analog Delay Pedal. This pedal, known for its 350ms delay and superior note clarity, is highlighted for its ability to create rich soundscapes and vintage slapback echoes. Andy showcases its versatile features, including spaceship oscillations and sound-on-sound looping, all within a robust, true-bypass enclosure.

On 0:26 minute mark, Martin is playing through the Supro featuring the Pigtronix FAT Drive.

At 0:19 minute mark of this demo, Martin also used Pigtronix Class A Boost.

In a video by ProGuitarShopDemos, Andy Martin is shown using the ZVEX Woolly Mammoth 7, a versatile fuzz pedal known for its massive sound suitable for both guitar and bass. The pedal features a Marshall-style three-band EQ and a second footswitch for EQ bypass, offering a mids-rich tone. It also includes a handy second volume knob and a Pinch control for adjusting the pulse width of the fuzz. Hand-made in Minnesota, the Woolly Mammoth 7 boasts unique hand-painted graphics and a lifetime warranty.

In a demo by ProGuitarShopDemos on YouTube, Andy Martin showcases the MXR EVH 5150 Overdrive. This pedal, designed to emulate Eddie Van Halen's iconic tone, features a three-band EQ and a smooth noise gate, making it ideal for high-gain settings. The demo highlights its capabilities, showing why it's a staple in Martin's gear lineup.