Brendon Urie

Brendon used this guitar during Pretty. Odd. era

Brendon uses a Fender Telecaster Deluxe Blacktop guitar throughout this video. It can be seen first at 0:17

In the third photo on the right, Brendon Urie is seen using a Fender 1954 Telecaster Electric Guitar during the Pretty. Odd. era, as documented on the Tumblr page "Snark! at the Disco."

Brendon uses this bass for the song Mad As Rabbits. It can be seen 27:36 into this video.

Through out the video you can see the mic.

He uses it as a setup when he's mostly playing video games on his computer

Yes, two of them. We had one on the main stage, and then we had a B stage. They were super-dependable and super-consistent. The playability was the big thing, how close the response was to an actual piano. That was one of the main factors for Brendon—that the piano “feels” real. I think it helps to have that incredible Roland piano key response live.

VOX Night Train is used by Brendon in this video.

In this video brendon shows the maschine MKII at 7:16

The maschine studio can be seen at 4:48

In this stream, Brendon's using apple Logic Pro to produce.

In this Instagram photo, the artist can be seen playing a candy apple red Cyclone.

Jake Sinclair talks about how Brendon's vocals were recorded for the album. Mentioning that the entire record was recorded at his studio.

"The vocals were all recorded with a Wunder CM7. If you do a mic shootout with that mic it may not win, because it’s not the brightest mic, but I love the way it sits in a mix. So we stuck with it for the whole record. The rest of my vocal signal chain consisted of a BAE 1073 mic pre going into a Purple Audio MC77 compressor, which is like an 1176, and then an LA2A, and a Retro Instruments 2A3 EQ to add some sizzle at the top. I heavily compressed on the way in, with the MC77 doing 15–20 dB of gain reduction, which puts the vocal right in your face."

In this SoundOnSound article, Jake Sinclair talks about how Brendon's vocals were recorded for the album. Mentioning that the entire record was recorded at his studio.

"The vocals were all recorded with a Wunder CM7. If you do a mic shootout with that mic it may not win, because it’s not the brightest mic, but I love the way it sits in a mix. So we stuck with it for the whole record. The rest of my vocal signal chain consisted of a BAE 1073 mic pre going into a Purple Audio MC77 compressor, which is like an 1176, and then an LA2A, and a Retro Instruments 2A3 EQ to add some sizzle at the top. I heavily compressed on the way in, with the MC77 doing 15–20 dB of gain reduction, which puts the vocal right in your face."

In this SoundOnSound article, Jake Sinclair talks about how Brendon's vocals were recorded for the album. Mentioning that the entire record was recorded at his studio.

"The vocals were all recorded with a Wunder CM7. If you do a mic shootout with that mic it may not win, because it’s not the brightest mic, but I love the way it sits in a mix. So we stuck with it for the whole record. The rest of my vocal signal chain consisted of a BAE 1073 mic pre going into a Purple Audio MC77 compressor, which is like an 1176, and then an LA2A, and a Retro Instruments 2A3 EQ to add some sizzle at the top. I heavily compressed on the way in, with the MC77 doing 15–20 dB of gain reduction, which puts the vocal right in your face."

In this Soundonsound article, Jake Sinclair goes into about how Brendon's vocal chain for the album. Mentioning that the entire record was recorded at his studio.

"The vocals were all recorded with a Wunder CM7. If you do a mic shootout with that mic it may not win, because it’s not the brightest mic, but I love the way it sits in a mix. So we stuck with it for the whole record. The rest of my vocal signal chain consisted of a BAE 1073 mic pre going into a Purple Audio MC77 compressor, which is like an 1176, and then an LA2A, and a Retro Instruments 2A3 EQ to add some sizzle at the top. I heavily compressed on the way in, with the MC77 doing 15–20 dB of gain reduction, which puts the vocal right in your face."

In the music video for "That Green Gentleman" by Panic! At The Disco, at 1:57, Brendon Urie is seen playing an Indian sitar while in a boat.

During the recording sessions for "Death of a Bachelor," Brendon Urie used a 1964 Ampeg B-15 bass amplifier, as confirmed by producer Jake Sinclair, who had Urie play through his own amp. This information is documented in the article "Inside Track: Panic! At The Disco" on Sound On Sound.

“ I had the Wunder FET 47 [CM7] on my bass amp, which is a 1964 Ampeg B15, going into the BAE and then the Purple Audio 1176 clone. Sometimes I will also record DI, but for the opposite reason most people will use it: I usually run the amp to be clean and use the Sansamp VT–Bass pedal, which is like $160, on the DI.” - Jake Sinclair on how he recorded Death of a Bachelor with Urie.

In Thai video Uriel is playing the kit with Mike Viola