Chris Carter

A Boss DR-660 was used on the album Small Moon, according to the liner notes.

A Roland SP-808 was used on the album Small Moon, according to the liner notes.

An unspecified version of Steinberg Cubase VST was used on the album Small Moon, according to the liner notes.

A Roland SH1 was used on Chris Carter's The Space Between, according to the liner notes.

A TR-808 and a CSQ-600 can be spotted among the gear in this image of Chris Carter's studio at Industrial Records.https://s-media-cache-

At 0:31, Chris is using Logic Pro 8.

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

(Centre - top down): Self-built digital delay, Accesit Noise Gate & Compressor, Roland System 100M (M-191J): incl. Gristleizer, BBD Module, VCO, VCF, ADSR etc., Roland System 100M (M-191J) rack containing self-built modules: incl. VCO, VCF, ADSR etc.. Boss KM-4 mixer, Self-built effects unit (Gristelizer), Boss CE-2 Chorus, Boss BF-2 Flanger, Roland 100M M-181 Keyboard.

Cosey Fanni Tutti's Flickr account has a photo of herself with a Mac Pro; according to the caption, the Mac is Chris Carter's.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing. MO

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

Chris Carter's article about the Roland MC-8 for Sound on Sound, in which he talks about his experience using it.

Chris Carter uses the Eventide TimeFactor Twin Delay, as noted in The Quietus article discussing the Carter Tutti Void LP.

"Then we had a couple of [Roland] RE201 Space Echos and I had a WEM Copicat."

An Akai S3000XL was used on the album Small Moon, according to the liner notes.

A Boss DR-202 was used on the album Small Moon, according to the liner notes.

An Apple Mac G3 was used on the album Small Moon, according to the liner notes.

A Revox A77 was used on Chris Carter's The Space Between, according to the liner notes.