clipping.

Clipping mentions using the microphone for recording one of their songs. "The microphone we used for most of the sounds in “Bout That” was the SM58 that sits on the desk in our studio which we usually only use as a talkback mic when somebody is upstairs in the vocal booth."

"One of the ways we alleviate these issues is by doing the pitch-shifting with an Eventide H3000 harmonizer, which is an amazing, old piece of gear, first released in the late 1980s, and it sounds much better than software."

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

The band mentions using the synth to make a bassline. "There’s also a bass line under this part that we created in a digital synth called Zebra"

"During the bridge in “Bout That,” we bring in a new sound: a swirling digital additive synth we made in a program called MetaSynth."

In this article about the making of "bout.that", clipping. shows the arrangement of the song in Logic Pro.

Jonathan Snipes has an Odyssey Mark 1 and an Emax in this performance.

Jonathan Snipes has an Odyssey Mark 1 and an Emax in this performance.

Among the gear in this picture, Jonathan Snipes of clipping. has a TR-909, a TR-808, a LinnDrum, an Oberheim SEM, and an MPC 60.

A Death Metal Distortion pedal can be seen at 1:44 in the Wriggle music video.

clipping. has a MacBook Pro in this performance.