Jacob Tilley

At 1:22, you can see Jacob using a Gibson CS-336. Jacob has said that he used to use this frequently but has not used it recently (November of 2015) due to a broken case (Reverb.com)

Tilley: "We also borrowed a ’65 Fender Jazzmaster from our good friend, Jason Soto, and it became both my and Eric’s go-to guitar for the record. It has plenty of character—especially when plugging it into surf-y, dreamlike reverbs—and it can cut through any mix for guitar solos."

In this Image, Tilley can be clearly seen playing a Silvertone 1457. The guitar's pick guard is what makes the 1457 iconic.

Jacob here is clearly seen using a Rickenbacker 330, for its pickups and fret style.

Here, Tilley is seen using a Jaguar at a live performance.

Here, a shirtless Tilley is using a Fender Telecaster.

Jacob has described his Fender Jaguar as a "good workhorse" guitar in an interview with Reverb.com. He doesn't change guitars very frequently for the sake of having the same tone.

The model that he owns is the 50th anniversary version by Fender Guitars.

His only backup guitar to his Lincoln Guitar's Bitterbird is this Fender Jaguar in Burgundy Mist Metallic finish

Tilley: "Justin introduced us to the Roland JC-120. Growing up, I was told tube amps are the be all and end all, so I may have written off this amp without Justin’s guidance. The JC-120 is responsible for many of the classic ’80s chorus tones heard on the Smiths and Police albums, and it pairs nicely with digital effects. I found that going with a good solid-state amp is a great way to diversify your sonic pallet"

In this Flickr image, Tilley uses a Vox Hand Wired AC30 amplifier.

You can check him using one of these and speaking about it in this interview video at 07:42. Note: do not confuse with Cannata equipment, which uses the PBT9 version of the same gear.

Tilley: "Justin introduced us to the Roland JC-120. Growing up, I was told tube amps are the be all and end all, so I may have written off this amp without Justin’s guidance. The JC-120 is responsible for many of the classic ’80s chorus tones heard on the Smiths and Police albums, and it pairs nicely with digital effects. I found that going with a good solid-state amp is a great way to diversify your sonic pallet"

Both of Young The Giant guitar players talk about this gear on this interview with Reverb.

This is one half of his all-Fender amp equation

This pedal's name was found on his RJM Mastermind, and is suspected that he uses this pedal.

In this flikr photo you can see an Eventide H9 on the bottom left of the image.

In this close up of Tilleys board you can see a Space pedal (bottom left).

A JX-2 can be seen on the top left of Tilleys pedalboard.

A Moog Analog Delay unit can be seen on Tilleys board.

Tilley uses a Super Delay unit in his pedalboard as seen in this live photo.

A DL4 can be seen on Tilleys pedalboard in this live photo.

In this image of Jacob Tilley's pedalboard, there is a Foxx Tone Machine in red on the top.

Tilley uses an Empress Tremolo unit in his pedalboard rig as seen in this live photo.

Tilley uses a Mod Factor in his live rig (this has likely been replaced by the H9 seen elsewhere).

On the right of Tilleys rig is a PitchFactor, it is likely that this has been replaced by the H9 seen in other sources.

Tilley uses a Polytune on his pedalboard.

In this instagram photo you can see a Greer Lightspeed Organic