Eventide ModFactor

“Often times in the studio I'll create new guitar textures by combining various stomp boxes and delay effects with manipulative recording techniques and harmony layers resulting in some pretty complex tones. Amazingly, each one of the Eventide units that have resided in my various touring rigs throughout the years, is able to easily and faithfully recreate those crazy experimental guitar sounds and successfully bring them to the live stage night after night! It really is a fantastic creative tool. ” Also, below the quote, there is ModFactor model linked to him.

Used in his Metal Machine Trio tour, clearly seen on the right rack.Picture © Pete Cornish: http://www.petecornish.co.uk/GreySeries.html. (in this photo, you can see he actually uses TWO ModFactors, one on the aforementioned rack blocked by all the wires, another in front of the fingerboard blocking the "Haken" print: http://www.zimbio.com/photos/Lou+Reed/Lou+Reed+Metal+Machine+Trio+Play+Vivid+LIVE/2Wt6M7t-CZ_)

The item can be seen 8:31 into this video

In this article Rob Laakso, Kurt Vile's bandmate and engineer on the Album B'lieve I'm Going Down, says: “One thing was definitely handy for the pitch vibrato that Kurt wanted on the clean guitars,” he recalls. “We weren’t hauling our own amps around, so I was able to cobble together a pretty decent one out of the Eventide ModFactor. I remember at one studio, there was a Watkins Tremolo amp that we were all excited to use, but it made a horrible humming sound and wasn’t working right. Then across the room they had a Gibson stereo tube amp and that wasn’t working right either, so I busted out the Eventide and had a pitch vibrato that made everyone happy. That definitely appears on the record—almost any pitch vibrato you hear on the album, it’s probably that.”

"On the road and in the studio I always have an Eventide effects processor close at hand. It's the best. It's a piece of equipment that I cannot do without." Also, below, there is a ModFactor listed to his name.

According to the Tone Freak website, Keuning uses the Eventide ModFactor in his pedalboard.

Using this in the Set at Cordoba, Argentina. streamed live December 2018.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

“My TimeFactor and ModFactor are really cool sounding, useful pedals that I use all the time on recording sessions. I'm pretty stoked that I can have Eventide quality on the floor! ”

According to an article on Guitarthai, in addition to his own signature ESP Eclipse lineup, Sugizo also used an ESP Horizon, Fender Jaguars, Fender Stratocasters, Fender Telecasters, Gibson ES175, a Gibson Les Paul Custom, a Richenbacker 330, and electric violins made by Kranz. He also used Diezel VH4 head, a Mesa Boogie Dual Rectifier head, a Mesa Boogie 4x12 cabinet, a TC Electronic TC 2290 Rackmount Dynamic Digital Delay, Decimator ProRack G power conditioner, a script Phase 90, a Boss CE-2 Chorus pedal, a Boss OD-1 pedal, a Providence Final Booster, a Digitech Whammy II, an Eventide Pitchfactor, an Eventide TimeFactor, an Eventide ModFactor, a TC Electronic G System, a Boss PS-5 Super Shifter, a Blackstar HT-DIST Distortion pedal, and a Providence Stampede Overdrive.

Hello my pretties... thanks @eventidestompboxes

Tilley uses a Mod Factor in his live rig (this has likely been replaced by the H9 seen elsewhere).

the pedal can be seen near the ehx memory man. here's another pic https://i.redd.it/unh1vl03a2p21.jpg

The item can be seen 1:44 into this video

Carl uses an Eventide ModFactor with his lap steel as seen in this video at 15.30 onwards.

"#pedalboard welcomes the awesome new @greeramps #Southland. Ready for the UK."

“I like the Eventide stompboxes because of the wide range of timbres and effects you can get from just the two (TimeFactor and ModFactor) units. The fidelity and dynamic range are also very impressive. The MIDI functionality make them very useful indeed when working with a computer or controller. The stereo outputs give a rich, wide sound field. The fidelity is by far sufficient for studio work, and they are mechanically sturdy enough to deal with any club gig. ”

All modulation covered off with the Modfactor

The item can be seen 4:20 into this video

In this 2007 concert review, a picture of Pace's pedalboard is visible. Another source is [here](http://i45.photobucket.com/albums/f83/panfriedrodent/Boards/blonde_3097.jpg). A pedal that we can see in his pedalboard is Eventide ModFactor.

According to the Eventide website, Pittman is listed as a user of Eventide ModFactor.

Ryan runs the ModFactor through his Voodoo Lab Ground controller and can be see in a picture from this article from July 15, 2015.

> It’s simply a fact that Eventide make amazing pedals. The Modfactor takes care of a lot of my choruses and fl angers, tremolos, swells, they are just so many tricks to it.

At 1:20 in this video, Hernán's Eventide ModFactor can be seen on his pedalboard.

Tom Dumont's personal blog.

“I used to carry a lot of effects boxes around with me but now I just carry the two Eventide pedals (TimeFactor and ModFactor) with an expression pedal for each and a T Rex Dr. Swamp distortion pedal. They offer so much flexibility in a compact pedal.”