Eventide PitchFactor Harmonizer

You can see an Eventide PitchFactor in a pic of Kevin's pedalboard in his reddit AMA.

"I am using about five pedals. Two of them are Eventide pedals. One of them is called a PitchFactor and then one of them I think is just called the Space." – St. Vincent, via [this interview](http://thelabmagazine.com/2012/08/27/st-vincent/) with The Lab Magazine.

Toro shares a nondescript closeup of the PitchFactor, assumedly in his home studio.

A detailed [gear diagram](http://www.guitargeek.com/stephen-carpenter-deftones-guitar-rig-and-gear-setup-2011/) for Stephen Carpenter of [Deftones](https://equipboard.com/band/deftones), traces the signal flow of the equipment, containing an Eventide PitchFactor, in his 2011 guitar rig.

The Picthfactor can be seen on the top of of Sam's Board at around the 1:55 mark

The PitchFactor is used for synthy sounds in his pedalboard. It has been suggested that this pedal was also used with remote Lissack used for the EHX POG pedal, considering he had it on the shelf with the Electro Harmonix POG before he put it back into his pedalboard.

The red item can be seen 8:31 into this video

Adrian Below's Eventide PitchFactor can be seen at 0:30 in this video.

Zach shows his pedalboard and we see that he uses Eventide Pitchfactor at 3:49 in the video and at 3:46.

at 6:23 in thhe attached video you can see the Eventide pedal.

In this photo, posted to Vernon Reid's [Facebook](https://www.facebook.com/VernonReid), his Eventide PitchFactor can be seen.

Bradford Cox on Eventide: PitchFactor "I was about to give up writing with a guitar and then this thing came along." - Pitchfork, December 20, 2010 As you can see in the proof photo there is a Eventide PitchFactor next to a Line 6 delay pedal. Bradfors use this mostly in "Halcyon Digest" and most "Atlas Sounds" sounds. Some classic songs where bradford use this amazing pedal are: "Te amo", "Helicopter" and the f***ing great riff on "He Would Have Laughed". This pedal is also we I love bradford.

Doug's PitchFactor can be seen at around 29:45 in this video.

The Canadian techno mastermind reveals how his live set works at the 2014 Red Bull Music Academy in Tokyo.

You can see the eventide in this video about Nick´s Pedalboard

He says he uses one.

Eventide Pitchfactor Harmonizer Delay Pedal can be spotted into this photo.

In this photo you can see, along with Tatum's other pedals, his Eventide PitchFactor harmonizer.

"You're right, it has to be a pitch-shifting delay, probably into another delay... ...aaaand it's a motherloving PitchFactor. But true to his crew he's using a Fuzz War." - M2JOHNSON on Cory's manipulation of delay during live shows with Wand

Hello my pretties... thanks @eventidestompboxes

Here are the effects that he is currently using on his pedalboards

On the right of Tilleys rig is a PitchFactor, it is likely that this has been replaced by the H9 seen in other sources.

According to this article about gear seen being used by Lockett Pundt, he has used an Eventide PitchFactor Harmonizer.

The item can be seen 2:47 into this video

The pitchfactor can just be seen in the center of the top row of this picture. There are some pictures of his board without this so it may be a new addition.

Brian mentioned the Eventide Pitchfactor when asked what his favourite pedals were.

"I spent $500 on this harmonizer with dreams of actually learning how to use it. That never happened. So I use it for a ‘bounce back’ delay on a couple of the tunes we are playing nowadays. If you have an ounce of patience, though, I am sure you could make this pedal do incredible things."

He used during the band's Shuffle Diplomacy 2011 US tour.

Carl talks about his Eventides in his loop rig from 13.00 onwards in this rig rundown video.

the pedal can be seen between the tuner and the memory man. here's another pic https://i.redd.it/unh1vl03a2p21.jpg

The PitchFactor by Eventide is listed on Colin Newman's [website](http://www.colinewman.com/studio.html) among his outboard effects.

In this collection of pedals photo posted by Ekstrom on his Instagram profile, the Eventide Pitchfactor can be seen.

Julie had an Eventide PitchFactor on the pedalboard she showed on Pedals and Effects.

Sergio posted his pedalboard on Instagram.

Pedal identified from the photo.

In [this blog](http://www.polymathperspective.com/?p=3900) about the making of Eno & Hyde's 2014 album *Someday World*, Karl's setup is depicted with the Pitchfactor positioned front and center on his desk.

Tweeted from Michael Franzino's band's Twitter account

"I'll get the performance down and then I'll have it MIDI'd up or just go around sending it to stuff and seeing what sounds best and what sounds cool. I've also got all kinds of effects: phasers and delays. [Eventide's] Pitch Factor was really, really useful. "

Leftmost pedal on Gareth's board

" From there an Ernie Ball Volume pedal goes into a Digitech Whammy, then through an Eventide PitchFactor, into a Guyatone Overdrive driving an Ibanez Smashbox, into a Zvex Fuzzfactory, through a Guyatone Delay."

I have two pedalboards, one I control with my hands and another I control with my feet. My guitar goes into a Lehle D.Loop SgoS Effect Looper/Switcher, which has two loops. Loop A contains a Prescription Electronics Experience Octave/Fuzz, a Dunlop wah, a Boss OD- 2 Turbo OverDrive, and a Rat distortion. Loop B contains a Boss DD-5 Digital Delay, an Alesis Bitrman ModFX multi-effects processor, a Z.Vex Fuzz Factory, and an Electro- Harmonix Micro Synthesizer. The output of the Lehle goes to a Morley volume pedal, an Eventide PitchFactor, a Line 6 DL4 Delay Modeler, and a pair of GigRig HumDinger signal splitters that I use to send a mono feed to my amp—which is usually a Vox AC30—and a stereo feed to a MOTU Traveler FireWire Audio Interface and a MacBook running Ableton Live. I also have three Roland EV-5 expression pedals: One controls Feedback and Delay Level on the DL4, another controls various functions on the PitchFactor, and the third one is connected to a Logidy USB foot controller that I use along with a Korg nanoKONTROL to make real time adjustments in Live.

In this Instagram post Joseph Andreoli shows his pedal board containing a Eventide PitchFactor.

At 8:38 minute mark, Bennett's Eventide PitchFactor Harmonizer can be seen.

This photo of Henry Kaiser's pedalboard, found on [Vertex Effects](https://www.vertexeffects.com/blog/henry-kaiser-pedalboard_2), shows that he uses an Eventide PitchFactor.

You can see the PitchFactor on Ryan's pedalboard featured in this blog from July 15,2015

In this video, there are listed three effect pedals by Eventide: the Space Reverb, the Pitch Factor and the Time Factor. You can notice them clearly at the center of the framing.

sumire lo lleva en su arsenal, aun que desconozco todas sus funciones.

*Can be seen at 1:06 of the band performing 'unbalancing act' live at Newmarket Studios.

Seen many times in this video (6.18) but probably not used in the making of this track

Fernando's Photos

He can be seen using it on his KEXP performance.

"It is inexpensive, though I managed to find an ex demo one with no adaptor for good money, and it has only broken twice... haha... basically I give my gear a hard time on the road, and it is easily fixable." Page 5: https://www.attackmagazine.com/features/my-studio/alex-smoke/

Vincent mentions his Eventide Pitchfactor in the source article.

Found on Jerome's Website.

Hot Mouth posted a picture of the effect pedal showing the name of one of its presets

Eventide PitchFactor

This is from his official website, with a demo on soundcloud and a photo of the pedal.

In Pedals Fusion's 2015 interview with Atsuko Chiba, Kevin showed off his pedalboard, which included an Eventide PitchFactor.

Geoff Kraly: On the bass end of things, the bass is going through the pedal board that you’ll see, so all the pedals are for the bass. There’s three distortion pedals, there’s a Devi Ever Bit, which is an 8-bit gated fuzz. There’s a Tech 21 VT Bass, which is a SansAmp distortion. I use it more like a clean boost in a way, it’s not heavily distorted. There’s a Prunes and Custard pedal by Crowther Audio, which is made in New Zealand. It’s kind of a filter distortion. There’s two delay pedals. One is a Malekko 616, and a crazy, Particle granular delay by Red Panda. Probably the biggest part of the sound for Paris Monster is the Eventide PitchFactor. That’s doing all the pitch shifting on a few different settings. That’s on 80% of the time in this band. Maybe a little less than that. Then, an Ernie Ball volume pedal. I think that’s about it. Yeah, and then some expression knobs and AUX switches for the Eventide.

a whole lotta pedals