Jade Puget

"When we recorded with Joe (Crash Love Producer), I used my modified Marshall “Plexi” mixed with a Marshall 800, a Custom Audio OD -100 and a Bogner Shiva, which is a big part of my sound on this album. I’d never used that amp before, and it sounded great with a Les Paul"

Jade Puget uses the Mesa/Boogie Dual Rectifier Solo Head (Multi-watt) amplifier, as detailed in Uberproaudio's overview of his gear setup with AFI.

Seen in this video, Jade Puget playing a Fender Stratocaster whilst displaying rockablilly rifts.

Throughout this video, Jade Puget can be seen using a Gibson Les Paul Studio.

"GW What does the Bogner Shiva do that Marshalls don’t?

PUGET I like the sound of the Plexi, but it needs something to complement it in the low end. That’s something that the Plexi is missing, and I’d never found an amp to fill that gap. But that Bogner is the one that finally did it, and really gave the Marshall a bit of heft. "

This video contains the most up-to-date rundown of their gear for guitar and bass:

According to Premier Guitar's Rig Rundown with AFI, Jade uses TWO Ibanez TS9s.

At 48 Seconds, Jade talks about using Standards.

At 14:00, you can see Jade explaining how he uses the POD XT Pro for his clean sound, and how great and important this unit is for his sound.

"I put it through a Klon Centaur [overdrive] pedal that Joe had. Whenever I wanted a gain boost on a lead, the pedal seemed to be exactly what I needed"

Jade Puget uses a Gibson 2003 Les Paul Studio in Alpine White, primarily for songs in standard tuning from the albums Crash Love, Burials, and The Blood Album. According to Premier Guitar's Rig Rundown, this guitar has also been played live occasionally since the Decemberunderground era.

seen used on live performances of 'God Called In Sick Today'

"When we recorded with Joe (Crash Love Producer), I used my modified Marshall “Plexi” mixed with a Marshall 800, a Custom Audio OD -100 and a Bogner Shiva, which is a big part of my sound on this album. I’d never used that amp before, and it sounded great with a Les Paul"

“The Revstar has great tone, I've been using it in the studio quite a bit and I love the versatility and character it can bring to a song.” -Jade Puget, AFI (1973-present)

#MeetYourOtherHalf #YamahaRevstar

In the fifth picture within this article, you'll see a silver Les Paul Studio. Although it isn't identified as a Platinum version of the Les Paul Studio, it definately is. It stands out due to the unusual combiantion of brushed steel hardware and lack of inlays on the ebony fingerboard.

Jade Puget of AFI uses the Dunlop DB-01 Dime Cry Baby From Hell wah pedal, as detailed in the Uberproaudio article "AFI - Jade Puget Guitar Gear Rig and Equipment."

"in the studioIi use 11-48s, just because they stay in tune a little better"

"We had an MXR delay pedal and a bunch of Boss and Electro-Harmonix pedals, including a Memory Man."

At exactly 12:36 you can see a close-up on the Boss RV5 sitting on Jade's rack-board. A little bit before that, he says that is his main reverb.

"Aside from his Custom Audio Electronics RS-10 MIDI controller out front...."

Jade Puget uses the Boss TU-3 Chromatic Tuner as part of his guitar rig, as detailed in the gear list on Uberproaudio.

"10-46 has alwasy been the gauge..to me that was the perfect gague. Live that's the go to thing"

At 12:36, you can see the close-up on the DigiDelay pedal sitting on Jade's board.

According to Premier Guitar's Rig Rundown with AFI, Jade uses a Korg KP2 Kaoss Pad for the "twinkly" sound in the middle breakdown in Girl's Not Grey.

Jade Puget uses D'Addario EXL115 Nickelwound Guitar Strings (11-49) as part of his guitar rig, as detailed on Uberproaudio.

According to Premier Guitar's Rig Rundown with AFI, Jade uses a TC Electronic D-Two Delay rackmount.

"Both heads run out to their own 4x12 offstage---one hits a MArshall 1960AHW and the other goes through a Diamond cab"

Poison Noises uploaded a clip from Jade's instagram story of them playing through a V3 Crook.

He uses this effect for acoustic instruments in 2025 on tour

He use this effect for acoustic instruments on stage with AFI in 2025