Jade Puget

Throughout this video, Jade Puget can be seen using a Gibson Les Paul Studio.

seen used on live performances of 'God Called In Sick Today'

Seen in this video, Jade Puget playing a Fender Stratocaster whilst displaying rockablilly rifts.

At 48 Seconds, Jade talks about using Standards.

“The Revstar has great tone, I've been using it in the studio quite a bit and I love the versatility and character it can bring to a song.” -Jade Puget, AFI (1973-present)

#MeetYourOtherHalf #YamahaRevstar

"This alpine white studio is typically in standard tuning for material from Crash Love, Burials, and The Blood Album."

PS: Has been played live (occassionally) since and during the Decemberunderground era of the band. images: https://www.gettyimages.com/detail/news-photo/musician-jade-puget-of-rock-band-afi-performs-on-day-1-of-news-photo/72793712

https://www.gettyimages.com/detail/news-photo/musicians-hunter-burgan-davey-havok-and-jade-puget-of-afi-news-photo/72782201

ect.

In the fifth picture within this article, you'll see a silver Les Paul Studio. Although it isn't identified as a Platinum version of the Les Paul Studio, it definately is. It stands out due to the unusual combiantion of brushed steel hardware and lack of inlays on the ebony fingerboard.

Mesa Boogie Dual Rectifier Amp Head

This video contains the most up-to-date rundown of their gear for guitar and bass:

"When we recorded with Joe (Crash Love Producer), I used my modified Marshall “Plexi” mixed with a Marshall 800, a Custom Audio OD -100 and a Bogner Shiva, which is a big part of my sound on this album. I’d never used that amp before, and it sounded great with a Les Paul"

"When we recorded with Joe (Crash Love Producer), I used my modified Marshall “Plexi” mixed with a Marshall 800, a Custom Audio OD -100 and a Bogner Shiva, which is a big part of my sound on this album. I’d never used that amp before, and it sounded great with a Les Paul"

"GW What does the Bogner Shiva do that Marshalls don’t?

PUGET I like the sound of the Plexi, but it needs something to complement it in the low end. That’s something that the Plexi is missing, and I’d never found an amp to fill that gap. But that Bogner is the one that finally did it, and really gave the Marshall a bit of heft. "

"Both heads run out to their own 4x12 offstage---one hits a MArshall 1960AHW and the other goes through a Diamond cab"

Boss TU-3 Chromatic Tuner

Dunlop Dime CryBaby from Hell

"I put it through a Klon Centaur [overdrive] pedal that Joe had. Whenever I wanted a gain boost on a lead, the pedal seemed to be exactly what I needed"

"We had an MXR delay pedal and a bunch of Boss and Electro-Harmonix pedals, including a Memory Man."

At exactly 12:36 you can see a close-up on the Boss RV5 sitting on Jade's rack-board. A little bit before that, he says that is his main reverb.

At 12:36, you can see the close-up on the DigiDelay pedal sitting on Jade's board.

According to Premier Guitar's Rig Rundown with AFI, Jade uses TWO Ibanez TS9s.

At 14:00, you can see Jade explaining how he uses the POD XT Pro for his clean sound, and how great and important this unit is for his sound.

According to Premier Guitar's Rig Rundown with AFI, Jade uses a TC Electronic D-Two Delay rackmount.

"Aside from his Custom Audio Electronics RS-10 MIDI controller out front...."

D'Addario strings EXL115

"10-46 has alwasy been the gauge..to me that was the perfect gague. Live that's the go to thing"

"in the studioIi use 11-48s, just because they stay in tune a little better"

According to Premier Guitar's Rig Rundown with AFI, Jade uses a Korg KP2 Kaoss Pad for the "twinkly" sound in the middle breakdown in Girl's Not Grey.