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Custom Audio OD-100 Standard Plus

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Page last updated Aug 10, 2025

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The Custom Audio OD-100 Standard Plus guitar amplifier head is a powerhouse of versatility and tone, offering the perfect balance for both studio work and live performances. Designed with the professional guitarist in mind, this amp is the brainchild of renowned amp designer John Suhr, providing a seamless blend of classic and modern tonal capabilities. The OD-100 Standard Plus features dual channels that allow you to switch between crisp, clean tones and rich, overdriven sounds with ease, making it suitable for a variety of musical genres.

With an all-tube design, the OD-100 Standard Plus delivers a robust and warm sound that many guitarists crave. Its intuitive controls offer extensive tonal shaping, while the inclusion of a comprehensive effects loop ensures compatibility with your favorite pedals. This amp head is not just about sound; it's about delivering a responsive and dynamic playing experience that enhances your musical expression. Whether you're dialing in a creamy lead tone or a punchy rhythm sound, the OD-100 Standard Plus stands out with its custom-designed circuitry that ensures clarity and depth across all settings.

Key Features:

Dual-channel operation for versatile sound options
All-tube design for warm, authentic tones
Custom-designed circuitry for enhanced clarity and depth
Comprehensive effects loop for seamless pedal integration
Designed by renowned amp designer John Suhr
Intuitive controls for detailed tonal shaping

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Flávio Prieto

CAE - OD-100 Standard Plus + CAE 212 V-30 / Fender Strat 59 Reissue - Soulshine Guitar Shop

Flávio Prieto

CAE - OD-100 Standard Plus + CAE 212 V-30 / Gibson Les Paul 57 Reissue - Soulshine Guitar Shop

Flávio Prieto

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Andy Summers

Guitarist

The Police

Verified via Guitarplayer

"Summers’ off-stage rack also contains his main Custom Audio OD100 amp and a Carvin DCM150 used to power stereo effects."

Scott Henderson

Guitarist

Tribal Tech

Verified via Scotthenderson

On "Thick", I was playing a Fender Strat that John Suhr made for me while he was working at the Fender custom shop. I finally got away from the preamp thing when Custom Audio made the OD-100 head, which I used for the whole record. I improved my home recording scene a lot by building a big box to put the speaker cabinet in. It was made of pressboard with a layer of cork inside and a layer of two-inch cotton. The box lowers the volume a lot, but it gives the tone it's own frequency that isn't completely natural sounding, though it's a fairly subtle thing that you wouldn't notice unless you were comparing it directly with the same cabinet miked up outside of the box. One cool thing about this idea was that I could take the box to the studio sessions with me, and when I wanted to keep my live tracks but fix parts of them at home, my tone stayed the same. If you're playing a loud cabinet and change rooms between sessions, you'll have a difficult if not impossible job of dialing up your original tone.

Kevin Skaff

Guitarist

A Day to Remember

Verified via YouTube

Kevin Skaff: Year, here we got my Custom Audio the OD-100. I got the very though choice of choosing between this and the PT-100.

Jade Puget

Singer, Guitarist

AFI

Verified via Guitar World

"When we recorded with Joe (Crash Love Producer), I used my modified Marshall “Plexi” mixed with a Marshall 800, a Custom Audio OD -100 and a Bogner Shiva, which is a big part of my sound on this album. I’d never used that amp before, and it sounded great with a Les Paul"