Jeffrey Kunde

"The first guitar I ever bought. Has a tuxedo look to it with a black body, white pick guard and gold hardware. There were only about 100 of them made in 1991. Has that classic SG sound, really tight, gritty and growly. This definitely has been the perfect guitar for a lot of situations on records (“dance with me” on Consumed and “i exalt thee” on your love never fails). It's maybe my favorite guitar I own. Currently it's loaded with a Lollar "P90 for Humbucker" in the bridge."

"Has been my main go to guitar since january of 2010. Really smooth sound that would be great for rhythm or leads. I have the Filter’Tron pickups in mine. Mine is about ten years old, and is a discontinued model that has a bigger headstock than most duo jets. I think this one is from the days before Gretsch got bought by Fender."

"The white falcon has a very unique sound. I played a falcon on nearly all of Jesus Culture’s Consumed record, on “I want to know you” of the Come Away album, a bit of Awakening Live in Chicago and this particular one was used quite alot on Jesus Culture Live from New York . Has a really wide open, and almost woody sound to it."

"Not a reissue or a special series, just a classic American Standard Tele. I love this guitar. I love the single coil sound, and its definitely a old stand by for me. I’ve never changed the pickups or done mod’s to it besides shielding the inside of the guitar (underneath the pickguard) with copper foil to reduce that classic tele “buzz”. I especially like it for tight lead parts or chimey rhythm parts in studio and live. Mine is a vintage white color, with a few big dents on it due to those airline guys…. but still plays great."

He is clearly using this Gretsch in the live performance of the song Alleluia by Jesus Culture.

Since 2014, Jeffrey got the Veritas Mini-Master. As said in the video, he really likes it.

"This is my own signature series amp made by the guys at BadCat Amps. It's named after my son Luca Kunde. […] In short, I couldn't be happier with this amp. It has characteristics of a clean AC30, but also the ability to break up really nicely. Its everything I need in an amp, and sounds fantastic in stereo with the Jackson Ampworks Britain."

"’93 Vox AC30 6TB: This was the first amp I bought, and i love it. It is UK Made, and has Celestion Vintage 30?s in it, and is my favorite Vox I've ever played. The Top Boost reissue’s of the 90's have a great sound and though I burn through tubes about every 8 months, it really deliver’s an awesome sound with pretty good headroom and that classic AC30 breakup. I usually have it turned up to about 11 o clock, and always go through the Brilliant channel…"

"Jackson Ampworks Britain 3.0: This amp is amazing. It has a lot of versatility, tons of headroom on the 50 watt setting, or can break up really nicely and fairly quick on the 12 watt setting. I love the full range of the amp… definitely one of my favorite amps I've played. If you've never heard one, it has a nice tight high end, huge lows and mids, and has a lot of characteristics of a vintage AC30, but still very unique sounding too. Definitely well suited for all the guitars that I play. […] Mine is a sand color with a 2×12 cab."

Jeffrey posted this updated shot of his Pedalboard to his instagram saying "less drive, more fun"

"This is a really nice clean boost at the end of my chain. I like this boost because it has good eq on it. Adds a tiny bit of grit, but mostly just a nice high end to my tone. I keep this pedal on all the time."

"This is my favorite compression pedal I've used. Im not sure why, it just sounds great. Gives me extra sustain, fattens up my tone, and smooths everything out. Check it out."

"This has recently taken the spot on my board long held by the little green wonder. Its a great warm, natural overdrive, perfect for me for rhythm tones. check it out."

"This drive pedal is pretty cool. Tight, good eq, and unique sounding. I use it alot these days for most lead lines. Check it out here."

Kelley Modded Rat "This is my third stage drive that I use for solos/parts during big sections where i need to get out in front of a loud band. You dont need to dial the overdrive knob up very far before it starts getting too dirty. Passed 11 o clock you start sounding like you’re in a medal band.. so i keep it at about 9 or 10. It has a bright eq, so it really can cut through when you need it to. I maybe use this guy about 10% of a set. Mine is modded by Keeley. The mod fixes some eq issues and add a LED."

"Pretty narly fuzz pedal. Its fuzzy.. bright... or dark.. and fuzzy.."

"This is a great and simple octave pedal. Adds a high octave or low octave to the notes being played, and has a blend knob for the high, low, and wet/dry knob. Really can add a nice shimmer to swells, makes rhythm tones fatter, or can add a cool edge to a lead line."

"Its a volume pedal. It turns me up and down."

"This is my tremolo pedal. Hand made, analog, and great tone. It has lots of different tremolo settings and a tap tempo, which makes it convenient for live playing."

"I recently switched over to the TC Electronics PolyTune mini. Its small, and tunes real good."

"I switched over to this little analog delay. I like it because its a bit darker than the alternate delays i was using before, plus it has some sweet modulation settings on it. The size is great also. Really compact."

"I’ve used a lot of digital delay pedals, and really like a lot of them. Seems to do everything that the Eventide TimeFactor did, and more. I mainly just use one delay setting, and store different tempos of the same setting depending on the song. I like this pedal because of the way the Banks and Presets are laid out. Makes it great for playing a live set. Also has a million cool sounds in it. Someday I'll explore more of this pedal."

"Yep... i have a huge reverb pedal. I have yet to explore past about 4 sounds on it, but the 4 settings I have sound really good. And i'm sure the rest of the pedal is amazing too. Looking forward to digging into it more in the future."

"This is my pedal power supply system. It totally rules. Works all over the world, powers all my pedals, runs off of only one IEC power chord, and has cut to length cables for each of my pedals so it all ends up looking real tidy and nice. I also have different adapters/converter guys that power my weird voltage pedals too.. and those just connect to the regular 9v ends. This power supply system changed my world. I love it."

Jeffrey posted this updated pedalboard shot to his instagram, saying "less drive, more fun." It appears as though the Gravitas has replaced his Cusack Tap-A-Whirl for the time being.

Here is an updated shot of Jeffrey's pedalboard that shows the Prestige being used!

Jeffrey Kunde's new pedalboard. Built by @goodwoodaudio