Jeordie White

Again, from the Tone King video on Jeordie's effects and amps. The fact that he is using a BF-3 can be seen by the presence of a second, unused, stereo output jack on the left side of the pedal (which, interestingly, the output being used is the Output B, instead of the mono Output A).

From, again, the Tone King video examination of his effects and amps. After some squinting and detail comparison, I can say with 100% certainty that this is an AC-2 as opposed to an AC-3 version of the pedal for a few reasons. The COSM logo under the mode knob isn't present (which, if it were, would certainly make it one of the runs of AC-3 pedals, though not all of them have it). The AC-2 pedals seem to have a deeper embossed BOSS logo (sorry, that wasn't intentional). After examining both pedals, it was clear he's using an AC-2, as there isn't a reverb control on the level knob (the AC-3 has a stacked knob, with the ring controlling reverb level) which makes sense due to the number of reverb and delay effects later in his signal chain.

From Tone King video, explaining his effects setup, with Jeordie and his guitar tech, as a guitarist instead of bassist for Marilyn Manson. Difference between the hand-painted and Vexter variety noticeable due to the brushed metal housing of the pedal.

From Tone King video, explaining his effects setup, with Jeordie and his guitar tech, as a guitarist instead of bassist for Marilyn Manson. The color of the Pi graphic and the "Big Muff" lettering on the pedal reveal this to be a Tone Wicker variant of the Big Muff.

He uses a white Nash Tele during 'Sweet Dreams'

He uses it at the end of the set with 'Beautiful People'

In a user-uploaded photo on Discogs, Jeordie White is seen holding a Jackson Randy Rhoads V, likely from the late 1990s.

Seen using a white one live in this picture

Jeordie White uses an Ampeg 1x15 Bass Cabinet in conjunction with a 4x10 cabinet, as detailed in EMusician's article on Marilyn Manson.

Jeordie White uses the Whirlwind Multi-Selector to switch between distorted and clean channels, as mentioned in the EMusician article on Marilyn Manson.

He uses it in his rig on stage .

Twiggy can be seen playing this bass in the video for Coma White and Dope Hat

"In this user-uploaded photo, Jeordie White uses Ernie Ball Hybrid Slinky Bass Strings (45-105)."

Jeordie White is seen holding a USA-made Music Man SUB Bass in a photo posted by Ernie Ball on Facebook.

Jeordie White uses the Dunlop Cry Baby 105Q Bass Wah Pedal, as shown in a photo posted by Mesa Boogie on Facebook.

Jeordie White uses the Boss DD-5 Digital Delay, as evidenced by a pedalboard shared by Mesa Boogie on their Facebook page.

Jeordie White is confirmed to use the MXR M-83 Bass Chorus Deluxe, as evidenced by a pedalboard shared by Mesa Boogie on Facebook.

Jeordie White is confirmed to use the Malekko Heavy Industry Diabolik, as evidenced by a photo of his pedalboard shared by Mesa Boogie on Facebook.

Jeordie White is confirmed to use the MXR Tap Tempo Switch M199, as evidenced by a post shared by Mesa Boogie on Facebook.

Jeordie White uses the Boss TU-3W Chromatic Tuner, as evidenced by a photograph of his pedalboard shared by Mesa Boogie. This particular pedal is distinguished from the standard TU-3 model by its dark color scheme.

Jeordie White is pictured using a Hartke 215 XL Bass Cabinet in an image from the early to mid-1990s.

Jeordie White was photographed using a Hartke 410XL Bass Cabinet in the early to mid-1990s, as evidenced by an image available on Equipboard.

Jeordi white pictured playing through a Gallien-Kreuger 800rb bass amplifier head, distinguished my number of knobs and other controls, circa early to mid 1990s

In a photo posted by Get'm Get'm, Inc. on Instagram, Jeordie White, known at the time as Twiggy Ramirez, is clearly seen using the Get'm Get'm Leopard Print Strap. Interestingly, Marilyn Manson was Get'm Get'm's first high-profile customer back in the 90s, and it was his suggestion that led the brand to make their straps adjustable to 65 inches to accommodate taller musicians or those who preferred their instruments hanging low.

This 1.0mm Dunlop Tortex Triangle Pick, taken from an online listing, is from A Perfect Circle’s 2004 Emotive Tour which clearly shows “Jeordie” printed on it. There are other photos of his pick with the A Perfect Circle logo and saying “1.0 mm” but without Jeordie’s name printed.