"Thom used this delay during the 2006 pre-In Rainbows tour. He used it with a Boss FV-5U for tap tempo. Thom may have been experimenting with using delay on the early versions of In Rainbows tracks, but none of that experimentation seems to have made it onto the record."

In this photo you can see Stevie use boss delay probably the dd5 or the dd3 (discarded this, because the dd3 didn’t have two outputs).

Noel Gallagher using a Boss DD 5 at Knebworth 1996. Noel's pedalboard shown in the Oasis Knebworth 1996 Documentary at 35:07 at the end of Supersonic. https://www.paramountplus.com/movies/oasis-knebworth-1996/FsgkdtzMwFAVQ54M_V9MRjEVXcGa2i0b/

Jones is also a glutten for effects. On the intro to “Reflection” and “The Grudge,” both from Lateralus, he employs a vintage Moog Taurus bass pedal system. But aside from the Heil Talk Box on 10,000 Days, run through a Roland JC-120 and juiced up by a dynamic compressor, Jones’ choices of effects is less esoteric. His wah-wah pedal is a dependable Cry Baby, and his stable of other sound generators includes Boss DD3 and DD5 digital delays, a BF-2 flanger, a Line 6 Delay modeler (which also samples on the fly), a Strobostomp tuner, a tremolo pedal, chorus, and an array of distortion boxes. During experimental phases, Jones has taken the stage with multiple pedal boards at his feet. The irony of this rundown is that Jones has gone on record saying he doesn’t like to use pedals.

In the video at ‘48:48’ while he’s demoing a riff from Paranoid Android he says:

“It’s not going to sound the same as I don’t have my DD-5”

In a 2002 magazine interview, Jonny Buckland discusses using the Boss DD-5 Digital Delay pedal.

Daron's main delay pedal since 2011. Used for solos and bridge parts. Delay time set to 800 ms, some repeats, nothing special. Was replaced for the Latin America tour 2015 with a Strymon DIG Dual Digital Delay by his tech Scott.

Marty lists this delay pedal on the gear section of his website.

"And then, for me, another cornerstone is the Digital Delay, the DD-5, had that since I can remember, since it came out... the most common setting for me is the effect all the way up, if you can imagine that, the 3 setting, and then I have the feedback at about 2 o'clock, and the delay time at about 10 o'clock... I could use that for almost anything, so I really love that... I started writing with a delay pedal a lot, just for the simple reason that 'Oh, it sounds like way more notes than I'm actually playing, I sound pretty good right now.'" – Omar Rodríguez-López on the Boss DD-5 Digital Delay Pedal, 1:33

In the photo, Beck's Boss DD-5 Digital Delay pedal is visible. Although both the DD-3 and DD-5 models have two inputs, the DD-5 is identifiable by its stereo output, which is shown here.

George Lynch’s Boss DD-5 Delay Pedal is shown at 3:10 in this video interview with Jerry Ganaden, Lynch’s guitar tech.

In this screenshot from an article, Daniel Kessler can be seen talking about how the signal of his guitars is weak, and he needs to dress the sound up with effects: "But I’m also very lazy with effects. I use a couple of overdrives, a Boss DD-5 and an Eventide Space pedal, which is a new thing that I like. It's better than any analogue." (original source here, article dated March 31, 2015)