Joel Stroetzel
Joel Stroetzel's Amplifiers
I still have a Soldano SLO-100 that I’ve had for many years. I love that.
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Joel Stroetzel of Killswitch Engage talks about his Laney Ironheart IRT-120H and Lionheart L20T-112
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A Hughes & Kettner Triamp MKII amp is listed among Joel's gear, on his website.
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Listed on Joel's official Laney page.
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Yeah, there’s a lot of different stuff going on, and we used a lot of different guitar amps. Many of the rhythm parts were done with a Diezel VH4, and for a lot of the main overdubs we used a Splawn Nitro, which is basically a hotrodded Marshall with KT88 power tubes, which give it a bigger sound more like the JCM 800s.
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Our favorite cabs are Mesa/Boogie Stiletto straight cabs with Celestion Vintage 30s. That’s what we tracked with, but sometimes if the tone wasn’t fitting in we’d send the recorded part out to another amp so we didn’t have to re-track it.
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Our favorite cabs are Mesa/Boogie Stiletto straight cabs with Celestion Vintage 30s. That’s what we tracked with, but sometimes if the tone wasn’t fitting in we’d send the recorded part out to another amp so we didn’t have to re-track it.
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Joel Stroetzel of Killswitch Engage talks about his Laney Ironheart IRT-120H and Lionheart L20T-112
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Listed on Joel's official Laney page.
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Lately we’ve just been using our Kemper [Profilers]. We can profile the sounds we get in the studio and they’re easy to recall live. Part of me would love to have a big tube stack behind me, kicking me in the chest when I turn around. But, at the same time, the Kemper’s so convenient. We’re all on in-ear monitors, so it’s really nice to be able to plug in and there’s no issues with mic placement. Our front-of-house guy has a direct clean line to the guitars that doesn’t bleed.
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Lately we’ve just been using our Kemper [Profilers]. We can profile the sounds we get in the studio and they’re easy to recall live. Part of me would love to have a big tube stack behind me, kicking me in the chest when I turn around. But, at the same time, the Kemper’s so convenient. We’re all on in-ear monitors, so it’s really nice to be able to plug in and there’s no issues with mic placement. Our front-of-house guy has a direct clean line to the guitars that doesn’t bleed.
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Yeah, there’s a lot of different stuff going on, and we used a lot of different guitar amps. Many of the rhythm parts were done with a Diezel VH4.
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