Junkie XL

Junkie XL posted to twitter, "But the waves api bundle plus cubase own eq are really warm and great too!!!" while showing a screenshot of the Waves API.

Junkie XL tweeted about his 3,800 track template by saying, "Homemade libraries for Kontakt... Together roughly 1 TB in Sound design instruments... #iFilmscoring"

"Here's the FX page... Over 120 unique reverbs, delays, compression, and eq for 48 separate quad outputs! #iFilmscoring"

In this image you can see the FabFilter Timeless under Altiverb.

"With Massive, we are able to produce insane basslines, soundscapes and other freaky stuff that is hard to make with any other machine. Again the bar has been raised for synths for your DAW..." says Junkie XL, on Massive's artist page.

Here he is using predator to remix Cities in Dust

While scrolling theough his template, at 6:32 there's a folder section labelled "CS Strings 1 Old Library...". The initials "CS" (which stands for Cinematic Strings) and he's using the old library rather than using the lastest one known as Cinematic Strings 2.

The Nexus is a FANTASTIC SOUNDING plugin that is very versatile in it sounds and expansion packs. Great sounding basses, pads and leads and drums! A GO TO INSTRUMENT and a must if you make electronic dance music. But interestingly as well, I find this instrument EXTREMELY USEFUL in creating film-scores. From true Analogue sounding on one spectrum and very Digital on the other side of the spectrum, Nexus offers it all!

“This bundle is absolutely fantastic! Many of these plugins I have been using from very early on when I was still on ProTools instead of Cubase.”

-Tom Holkenborg (Junkie XL)

At 1:03:47 they are talking about it

Junkie XL mentions his Studio Electronics Boomstars at 3:32 in this video, one of which can be seen to be a 4075.

Keyboard Magazine March 2013 cover story

Keyboard Magazine March 2013 cover story

Keyboard Magazine - Junkie XL Studio 2013 Korg MS-20

In 2:36, Junkie XL introduces his Roland Jupiter 80

At 3:12 Junkie XL Introduces his Roland JD-800

At 3:30 Junkie XL introduces his OB-Xa

At 6:21 Junkie XL introduces his Jupiter 6 Synthesizer

At 6:22 Junkie XL, while introducing his Jupiter-6, mentions "this is the Jupiter-6: the smaller brother of the Jupiter-8, which I also have but it's on repair right now so, unfortunately, it couldn't be here"

At 6:41 Junkie XL introduces his Juno-6 synthesizer

At 7:15 Junkie XL introduces his Yamaha DX5 synthesizer

At 1:21 in this video, you can see him demonstrating it by playing it for his good friend Armin van Buuren.

This is on one hand still a preset synthesizer and then you also have a synthesizer section that you can use as a lead or somthing.

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."

"Then I did this other project last year which was a documentary for Red Bull. It's called Distance Between Dreams with Ian Walsh, the star surfer. That was a very soft, ambient electronic score. I did everything live with MIDI and just mixed it on the board and that was the end result. I used the Jupiter-8 for that, the Jupiter-6, the Juno-6 with the sequencer, the MSQ, the Roland 60, the 106, also the GB4, Roland VP-03, the vocoder. I used a Roland S-770 sampler, which has a really great tone to it. A couple of Yamaha synthesizers, the CS-60, the CS-70M—all pretty rare machines to have. But for that kind of stuff they sound so fantastic."