M-22

At 2:54 M-22 are seen using this. Frank said "must be an M1" then Matt comments "great sound"

M-22 are seen using this plugin multiple times during this track breakdown. * At 13:00 they use it to EQ kick samples for layering them. * At 16:18, Frank says > Again fabfilter, some crazy EQing. The look like a painting by the way * At 16:55 Frank says > FabFilter again, just controlling a little bit more of the lows and the upper mids

Sylenth 1 is seen in a lot of the Midi thats played in this track. 18:36 > Because it going deep, it's sylenth.

For the Rhodes piano, At 19:43 Frank says > That's a Spire

At 3:09 Frank says after pulling up this plugin "This does a bit of stereo widening"

At 3:15 Frank says "Yeah just our go to Valhalla vintage reverb, it's just always great. Just to give it some effects, open shape"

At 3:25 Matt says "We love the Tornado as you see at the bottom there. We use that for all our high passes and low passes"

At 4:08 Frank says "We use two pianos, one is only the mid infomation which is the M1 because it's just great in the middle and then we take a Nexus piano and surround the M1 with some stereo infomation so it gets super wide.

At 5:00 Matt says "Most people that speak to us about the strings think the strings are live, which are not... The famouse Nexus"

At 8:49 this plugin seen on the lead vocals

The Advanced Ozone 7 Dynamic EQ is seen at 9:00

At 9:08 this plugin is pulled up and Frank says "the famous 1176" then they both say its "lovley" and "nice"

At 9:15 this plugin is pulled up and they both comment "Shimmer, just some effects"

At 10:51, Frank pulls up this plugin and says "backing vocals, EQ again this case we use CLA"

At 11:48 this plugin is pulled up and Matt says "As you can see the Morphoder"

Cubase is seen throughout the entrie video and Matt refers to it at 12:10

At 13:05 this plugin is pulled up and Frank says while EQing a kick "little bit of Pultec on it to give it some shine on 12K"

At 13:40 Frank says "sometimes it nice to shorten things with the volume shaper"

At 14:07 this plugin is pulled up and Frank says "we put this beautiful plugin on just to make it mono"

At 14:45 this plugin is pulled up and Frank says "Where we go into Fatso and just smash the hell out of it"

At 14:56, this plugin is pulled up and Frank says "We have this beautiful plugin just to create some sub frequencies"

At 16:13 this plugin is pulled up and Frank says "Bax EQ, sometimes really really nice on the bass."

At 16:42 this plugin was pulled up and Frank says "LFOtool, we did like a little preset called free the kick juat to make a little bit of space"

At 18:45 Matt says "this is great now, the Saturn."

At 20:14 when talking about the Rhodes piano, this plugin is pulled up and Frank says "I think the echo boy was pretty important with giving us movment"

At 20:44 Frank says "it as too wide in total so we pushed up the center"

At 22:01 this plugin is pulled up while M-22 explain their mastering process and say "With pre groups, where for instance we have the glue on this, this is great. This is like an SSL clone but its important for dance music that you have this side chain here so you can you can tell them not to progress anything below a certain hertz because with those big, fat ass kicks you dont want to have them compressed because they're already great so why would you compress them.

At 22:33 this plugin is pulled up.