At 29:46 in this video from *Future Music Magazine* Nicky brings up the M1 and says “I use this a lot because the piano sounds different than the [Nexus](https://equipboard.com/items/refx-nexus-2) ones, which many people use already. So I was like I want to use a different piano that nobody else uses.”more
“I love the Korg M1. I’ve got to say it’s the most beautiful-sounding soft synth I’ve ever had – it almost sounds like the real thing! It’s quality, and it doesn’t crash. Other than that I use some of the u-he synths – ACE for example is really good – and I’m trying to get into Xfer Records Cthulhu. It’s an arpeggiator and chord generator, and it’s pretty fun, but it’s still kind of Greek to me!more
Used on "Slumber Party", as stated by Hellberg in the song's official Splice project annotations (released November 5, 2015). > HipsterSynth: I love this preset from the M1, and I thought it was a fun addition to the break. Sometimes you just gotta add weird stuff that sounds good and hope it works out, haha. > Mallet: Korg M1 <3 > PercyArpyThing: Didn't know how to describe it better, weird sounds that play happy melodies seems to be an on going theme for this project haha. This was also made with the M1. > The Piano Riff: This took a while to make. A lot of compression, resampling, reverb and cutting went into making this the way it is now. Making something that is not a real piano sound real and then turning it glitchy and stuttery is very fun, but challenging. The piano is originally from the Korg M1.more
Spectrasonics Studio List The equipment list for the Spectrasonics studio reads like a gear-head's dream. Favourites amongst Eric's sizeable synthesizer collection include the Access Virus, the Prophet VS, his collection of Waldorf synthesizers, and a 1976 Yamaha CS80. "It's my favourite axe to play, because of the awesome polyphonic aftertouch and that sensuous ribbon," explains Eric. For effects processing Eric is a fan of the Roland SRV330 reverb, an item that "gets missed by most people, mainly because it doesn't say Lexicon on the front panel." For distortion tricks Eric often uses a rare Boss GL100 guitar preamp: "It's basically the history of Boss pedals in one rack space." Mixing, until recently, was done on some "very odd, custom-made analogue mixers made by a guy named Mo West," reveals Eric. He recently purchased a Roland VM 7000-series mixer, however, taking him one step closer to an all-digital setup. SAMPLERS • Roland S760 and S770 • Kurzweill K2000 • Bitheadz Unity DS1 (running on an Apple Macintosh G4) SYNTHESIZERS/DRUM BOXES • Access Virus • Clavia Nord Lead • Doepfer modular synth • Emu modular synth • Moog Minimoog (modified by Studio Electronics) • Oberheim SEMs • Polyfusion modular synth • Roland JP8000 prototypes & production units • Roland JP8080 • Roland JD800/990 • Roland Jupiter 8 • Roland JV1080 and 2080 • Roland MKS50 Alpha Juno • Roland MKS80 Super Jupiter • Roland System 700 and 100m modular synths • Roland MC303 • Roland MC505 • Roland TB303 • Roland TR808 • Roland TR909 • Korg EX8000 • Korg M1R • Korg Mono/Poly • Sequential Circuits Prophet VS • Waldorf Wave, Microwave, Microwave XT • Yamaha CS80 SOFTWARE • Alchemy • Arboretum HyperEngine • Arboretum Hyperprism plug-in pack • Arboretum Ionizer • Arboretum Raygun noise-reduction plug-in • Antares Infinity • BIAS Peak audio editor • BIAS SFX machine effects • Emagic Logic Audio Platinum • Emagic Sound Diver synth editor/librarian • Fireball • GRM Tools plug-in pack • Metasynth • Opcode Vinyl, Vocode & Filter plug-ins • Propellerheadz Rebirth soft synth • Prosoniq SonicWorx Artist effects • Steinberg Magneto tape-saturation emulator • Steinberg ReCycle sample editor • Thonk soft synth • RAIFF • Region Munger • Transfer Station • Samplifier sample transfer software • Saturator • Sound Morph • Sound Hack audio editor • Unisyn synth editor • Waveboy Voder SIGNAL PROCESSORS • AMS RMX reverb • API 5502 equaliser • Boss GL100 guitar driver • Boss SE70 multi-effects • Dimension beam controller • Euphonics mixing console • Eventide DSP4000 & H3500 harmonizers • GML stereo parametric EQ • Innovonics compressors • Langevin passive equalisers • Lexicon PCM70/80/480 reverbs • MXR Distortion Plus • Quest custom mixers • Roland Dimension D & C processors • Roland RSP550 multi-effects • Roland RSS10 3-dimensional effects • Roland SDE330 delay • Roland SDX330 chorus • Roland SRV330 reverb • Roland SVC330 vocoder • TC Electronics Fireworx multi-effects • Summit tube mic preampsmore
"Later, with money from records sold, the studio grew with the Korg M1, Juno-106, Akai S900, a bigger mixing board from Yamaha, Oberheim DPXs for sample playback, a MIDIed Minimoog, an Atari computer using Creator, an Oberheim Matrix 1000, newer guitars and amps, and a Shure mic. This was enough to record demos and to play live. Later the studio got fuller with Akai samplers, Yamaha DMP11 digital mixing desks, and an Akai 12-track linked to the Atari.”more
Also can be found in Betilla the Fairy's theme by using the universe preset. (edited) Overall, i made a mistake on adding the software version of the M1, if any mods can improve upon this will be helpful. he also recorded it on a studio Studios de la Seine which he sadly don't own back when but use it when recording at Studios de la Seinemore
I was kind of shocked when I found out that the software emulation of (from what I've observed) one of the biggest old-school synths out there was only $25 (at least when I bought it), so I reasoned, "Even if this synth sucks, I'll only have lost 25 bucks." Luckily, the M1 doesn't suck. It's really good for nice, pretty sounds.
The Korg M1 is one of those synths that, like the DX7 and D50 from Yamaha and Roland respectively, went on to become extremely popular. It was used in a LOT of music in the early 90s, a popular example being the Seinfeld slap bass. It's got a lot of cheesy, but still really pleasant tones, like the organs and pianos being iconic for being used a lot in dance music.
This softsynth version basically brings all of that and all the expansions/cards that were made for the M1, at an affordable $50. It's not just a simple preset thingy either -- all sounds are 100% editable, and even add some features not previously seen on the M1, like resonant filters.
Really, it's got all the bells and whistles of the real, hardware unit, with added perks of having all cards and expansions at your fingertips and not having to worry about it failing somewhere along the line. If there's one con I'd have, it is the rather small size of the plugin.
It's very affordable and gives you instant access to all the classic (but somewhat dated) sounds of the M1/T1 era. This is not an all round powerful synth but a very good emulation of one of the best selling romper synth (including all the official expansion cards).
I bought this for $25 on sale and I don't think I could have found a better, more musical way to spend that money. This is really fun to play and great for house music, atmospheric, electronic, and so much more.
I have this as part of the Korg Legacy package I bought years ago...when I fool around with it I have fun but I do not use it in my tracks often. More likely to play around with the iPad version. Very fun to play around with and expose yourself to a part of synthesizer history, arguably the first "workstation" keyboard though I might argue my multitimbral D-10 was, with its Roland PR-100 sequencer.
This classic synth is in almost all of my tracks, it offers a great deal of classic sounds from the 90s that are still used today, the organ2 and house piano are the two sounds that i use the most.
Literally my go-to VST. Ever since I bought it, it's been the first thing to load into my DAW whenever I start jotting down ideas. Lots of great sounds to choose from, absolutely quick and easy editing, and barely any memory usage.