Mark Potter
Mark Potter's Effects Pedals
Visible at 0:43 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Regarding the recording of Elbow's "Grounds For Divorce", Potter stated the following:
It was a Gibson Les Paul through an Electro-Harmonix Big Muff pedal and then I used a '54 Vox AC30 head with a vintage Marshall 4x12 cab. It's not like I thought 'I'm writing a rock riff, therefore I must use a Les Paul'. My favourite guitar is a Gibson ES-335, but I played it on that and it didn't quite have the sort of crunch that I was going for, so as soon as I picked up my Black Beauty Les Paul, that was it - it sounded great. Originally I just recorded the one riff and then I thought 'Well, how about if I track it two or three tones up the octave?' Then I did down the octave and then I played it on a bass, bending the note on that as well. When we twinned these four or five signals of the same riff played in five places on the guitar, it just sounded massive.
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In this Getty Images photo, Mark Potter is shown with the T-Rex Engineering Viper pedal, highlighting its use in his setup.
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Visible in this photo from Total Guitar magazine.
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Visible in this photo from Total Guitar magazine.
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Visible at 0:34 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Visible at 0:34 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Visible at 0:43 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Visible at 0:43 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Visible at 0:43 in this TC Electronic Gear Run for Elbow's Northside Festival 2011 set.
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Visible in this photo from Total Guitar magazine.
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In a photo featured in Total Guitar magazine, Mark Potter is shown using the T-Rex Engineering FuelTank Classic Power Supply.
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In a Getty Images photo, Mark Potter's Korg DT-10 Digital Pedal Tuner is visible, showcasing his choice of gear for precise tuning.
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In a 2001 photo, Mark Potter is seen using a Boss TR-2 Tremolo pedal.
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In a user-uploaded photo, Mark Potter's pedalboard includes a Boss DD-3 Digital Delay, identifiable as the last pedal in the sequence, despite the image being somewhat unclear.
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In a user-uploaded photo, Mark Potter's pedalboard features a Boss BD-2 Blues Driver as the second pedal in line.
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"In a user-uploaded photo, Mark Potter's pedalboard features a Boss TU-2 Chromatic Tuner as the first pedal."
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In the middle you can spot a red 'wah' pedal with a chrome trim on the threadle and a little red LED on the front. To my best guess, this is a rotovibe
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This is a community-built gear list for Mark Potter.
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