Perc

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"My DJ setup is laptop, Ableton live and Allen & Heath K2 midi controller with four channels running into an Allen & Heath Xone 92 mixer. My live set is all of that plus an additional K2 controller, some outboard effects, a Korg Monotron delay and often a drum machine (Korg Volca Beats or MFB-522)."

"Everything was recorded into my computer and edited and manipulated further in Ableton Live. The key hardware tools were my Jomox Mbase 11 and M.Brane 11 percussion synths, a cheap Chinese test oscillator, an MFB 522 drum machine and my Vermona Retroverb Lancet spring reverb/filter."

"Everything was recorded into my computer and edited and manipulated further in Ableton Live. The key hardware tools were my Jomox Mbase 11 and M.Brane 11 percussion synths, a cheap Chinese test oscillator, an MFB 522 drum machine and my Vermona Retroverb Lancet spring reverb/filter."

"Everything was recorded into my computer and edited and manipulated further in Ableton Live. The key hardware tools were my Jomox Mbase 11 and M.Brane 11 percussion synths, a cheap Chinese test oscillator, an MFB 522 drum machine and my Vermona Retroverb Lancet spring reverb/filter."

"The Pro-Co Deucetone Rat was also used extensively to process sounds going into the computer. In terms of plug-ins, distortions by D16, FXpansion, Native Instruments and FabFilter are all over the album and G-Force's M-Tron Pro is used a lot for pads and some rhythms."

"The Pro-Co Deucetone Rat was also used extensively to process sounds going into the computer. In terms of plug-ins, distortions by D16, FXpansion, Native Instruments and FabFilter are all over the album and G-Force's M-Tron Pro is used a lot for pads and some rhythms."

"I was trying to programme breakbeats on a Roland TR-626 drum machine, running it through a cheap DOD distortion pedal to make it sound rougher."

"Right now I am about 50% in the box and 50% hardware. Key machines for me are my Elektron Analog Rytm, Waldorf Pulse 2. Korg Monologue and my Jomox and Vermona drum modules."

"Right now I am about 50% in the box and 50% hardware. Key machines for me are my Elektron Analog Rytm, Waldorf Pulse 2. Korg Monologue and my Jomox and Vermona drum modules."

"Right now I am about 50% in the box and 50% hardware. Key machines for me are my Elektron Analog Rytm, Waldorf Pulse 2. Korg Monologue and my Jomox and Vermona drum modules."

"I use Max For Live a little but I've never got too deep into creating my own devices with it"

Can be seen in this photo by Attack Magazine

Can be seen in this photo by Attack Magazine.

Can be seen in this photo for Attack Magazine.

Can be seen in this photo by Attack Magazine.

"The arpeggios are made by putting a basic sustained note from the Pulse 2 through Sonic Charge’s amazing Permut8 plugin and programming the arpeggio pattern in that. "