Richie Faulkner

In this gear rundown at 38:45, Faulkner shows his MXR M148 Micro Chorus.

During Judas Priest's Epitaph tour, Faulkner's guitar tech, Adrian, gave a rig rundown. The Rotovibe is seen at 8:10, on Faulkner's onstage pedalboard.

In this post you can see some of Richie's effects pedals. A lot are difficult to make out what they are. But on the right in the middle shelf you can see an unmistakable TS-808.

During Judas Priest's Epitaph tour, Faulkner's guitar tech, Adrian, gave a rig rundown. The carbon copy is seen at 7:31 in an offstage rack, in the effects loop of his amp. It's being controlled by a Voodoo Lab Ground Control onstage by Faulkner.

In a Guitar World article, Richie Faulkner's use of the Electro-Harmonix Micro POG Polyphonic Octave Generator is detailed during Judas Priest's Epitaph world tour. The piece highlights the gear setup while discussing the band's ongoing plans beyond the tour.

https://www.khdkelectronics.com/artists/detail/richie-faulkner/

In this Instagram post you can see Richie's pedal set-up of the day, featuring the Chase Bliss Preamp MKII

In this post you can see some of Richie's effects featuring the Game Changer Audio plasma pedal. Seen to the right of the MXR Micro Chorus.

He clearly uses a Cry Baby Jerry Cantrell Signature in these serie of videos for EMG TV.

In a guitar rig tour video by Sweetwater, Richie Faulkner of Judas Priest discusses using the Boss RT-20 Rotary Ensemble to achieve the distinctive rotary effect heard at the beginning of "Sinner." Faulkner notes that this pedal captures the Hendrix-like sound he was seeking, reminiscent of the effect used in "House Burning Down." He appreciates the pedal not only for its sound quality but also for its aesthetic, likening its color to a "brown 80s Porsche."

In a video by EMGBackstage, Richie Faulkner of Judas Priest is seen using the Boss NS-2 Noise Suppressor, highlighting its role in his guitar effects setup.

"Exactly anything sci-fi; anything you know: fun. Me and Aide Vines, my tech, were out in Japan again and we went into this guitar store and they had these pedals. And I've told you before: whatever it did, I was going to buy this thing because it had a, you know, it would looked like a robot alien space head type thing and you could lift up it's mask and there was the knobs underneath. Luckily it turned out to be a delay pedal. So I put that in there, and it's been there ever since, really."

"The main delay that I use is the 'Ogre' and then for 'Saints In Hell' there's this part in the middle, which has got a very strong; bright teeth and we actually put that (the Boss DD7) through the front because it is so strong on the record. And that's literally kicked in for about 30-40 seconds and then its out."

On Richie's rig rundown, a Phase 90 can be seen in the rack tray.

On Richie's rig rundown, an MXR Reverb can be seen in the rack tray

On Richie's rig rundown, a special variant of Dunlop Jerry Cantrell Wah can be seen in the pedalboard.

https://www.youtube.com/watch?v=rkaVyg6124c Richie Faulkner of Judas Priest & Elegant Weapons joins us this week in the Marshall factory to run through the new Studio JTM. Boosting his sound with a Shredmaster and bringing some seriously heavy riffs, Richie explains his approach to finding the perfect tone on an amp like the Studio JTM.

We also showed Richie around the Marshall factory, walking him through the Marshall museum, showing him the production process and everything that goes into making our legendary amps.

• Chapters - How Richie Would Use The Studio JTM 00:00 - 00:42 Studio JTM Boosted With A Shredmaster 00:42 - 01:15