Scott Henderson

I enter the guitar analog through a little Pandora that I use for writing. You know, it’s just one of those little Korg boxes that has a bunch of different sounds in it. And it’s fine for writing because I don’t want to burn the tubes out of my amp for composing.

So, yeah, I have a Korg M1 that I use for the bass because it has a bunch of nice bass sounds.

"I used the FV-300 for 15 or 20 years, and it’s a great pedal. The FV-500L is even better than the 300 — it’s a big improvement. One of the things that I noticed was that it sounds better — the tone sounds fuller. The other thing is that the adjustment, the feel of the pedal is way more accurate."

"I use a Robotalk to make the radio sounds on the song “Vibe Station,” because I got a Mexican radio station coming through it. So, I turned up the gain, and I set the tempo of the Robotalk to the tempo of the song and got some really wild radio sounds. And that would have never happened without that Xotic pedal, the Robotalk. It’s sort of like an envelope filter, but it has a modulator like an in-time step modulator on it too, so it can wig out and do all kinds of strange things. So, yeah, lots of strange pedals – lots of pedals."

Listed on the official Foxrox artist page.

Scott Henderson

Paradox TZF

In this video Steve talks about the EWS SVC at 1:10 saying "you never heard those subtle changes in volume because I'm doing them in small increments."

Designed in conjunction with jazz fusion and blues guitarist Scott Henderson, the RC Booster SH model improves on the original RC by adding an additional gain switch that gives players access to a whole new level of gain control.

Fishman was kind enough to send me their MIDI guitar pickup. And I used that to make the charts for my play along version of the records. I have a play along version you can buy off my website – where you can take the guitar mix, or the bass mix, or the drum mix, and turn them off and play along or solo the tracks..

Thanks to Fishman and their guitar controller we’re able to get the notes into the computer so that Digital Performer can spit out those charts.

Yeah, the TriplePlay. And it was just infinite help writing those charts – oh, my God.

I enter the notes of the bass and drums with MIDI with just a little Oxygen 8 keyboard...

And then I use just a little Yamaha QY100 for the drums.

It’s funny because for some reason I like the drums in the QY100 better than a lot of sample drums I’ve heard. They’re nice and punchy, and they sound pretty good. The drum sounds in this QY100 -- I’ve been using them for a long time, and I haven’t found anything I liked better. Samples take time to load and all that stuff, and you know, this is easy.

On the photos accompanying this article a Vox Wah is visible on Scott's pedalboard.

On the photos accompanying this article a Boss Volume pedal is visible on Scott's pedalboard.

Listed on Scott's official Fulltone artist page.

At 5:56 in this Youtube video, Scott says that he uses the Freeze when he wants do something by himself, although he doesn't have it plugged in at the time of recording.

On his website, Scott states that he used a Fender Strat, built by John Suhr, when he recorded the album "Thick" with Tribal tech. Scott also used a 57' reissue Strat with Lindy Frail pickups when he recorded "Dog Party", but switched to Suhr pickups for the album "Tore Down House".