The Glitch Mob

"I have an old pair of Mackie HR824s that we''d sort of check things on."

"We used [XLN Audio] Addictive Drums quite a bit and it was processed. And we also used [Quantum Leap] Stormdrum and [Toontrack] Superior Drummer 2."

They typically used Iced Audio''s AudioFinder software to help with pitch identification. “Basically, it finds all the fundamentals for you,” Ma explains. “And we zoom in on the fundamental, and it''s just a Theremin sine wave-type thing, and we could determine which fundamental was the most correct.”

Timestamp at 0:43 He says it, right after that you can also see it being played turned around with its back mounted facing the drummer

''We are currently using JH16 Pro Audio In Ears''.

The Glitch Mob
“F6 is like a precision scalpel; it’s unreal. If we have a distorted synth lead with one note that is too harsh, we can really get in there and control just that note. The mid-side processing is also huge for us, as so much of our work is about controlling the stereo image. To top it all off, the external sidechain allows us to trigger the F6 at the exact moment we want it to work. ”

The Glitch Mob
“H-Reverb is a gem for us. It’s a Swiss Army knife-style reverb. When DSP is limited, this is the kind of reverb that can answer the call and provide a lot of different sounds, from ambience to room effects, halls and plates. When working with aggressive upfront synth leads, sometimes all we want to do is give some tail without setting it further back in the mix. H-Reverb is one of the few reverb plugins that offers detailed control over the shape of the tail.”

“We’ve been using Waves plugins for over 10 years and they are still an integral part in our workflow today. From Enigma, MetaFlanger, R-Vox to H-Reverb, F6 and more. There are too many gems to list!“

“We’ve been using Waves plugins for over 10 years and they are still an integral part in our workflow today. From Enigma, MetaFlanger, R-Vox to H-Reverb, F6 and more. There are too many gems to list!“

The Glitch Mob used the Alesis ControlPad USB-MIDI Pad Controller before transitioning to Roland V-Drums. This controller is also visible in their video for "Beyond Monday," as shown in a user-uploaded photo on Wordpress.

Entire video of Universal Audio OTO Machines Biscuit tutorial.

"on the master bus we use UAD fatso, URS channel strip pro, UAD SSL comp, Pultec."

"on the master bus we use UAD fatso, URS channel strip pro, UAD SSL comp, Pultec"

"on the master bus we use UAD fatso, URS channel strip pro, UAD SSL comp, Pultec."

"we are all over the Brainworx Saturator. we find a plugin we like and put it on everything for a while. it's that one right now :)"

"No that is not a looped female vocal. It's an Arturia Minimoog with the LFO speed modulating the cutoff and then run through an Audioease Speakerphone."

On the EQ side of things, we will lean heavily on both the Waves SSL E-Channel and G-Channel to help give our kicks and snares the correct tone.

The Glitch Mob confirmed their use of the Arturia Analog Lab Software Synthesizer, stating, "When producing our album, we started a new setup from scratch. We got rid of all of our hardware synths, and the idea was to make a cutting-edge electronic record that sounded classic and timeless. Analog Lab allowed us to do this with much ease." (Source: Arturia - Analog Lab).

In the video titled "The Glitch Mob | Underground innovation with AudioFuse 16Rig," produced by Arturia, The Glitch Mob is visibly using an Arturia MicroFreak synthesizer.

In the video titled "The Glitch Mob | Underground innovation with AudioFuse 16Rig," produced by Arturia and available on YouTube, The Glitch Mob is seen using the Arturia KeyLab 61 mk3 61-key Keyboard Controller.

In the video titled "The Glitch Mob | Underground innovation with AudioFuse 16Rig," produced by Arturia and available on YouTube, The Glitch Mob is documented using the Arturia AudioFuse 16Rig USB Audio Interface.