Underworld

In a video of Underworld's Darren Price demonstrating the track 'Everybody Jack' on NI's Maschine, Absynth can be seen as one of the synths used on the track.

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. "Bass-wise,” Rick Smith states, “I used the ES2 in combination with [Spectrasonics] Trilogy."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Smith favors Logic’s default plug-ins ('They’re cheap and not so processor hungry!' he exclaims), and also uses Waves’ Gold Bundle."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Of processing singer Karl Hyde's vocals, Rick Smith explains, "In terms of compression, Eiosis’ E2Deesser is one of the very few software de-essers that actually does the trick."