Pricing and availability

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Price History

Based on price data from 1 merchant for "Otto Link Tenor Saxophone Mouthpiece #6". Prices shown reflect NEW condition. Tracking began Apr 19, 2026.

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Description

The Otto Link Tenor Saxophone Mouthpiece #6 is a timeless choice for saxophonists seeking to blend classic tones with contemporary versatility. Crafted from premium rubber, this mouthpiece offers a rich, resonant sound that complements a variety of playing styles, from jazz to classical. Its well-balanced design makes it an excellent choice for both seasoned musicians and emerging talent looking to refine their craft.

The precision-engineered tip opening of 0.090 inches provides a comfortable and responsive playability, allowing for dynamic expression and nuanced articulation. Whether you're gracing the stage or perfecting your technique in practice, this mouthpiece helps you achieve a full-bodied, expressive tone with ease.

Included with the mouthpiece, you'll find a high-quality ligature and cap, ensuring your setup is complete and your instrument is protected. The Otto Link Tenor Saxophone Mouthpiece #6 is not just an accessory but a crucial element of your musical journey, designed to elevate your performance to new heights.

Key Features:

  • Premium rubber construction for rich, resonant sound
  • Precision tip opening of 0.090 inches for dynamic playability
  • Includes ligature and cap for complete setup
  • Versatile design suitable for various playing styles
  • Ideal for both professional and aspiring saxophonists

Product specs

Available since July 2004
Facing Length 25,00 mm
Tip Opening 2,29 mm
Chamber round
Material Caoutchouc
Cap Yes
Ligature Yes

FAQs

What is the tip opening size of the Otto Link Tenor Saxophone Mouthpiece #6?

The Otto Link Tenor Saxophone Mouthpiece #6 has a tip opening of 2.29 mm, which provides a balanced resistance suitable for a variety of playing styles.

Is the Otto Link Tenor Saxophone Mouthpiece #6 suitable for jazz music?

Yes, the Otto Link Tenor Saxophone Mouthpiece #6 is often favored by jazz musicians for its warm, rich tone and flexibility across different dynamics.

What material is the Otto Link Tenor Saxophone Mouthpiece #6 made from?

The Otto Link Tenor Saxophone Mouthpiece #6 is made from caoutchouc, a type of hard rubber known for its durability and ability to produce a smooth, mellow sound.

Does the Otto Link Tenor Saxophone Mouthpiece #6 come with a ligature and cap?

Yes, the Otto Link Tenor Saxophone Mouthpiece #6 includes both a ligature and a cap, providing a complete setup for the player.

What is the facing length of the Otto Link Tenor Saxophone Mouthpiece #6?

The facing length of the Otto Link Tenor Saxophone Mouthpiece #6 is 25.00 mm, allowing for a responsive play and ease in producing a wide range of tones.

Reviews

PROS

  • Affordable option with excellent playability

  • Produces a soft, full-bodied tone ideal for smooth jazz

  • Versatile across different saxophones and styles

  • High notes start easily; low notes are rich and full

  • Works well with Rico Royal 3 or 3.5 reeds

  • Consistent quality with good craftsmanship

  • Great for beginners in jazz and blues

  • Warm, woody sound suitable for both vintage and modern saxophones

CONS

  • Not ideal for high projection or rock performances

  • Can be loose due to wider bore; may need cork adjustment

  • Thicker in the mouth compared to some alternatives

  • Lacks brightness and projection for street performances

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Otto Link Tenor Saxophone Mouthpiece #6.

Comparisons

  • The Otto Link Tone Edge is noted for a softer, darker sound, suitable for blues/rock, contrasting with the typically brighter and more penetrating sound of metal mouthpieces.

    Source
  • Otto Link mouthpieces, like the Tone Edge, are inconsistent, akin to Meyer models, making it crucial to try several for consistency in quality and sound.

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  • A 6* tip opening offers a significant jump in air requirement compared to smaller openings, such as a Yamaha 4C, potentially leading to shorter play durations per breath.

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User experience

  • Metal mouthpieces are reported by some players to cause discomfort in the teeth, even when using a pad, while hard rubber models like the Tone Edge do not.

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  • Older vintage Otto Links are often described as "tubby" or "stuffy" for altos, suggesting a better fit for tenors due to their tonal characteristics.

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  • Larger tip openings, like a 6*, require significantly more air, impacting breath control and stamina, especially for beginners transitioning from smaller mouthpieces like the Yamaha 4C.

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  • Players transitioning to larger tip openings often experience improved top-end clarity and stability when increasing reed strength from 2.0 to 2.5 and beyond.

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Features and functionality

  • The Tone Edge is highlighted for its ability to maintain expressive playability and a rounder sound, particularly in the mid to lower frequencies, compared to metal counterparts.

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  • Medium chamber mouthpieces offer flexibility, but large chambers may provide a less focused sound, aligning with a desire for a softer, airy tone.

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  • Larger tip openings facilitate increased volume and airflow; however, they can require advanced breath control and may not be suitable for players seeking extended play without frequent breaths.

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Use cases and applications

  • A #6 tip opening on jazz mouthpieces strikes a balance for acoustic big band projection without being overpowering, making it versatile for various ensemble settings.

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  • For players aiming for a Paul Desmond-like tone, using a hard reed and close tip opening can help, but this sound may not blend well in big band sections.

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Setup and maintenance

  • Transitioning to a larger tip opening may necessitate using softer reeds initially (e.g., moving to a size 2 reed when adjusting to a 6* mouthpiece) to manage resistance.

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  • It's important to match reed strength with mouthpiece tip openings; larger openings typically pair better with softer reeds to maintain sound manipulation and comfort.

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Artist usage

Add artist
See how Wayne Shorter uses Otto Link Tenor Saxophone Mouthpiece #6

Wayne Shorter

Composer, Saxophonist

Weather Report

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Verified via Sax & Clarinet On

According to the article "Shorter: It’s time to go get a new body and come back to the mission" by Sax & Clarinet On, Wayne Shorter consistently used the Otto Link Tenor Saxophone Mouthpiece throughout different periods of his career. This source confirms his enduring preference for Otto Link mouthpieces as part of his saxophone setup.

See how Sonny Rollins uses Otto Link Tenor Saxophone Mouthpiece #6

Sonny Rollins

Saxophonist

Thelonious Monk Quartet

...
Verified via Sax & Clarinet On

Sonny Rollins is confirmed to have used the Otto Link Tenor Saxophone Mouthpiece during his career. According to Sax & Clarinet On, Rollins is listed among the legendary artists who have utilized Otto Link mouthpieces throughout jazz history. Furthermore, discussions on the Sax on the Web forum note that "Rollins used a link on Saxophone Colossus; you can hear it in his sound" and specifically mention that "in the 50's (*Saxophone Colossus, The Bridge) he used an Otto link 10," verifying his documented use of Otto Link tenor saxophone mouthpieces during his most celebrated recording period.

Album Usage

The Otto Link Tenor Saxophone Mouthpiece #6 has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Otto Link Tenor Saxophone Mouthpiece #6, it is most commonly used with the following gear.

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