liambrightman

A great amp that has enough chime and treble to keep me happy.

This is a great AC30 at half the price of a tube AC30. Bit bass-ier than the tube AC30 but makes a great back up.

A great fuzz pedal for replicating the battery dying sound or just a full on overdrive style fuzz. Does every fuzz sound you would want, maybe more when stacked. Very fuzz face-esque.

Another great fuzz pedal destined to be a standard beside EHX's Big Muff Pi. This is a beefier version of the standard Big Muff that has a nice 60's sizzle, plenty of volume with tame to wild fuzz. The tone control is great and retains all the heavy bass end even when cranked to the treble side.

The Malekko Distortland is a signature Dandy Warhols Overdrive/Distortion Pedal, essentially the same as the Malekko Fetish. It has a 3 type knob and a volume, push and tone knob. It can produce crunchy overdrive in modes 1 and 2 (more bassy in mode 2) and distortion in mode 3. Overall a great addition to any pedalboard, knocking off my EHX Hot Tubes and Boss OD-3. Only available via the Dandy Warhols web store and gig merch stands, however not anymore if I'm correct.

The FRV-1 is the most realistic Fender spring reverb pedal I've ever heard/have. The COSM technology successfully recreates the spring drip whilst being a very simply pedal with a mixer knob, tone knob and dwell knob. Very good for recreating the 60s sound of many bands. It's that good I've sacrificed other kinds of effects due to having to have this and a RV-6/Holy Grail Max on my board as it's too good to take off. Not good for very long reverbs hence the other pedals, but for that authentic spring sound, it's the best you can have besides the real thing.

The fuzz this pedal gives is a brilliant recreation of the 60s fuzzes and very versatile, in particular the Strawberry Alarm Clock. Once you've gone through the tedious effort of the internal bias trimpot and finding the right setting, the rest of it is easy. I prefer the buzz knob set low for the harsh fuzzes (battery dying effect), rarely going past 1 o'clock. Fuzz and volume knobs on full. The pedal can be a bit tricky to master in terms of trying to get it to be loud enough, but once you've sorted the trimpot setting its quite straightforward. Would definitely recommend to anyone looking for that wonderful 60s fuzz.

Simply put one of the best fuzzes you can get.

This is the standard fuzz pedal. Has a great tone range, plenty of volume and a fuzz that can be as wild or tame as needed. If you like fuzz, you need a Big Muff. Great size compared to the original when it comes to pedal boards also.