Pricing and availability
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Price
Average Price: $2,106
High-end/Boutique
$400
$1001+
Price Tier
Budget
Standard
High-end
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Description
Unleash your true sound potential with the Gibson Les Paul Traditional Electric Guitar, a timeless icon crafted for musicians who crave both vintage allure and modern performance. This solid body electric guitar brings the warmth and resonance of a mahogany body paired with an AA figured maple top, offering a harmonious blend of rich lows and crisp highs.
The Les Paul Traditional retains its classic charm with a rosewood fretboard, providing a smooth playing experience that complements its traditional design. The Burstbucker 1 and 2 pickups deliver the authentic Gibson tone, capturing every nuance of your performance with clarity and power. Whether you're shredding solos or laying down rhythmic grooves, these pickups ensure your sound is both vibrant and detailed.
Finished in stunning hues like Tobacco Sunburst Perimeter, Honey Burst, and Heritage Cherry Sunburst, each guitar is a visual masterpiece that stands out on any stage. This guitar isn't just an instrument; it's a statement of style and sound, perfect for the modern guitarist with a love for the classics.
Key Features:
- AA figured maple top with mahogany body
- Rosewood fretboard
- Burstbucker 1 and 2 pickups
- Available in Tobacco Sunburst Perimeter, Honey Burst, and Heritage Cherry Sunburst finishes
Product specs
| Brand | Gibson |
| Model | Les Paul Traditional |
| Finish | Blueberry Burst, Heritage Cherry Sunburst, Honey Burst, Tobacco Sunburst Perimeter |
| Year | 2018 |
| Made In | United States |
| Categories | Solid Body Electric Guitars |
| Body Material | Mahogany |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Color Family | Blue, Brown, Red |
| Finish Pattern | Sunburst |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Family | Gibson Les Paul |
| Model Sub-Family | Gibson Les Paul Traditional |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
FAQs
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What is the neck profile like on the Gibson Les Paul Traditional?
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The Gibson Les Paul Traditional features a rounded neck profile, offering a comfortable grip that is favored by many players for its classic feel reminiscent of vintage Les Paul models.
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What kind of tones can I expect from the pickups on the Gibson Les Paul Traditional?
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The Gibson Les Paul Traditional is equipped with '57 Classic pickups, delivering warm, full-bodied tones ideal for classic rock, blues, and jazz, with a vintage-inspired sound that captures the essence of early Les Paul models.
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Is the Gibson Les Paul Traditional suitable for beginners?
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While the Gibson Les Paul Traditional offers excellent playability and tone, it is typically recommended for intermediate to advanced players due to its premium build and price point.
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How does the Gibson Les Paul Traditional differ from the Les Paul Standard?
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The Les Paul Traditional focuses on vintage specs with a non-weight-relieved body and '57 Classic pickups, while the Les Paul Standard often features modern enhancements like higher output pickups and weight relief for increased comfort.
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What materials are used in the construction of the Gibson Les Paul Traditional?
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The Gibson Les Paul Traditional features a mahogany body with a maple top, a rosewood fretboard, and a mahogany neck, providing a rich, resonant sound with a classic aesthetic.
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Is the Gibson Les Paul Traditional a good choice for classic rock music?
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Yes, the Gibson Les Paul Traditional is an excellent choice for classic rock, delivering the iconic, powerful tones and sustain that Les Paul guitars are renowned for in this genre.
Videos
Sweetwater
Gibson Les Paul Traditional 2013 Electric Guitar Demo - Sweetwater Sound
Reviews
PROS
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Classic Les Paul tone, reminiscent of the original '59 model
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High-quality construction with beautiful finishes and top-notch craftsmanship
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PLEK neck provides perfect intonation and playability
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Rich, versatile sound suitable for various music styles
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Classic 57 and Burstbucker pickups deliver vintage Les Paul tones
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Durable, built to last and withstand rigorous use
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Cryogenically treated frets for extended lifespan
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Maintains value over time, making it a solid investment
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Comfortable neck profile, especially for wrist vibrato techniques
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Comes with a solid, well-crafted case
CONS
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Heavier weight may not be comfortable for all players
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Action may require adjustments for optimal playability
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Neck profile may be too chunky for those preferring thinner necks
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High price point could be a barrier for some buyers
5.0 out of 5
Based on 24 Reviews and 113 Ratings
95
The traditional Les Paul with a nice late 80s/early 90s vibe.
The Gibson Les Paul Traditional is just a simple classic Les Paul that reminiscent of the Les Paul Standards since the late 1980s. Mine is from 2011 and features two Gibson 57 Classic humbuckers, traditional weight relief, a Nashville bridge and Tonepros vintage tuners. There are no coil taps, boosts, Min-E Tune or any super modern features on this guitar. It has a two piece mahogany body and a one piece mahogany neck. The one I have was laqcuered in Light Burst which looks like a faded Heritage Cherry finish. Being a nitro finish it started to age a bit on its own, but I really like that. It came with a black Gibson snakeskin case with white furry lining which has a nice vanilla kind of smell and is still going strong after a constant use.
The Gibson 57 Classic pickups are really nice sounding pickups which have a moderate output which is slightly hotter than vintage PAFs and a real nice clarity to them. When I use them with my amps (Marshall JCM 900 MkIII, Marshall YJM 100, Fender ´57 Twin Amp RI) they clean up very well offer a lot of different sounds when you use the volume and tone controls. The neck pickup can be a bit boomy but when the pickup height is set up correctly it works very well for those classic Les Paul neck pickup tones. Due to its clarity the bridge pickup can be a little bit ice picky sometimes but most of the time I set the tone control to 7, which smooths out the tone just enough and leaves a bit of treble reserves for later.
I tried other pickups in this guitar, namely the Dimarzio 36th Anniversaries, the Seymour Duncan Slash pickups and the Seymour Duncan Joe Bonamassa pickups and finally went back to the 57 Classics. This does not mean the other pickups sounded bad but that the 57 Classics are a very good choice for these guitars, if you like their vintage character.
Over the years I also replaced the chromed zinc taipliece with a light aluminium one in nickel, added a ABR-1 conversion bridge, changed the pickup covers to nickle and replaced pots and caps with CTS TVT 500ko pots and Russian PiO caps. These mods mainly added a bit more clarity and changed the appearance slightly. I would have no problem to recommend this guitar in its stock form.
1251
My Absolute Go To Guitar
I have a 2014 Traditional made for the 120th anniversary. This guitar has been one of the most reliable Guitars I have ever played. I have played with this guitar at almost every gig I've been to, and it has never let me down. It's versatility is endless. I have used it for the styles of punk, country, classic rock, pop, reggae, and almost everything in-between. Plugged into a Vox AC-15, it produces smooth buttery crunch tones, as well as warm cleans. If I'm in a live setting, or a studio session, this guitar always sounds full bodied and rich!
A True Les Paul
My Traditional is a 2014 model in Honeyburst. Previous owner replaced the Burstbuckers with Seymour Duncan Whole Lotta Humbuckers, and they are really awesome. The cleans are elite level cleans, and somehow I managed to find a legitimate AAA flame top. The weight is about 9.5 lbs, so a big adjustment when you go straight from a Strat to the LP, but I prefer a heavy Gibson. It's a great guitar and it will stick with me for a long time.
483
The real Standard
A very good Les Paul, without any dysfunctional rubbish. Early 2014, so this is handwired and has no PCB. AAA flame maple top, no pickguard. Pickups are the rare Tribute 1959s (Alnico II), they sound as good as anything. Unusually, the screw coils are wound hotter than slug coils. I'm not sure I can tell the difference, though. I swapped the magnet in the bridge unit for an Alnico IV, for slightly more presence and somewhat stronger output.
721
fat neck and robo tuners so not for everyone but I like it
Got this one to have an alternative style of Paul to my more modern Axcess. I have the 2015 model which has a wide freboard with a fair degree of heft. Not for everyone but just think listen to the sustain (think Spinal Tap). It does have the '57 pickups which give a nice warm sound and contract to the pickups on my Axcess. I do also like the robotic tuners. They are a great option, particularly if you want to detune quickly. Not sure why they come in for such negativity. Anyway a great guitar to pick up when I want to play some Lizzy or Zep out.
41029
people dislike the robot tuners because they're an extra battery to keep track of and extra complicated componentry that might die the night of a gig... same objections people have to active pickups. Although tis my understanding you can still tune normally with a robot system if the battery goes or the microprocessor farts out int he cold/heat on tour?
721
yes you can revert to manual so long as it is off - I can appreciate they may not work for everyone but they can be quite handy for a quick tune up or changing tunings- maybe saves having a 2nd guitar for an alternative tuning - always can have a spare battery too I guess. I must say I like it !
Great guitar, just different
Love this guitar, in my opinion the thicker neck feels better for barre chords than a thinner neck, especially for those who struggle getting a good sound from them. The 59 tributes sound amazing and the mother of pearl fingerboard inlays are a nice addition. I "de-2015'd" it and I love the removable pickguard and the headstock signature and hologram don't phase me. Hard case is lovely as well. An all round excellent guitar, and if you're willing to put the differences to other les pauls behind, a nice addition to your collection.
126
Faithful example of the classic Les Paul I'd always sought
Priced out of the vintage market and high-end reissue market, the 2016 Les Paul Traditional is the perfect answer for those seeking a classic Les Paul at a more affordable price. Everything you want from an LP, none of the extra bells and whistles touted in the Standard lineup. Impressive guitar.
39
The best bang for the buck!
Having owned this guitar for at least 2 years now, I can pretty safely say that it's the founding tool for my professional gear. It's decently priced, it has a nice, balanced weight, great fat sounds from the neck pickup, rocking gnarly highs from the bridge pickup, great versatility with the split coils, awesome intonation and tuning stability because of the ABR-1 bridge and locking tuners. Mine is a Traditional Pro 2012 Goldtop, but since I could not find it and couldn't bother making a whole profile for the guitar as of today, I assume this will sufice the review!
Classic
I wanted a no-frills les paul that sounded good. That is exactly what I got. Only complaints I have is the neck radius, which is a little to chunky for my tastes
41029
if you like thinner encks you shoulda looked at the Les Paul Classic 1960, slender... way more slender than a real 1960 pre SG LP
187
This is the real Standard
Loaded with Classic 57s (and a Classic 57 plus in the bridge for more aggressive tone), this is the real old time Les Paul Standard. Can't go wrong with this guitar! Fat neck and awersome humbuckers.
Artist usage
Add artist
Page is shown here playing a traditional Les Paul Goldtop.
According to Jeff Strawman's preview of his book, which offers 600 pages of Led Zeppelin gear examination, he clearly describes this guitar and her use in 90's mainly.
"Jimmy Page has always looked to explore new frontiers, and he found a worthy partner in that journey with the TransPerformance automatic tuning system, which he noted "allows you to store over a hundred different tunings. That opens all kinds of possibilities." Page took possession of his first TransPerformance-equipped guitar, a goldtop Gibson Les Paul Standard, in late 1991 during the Coverdale-Page sessions. He memorably used it in the "Pride and Joy" video with David Coverdale, in the 1994 Unledded show with Robert Plant and then the accompanying 1995-96 world tour, and as recently as 2007 at the Led Zeppelin reunion concert. He used a second TransPerformance-equipped wine red Gibson Les Paul Standard Premium on the 1998-99 Walking Into Everywhere tour with Plant. He personally nicknamed a third TransPerformance-equipped guitar “Pepto Bismol,” because of its pinkish finish. Page then traded this guitar back to Transperformance for a fourth guitar, which he dubbed “Eerie Dess,” due to its maroon red crackled finish. This is the guitar that was seen on Saturday Night Live in 1998, when Page appeared with Sean “Puff Daddy” Combs for a performance of "Come With Me."
In this image, Vaughan can be seen preforming live with a Gibson Les Paul Standard. Though there are many pictures of Vaughan playing this guitar, there is no known video footage of him playing it.
Luke Hemmings can be seen posing with a black Gibson Les Paul Traditional, with gold hardware, in this photo.
In this Wasting Light studio 606 live video, at 1:11, one can see that Chris is playing a Les Paul Traditional, on the song Bridge Burning
Gibson 2010 Traditional Series Les Paul, again with Seymour Duncan '59 in the neck and JB in the bridge position
Lee uses a Les Paul Traditional, according to this Guitar Geek rig diagram.
At 0:16 minute mark, Dines is visible playing this guitar. This one was used for his "13 guitar metal song" video.
In the Red Bull Sound Space show, Matthew can be seen playing a Goldtop Les Paul for a good portion of the set. The first appearance is around 19:35.
"This Les Paul is tuned down a whole step for 'I Should Have Known It," says Mike Campbell's guitar tech about the Gibson Les Paul Traditional Electric Guitar.
Album Usage
The Gibson Les Paul Traditional Electric Guitar has been featured on the following albums:
A ROCK
HARDY (2020)
Parlour Flames
Parlour Flames (2013)
The Afterman: Deluxe Edition
Coheed and Cambria (2013)
The Afterman: Descension
Coheed and Cambria (2013)
Wasting Light
Foo Fighters (2011)
I Should Have Known It
Tom Petty and the Heartbreakers (2010)
Hello Hurricane
Switchfoot (2009)
Elegant Gypsy
Al Di Meola (1977)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Gibson Les Paul Traditional Electric Guitar, it is most commonly used with the following gear.
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