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This highly collectible purple pedal features a very distinctive four button selection system that allows you to easily select between a few preset chorus, flanger, and leslie-type sounds. The effect parameters are fixed so there is no room for tweaking, but the stock sounds are pretty stunning. Button 1 is a mellow flange sound, buttons 2 and 3 offer up some smooth chorus sounds, and button 4 does a bubbly leslie simulation. If you're looking for wild and wobbly raygun sounds you may want to pass on this pedal as it's really all about subtlety. I can really see why so many Nashville session guitarists have these in their rigs. All the presets add a delicate shimmer without screaming "Look, I have my cool effect on now." The DC-2 is also used by quite a few atmospheric guitarists like Robin Guthrie of the Cocteau Twins and Billy Corgan of the Smashing Pumpkins. While the Dimension C stands alone perfectly fine on its own, adding a long delay and/or a washy reverb to the chain will create some of the most lush and slowly shifting ambient sounds you'll ever hear.

The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

The Dunlop Nylon Standard is legendary for its resilience and durability.

This adhesive backed pick holder keeps your plectrums within reach.

The sprung compartment will hold up to ten thin plectrums, and can be stuck to a headstock, scratchplate, or the inside of your instrument case.

Often imitated, the original Furman SPB-8 was the first stereo pedal board on the market. Now Furman is proud to offer its successor, the SPB-8C. Featuring a new hardshell case, more outlets, improved jacks, and a streamlined look, the SPB-8C improves on the innovative design that made the original pedal board so popular.

The Destination Phase was created to be a sonic replica of a 'Small Stone' meets the 'Phase 90', but the circuitry inside is nowhere near the same.

For starters, the Destination Phase is quiet… forget hissing and popping on this phaser pedal! The Destination Phase sports 'non-tone-sucking bypass' and it uses light dependent resistors so there is no annoying distortion on the peaks as with most phaser pedals.

All analog circuitry makes it smooth, swirly and warm.

Another great feature is the 'Depth' control. It is just like a having a level control for the amount of phase mixed into the original signal. The depth control works extremely well and when it is turned fully counter-clockwise, there is no audible difference between effect and bypass, but crank it all the way and you get gooey, swirlicious phasing!

Option 5 also beefed up the 'Speed' control allowing this phaser to sweep a lot slower than other phasers can even think about - use it in stereo for some amazing doubling/panning effects.

The LED pulses in time with the effect and it is powered by either a battery or the supplied, standard 9v power supply.

• True, Panning, Stereo phase shifting
• No distortion on peaks
• Amazing range of speed control
• Non-Tone altering Depth control
• Regeneration Control
• "Non-Tone-Sucking" Bypass

A very hot ceramic humbucker specialising in hi-gain, saturated rock tones with smooth mids and bright, crisp highs. Defined by its high output and trademark harmonics, the Miracle Man humbucker is perfect for colossal metal tones that only a passive pickup can deliver. Surgically tight bass, huge lo-mids and smooth upper mid response produce an accented hi-end with a thoroughly percussive feel. Combined with a more compressed dynamic, single note definition is extremely articulate with masses of sustain when required.

The matching neck pickup keeps the pressure on with an equal amount of power and a sweet, vowel-like sustain from its Alnico V magnet and calibrated wind. Equally at home in bolt-on or glued neck guitars, the Miracle Man humbucker is an excellent choice for any guitarist looking for massive, hi-gain tones.

A very hot ceramic humbucker specialising in hi-gain, saturated rock tones with smooth mids and bright, crisp highs. Defined by its high output and trademark harmonics, the Miracle Man humbucker is perfect for colossal metal tones that only a passive pickup can deliver. Surgically tight bass, huge lo-mids and smooth upper mid response produce an accented hi-end with a thoroughly percussive feel. Combined with a more compressed dynamic, single note definition is extremely articulate with masses of sustain when required.

The matching neck pickup keeps the pressure on with an equal amount of power and a sweet, vowel-like sustain from its Alnico V magnet and calibrated wind. Equally at home in bolt-on or glued neck guitars, the Miracle Man humbucker is an excellent choice for any guitarist looking for massive, hi-gain tones.

A very hot ceramic humbucker specialising in hi-gain, saturated rock tones with smooth mids and bright, crisp highs. Defined by its high output and trademark harmonics, the Miracle Man humbucker is perfect for colossal metal tones that only a passive pickup can deliver. Surgically tight bass, huge lo-mids and smooth upper mid response produce an accented hi-end with a thoroughly percussive feel. Combined with a more compressed dynamic, single note definition is extremely articulate with masses of sustain when required.

The matching neck pickup keeps the pressure on with an equal amount of power and a sweet, vowel-like sustain from its Alnico V magnet and calibrated wind. Equally at home in bolt-on or glued neck guitars, the Miracle Man humbucker is an excellent choice for any guitarist looking for massive, hi-gain tones.

A very hot ceramic humbucker specialising in hi-gain, saturated rock tones with smooth mids and bright, crisp highs. Defined by its high output and trademark harmonics, the Miracle Man humbucker is perfect for colossal metal tones that only a passive pickup can deliver. Surgically tight bass, huge lo-mids and smooth upper mid response produce an accented hi-end with a thoroughly percussive feel. Combined with a more compressed dynamic, single note definition is extremely articulate with masses of sustain when required.

The matching neck pickup keeps the pressure on with an equal amount of power and a sweet, vowel-like sustain from its Alnico V magnet and calibrated wind. Equally at home in bolt-on or glued neck guitars, the Miracle Man humbucker is an excellent choice for any guitarist looking for massive, hi-gain tones.

A very hot ceramic humbucker specialising in hi-gain, saturated rock tones with smooth mids and bright, crisp highs. Defined by its high output and trademark harmonics, the Miracle Man humbucker is perfect for colossal metal tones that only a passive pickup can deliver. Surgically tight bass, huge lo-mids and smooth upper mid response produce an accented hi-end with a thoroughly percussive feel. Combined with a more compressed dynamic, single note definition is extremely articulate with masses of sustain when required.

The matching neck pickup keeps the pressure on with an equal amount of power and a sweet, vowel-like sustain from its Alnico V magnet and calibrated wind. Equally at home in bolt-on or glued neck guitars, the Miracle Man humbucker is an excellent choice for any guitarist looking for massive, hi-gain tones.

Get total control over your pedals, rack effects, amp & channel switching and more with the GCX Guitar Audio Switcher. You can use each of the eight loops for true bypass effect switching, A/B switching to select amps and preamps, or to control any type of footswitch function such as amp channel switching.

GCX loops have no active circuitry, and use the finest gold relays sealed in nitrogen, so your tone will stay pure and dynamic no matter what kind or how many effects you use. Combine the GCX Guitar Audio Switcher with a Ground Control Pro to form a complete switching system that has been the touring and recording pro’s choice for over 15 years!

GCX Guitar Audio Switcher features: * 8 true bypass audio loops * 2 front-to-back feedthroughs * Choose between buffered and passive inputs * A/B switching to select amp and preamps * Controls any footswitch function * Phantom powers Ground Control Pro via MIDI cable * Hand built in the U.S.A. * 5-year warranty*

Get total control over your pedals, rack effects, amp & channel switching and more with the GCX Guitar Audio Switcher. You can use each of the eight loops for true bypass effect switching, A/B switching to select amps and preamps, or to control any type of footswitch function such as amp channel switching.

GCX loops have no active circuitry, and use the finest gold relays sealed in nitrogen, so your tone will stay pure and dynamic no matter what kind or how many effects you use. Combine the GCX Guitar Audio Switcher with a Ground Control Pro to form a complete switching system that has been the touring and recording pro’s choice for over 15 years!

Imagine being able to instantly reconfigure your entire rig with the touch of a single button. Now you can! And, you aren’t limited to just MIDI processors. With the addition of a GCX Guitar Audio Switcher, you can also control all your stompbox and rack effects, select amp channels, and more.

The Ground Control Pro can simultaneously control up to 8 different MIDI devices, each on their own channel. And, you can assign 8 of its buttons for instant access of GCX loops and processor functions. This gives you stompbox style control over your processor or modeling amp’s internal effects.

The finest full-featured MIDI foot controller available, the Ground Control Pro is compatible with all MIDI controlled devices, and delivers the flexibility, ease-of-use, and rugged reliability necessary to meet the needs of the most demanding professional players.

Whether you are controlling a refrigerator sized rack, using a modeling amp, or just a single processor, the Ground Control Pro is the perfect choice for all of your performance needs.

Get total control over your pedals, rack effects, amp & channel switching and more with the GCX Guitar Audio Switcher. You can use each of the eight loops for true bypass effect switching, A/B switching to select amps and preamps, or to control any type of footswitch function such as amp channel switching.

GCX loops have no active circuitry, and use the finest gold relays sealed in nitrogen, so your tone will stay pure and dynamic no matter what kind or how many effects you use. Combine the GCX Guitar Audio Switcher with a Ground Control Pro to form a complete switching system that has been the touring and recording pro’s choice for over 15 years!

GCX Guitar Audio Switcher features: * 8 true bypass audio loops * 2 front-to-back feedthroughs * Choose between buffered and passive inputs * A/B switching to select amp and preamps * Controls any footswitch function * Phantom powers Ground Control Pro via MIDI cable * Hand built in the U.S.A. * 5-year warranty*

The controls for the fender blender are volume, sustain, tone and blend. There are two foot switches: on & off, and tone boost.

Thanks to a careful combination of MOSFET stages, and the independent booster with input and master gain, the Revolver will give you that classic rock and roll tone, with perfect versatility for rhythm guitar, leads and riffs in just one pedal.

• MOSFET analog circuit
• Wide range of natural overdrive
• Independent Booster with 20dB of gain
• Master knob sets the level when using the Booster and the Overdrive together
• Great dynamic response, retains the character of your instrument
• True bypass

With its FET/LDR analog circuit which provides the most organic and warm tremolo, and its innovative ?-control technology, the Tres lets you create waveforms and sounds that had never been possible. From the classic "vibrato" of old amplifiers, to the rhythmic tremolo of the new mode Pulse. Anything is possible with the Tres.

With its FET/LDR analog circuit which provides the most organic and warm tremolo, and its innovative μ-control technology, the Tres lets you create waveforms and sounds that had never been possible. From the classic "vibrato" of old amplifiers, to the rhythmic tremolo of the new mode Pulse. Anything is possible with the Tres.

• Analog FET/LDR Circuit
• 4 waveforms: sine, square, triangle and pulse
• Beats control with 8 bar subdivisions
• Control for symmetry of the LFO
• Optical switch for functions Tap Tempo and Foot-Speed
• True Bypass

The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This compact, rugged, cast aluminum stompbox provides quick, hands-free access to four different user programmed EQ settings. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.

The Programmable EQ packs plus or minus 18dB of range over seven frequency bands, plus an additional frequency band at 62Hz, accessible via the Octave Extend function. Engaging the Octave Extend systematically optimizes the pedal’s frequency spectrum to accommodate the specific frequency range of the bass. Once you’ve dialed in the desired guitar or bass tone, save it in one of four programmable user presets. Each preset is easily accessible via the hands-free footswitch scrolling function. Simply hold down the footswitch and let the pedal scroll through each preset at an adjustable rate – release to engage. The pedal’s MIDI input also provides remote access to user presets or engages/disengages the effect. Run a MIDI signal from your POD, Eventide Space reverb, TC Nova System or any other MIDI compatible multi-effects unit and vastly expand your tone horizon within each preset.

The Programmable EQ offers a substantial clean boost of up to 12dB. Use the clean boost for an entirely transparent volume increase or go further and give your amp the front-end push needed for an aggressive natural break-up. The relay-based true bypass footswitch provides improved reliability, remote switching capabilities, and a completely unaffected, hard wire signal in bypass mode. As a bonus, the Auto-scrolling function, which automatically scrolls between all four presets at an adjustable rate, creates unique and dramatic effects similar to sequencer or tremolo units.

The pedal runs on a 9V battery (included) or with an optional external power supply.

Stylish design, a road-tough build, and comfortable, smooth action. Expression output for use with expression-compatible amps, effects, and even synthesizers.

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today, the bar has been raised with BOSS's new FV-500L (low-impedance) and FV-500H (high-impedance) pedals. These tank-tough die-cast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and comfortable, smooth action. Both models also provide an expression output for use with expression-compatible amps, effects, and even synthesizers.

The versatile, heavy duty FV-500L pedal functions as a stereo analog volume pedal, a mono volume pedal and expression pedal at the same time, or as a dual expression pedal.

BOSS FV-500L Volume/Expression Pedal Features at a Glance:

• Low-impedance pedal
• Heavy-duty aluminum die-cast body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Adjustable pedal feel (torque)
• Pedal rubber for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner output jack

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today, the bar has been raised with BOSS's new FV-500L (low-impedance) and FV-500H (high-impedance) pedals. These tank-tough die-cast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and comfortable, smooth action. Both models also provide an expression output for use with expression-compatible amps, effects, and even synthesizers.

The versatile, heavy duty FV-500L pedal functions as a stereo analog volume pedal, a mono volume pedal and expression pedal at the same time, or as a dual expression pedal.

BOSS FV-500L Volume/Expression Pedal Features at a Glance:

• Low-impedance pedal
• Heavy-duty aluminum die-cast body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Adjustable pedal feel (torque)
• Pedal rubber for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner output jack

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today, the bar has been raised with BOSS's new FV-500L (low-impedance) and FV-500H (high-impedance) pedals. These tank-tough die-cast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and comfortable, smooth action. Both models also provide an expression output for use with expression-compatible amps, effects, and even synthesizers.

The versatile, heavy duty FV-500L pedal functions as a stereo analog volume pedal, a mono volume pedal and expression pedal at the same time, or as a dual expression pedal.

BOSS FV-500L Volume/Expression Pedal Features at a Glance:

• Low-impedance pedal
• Heavy-duty aluminum die-cast body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Adjustable pedal feel (torque)
• Pedal rubber for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner output jack

The TC Electronic Stereo Chorus Flanger is the ultimate chorus pedal. Sparkling, true stereo sound. Pitch modulation, chorus, or flange with 100dB quiet operation and 20Hz-20kHz frequency range. Features width, intensity, speed, and a mode selector switch, plus gain-adjustment overload indicator. On/off LED and built-in power supply for AC operation. The absolute fattest, richest, chorus/flange sound in existence.

The Ernie Ball 6166 Mono Volume Pedal features some cool enhancements that guitarists of every persuasion will appreciate. All the jacks have been moved to the front for quick and easy plug-in and there's an additional microswitch that evens the taper of the pot throughout the travel of the pedal.

Dual Amplifier Switcher with Three Sets of Outputs (A, B, and Tuner)

The Lehle Little Dual is the Lehle Dual SGoS's little sister, a maximum signal-fidelity amp switcher for two amps. Both amps are activated simultaneously using the left footswitch, while the right is used to switch back and forth between them. High-intensity LEDs make it easy to read off switching state A or B, or A and B, even under high-power spots. The centerpiece of the Lehle Little Dual is its high-end Lehle LTHZ transformer, which electrically isolates output A from output B, making history of hum loops - permanently! The Lehle Little Dual features a gold-plated-contact phase inverter and a gold-plated-contact ground switch. The two inputs can also be routed in stereo to outputs A and B, if you use the stereo signal of an effect unit as the input, for example. This also makes it possible to route instruments equipped with two pick-ups, including many acoustic and hybrid guitars, and also double basses, via two amplifier systems - with no complications. These systems can be operated either in alternation or in parallel - without hum, and without sound losses, needless to say! The Lehle Little Dual - small, but so utterly effective!

The P-split makes it possible to route an instrument to two amplifiers simultaneously with no noise or hum. The patented LHTZ high-end transformer is specially designed to cleanly split both low and high impedance signals, making the P-plit a perfect passive DI box as well.

The only A,B A+B switch with patented noiseless optical switching.

Functions as a 2 to 1 or 1 to 2 switch.

Operates with 9V battery.

The famous Whirlwind Selector is the only A/B A+B box that provides totally noiseless switching between channels. Send one guitar to two amps or use it the other way around to select between two guitars into one amp. Whichever way you use it, the Selector is the best channel-switching device money can buy.

The Selector can be powered by either a 9-Volt battery or DC adapter. Older models have a 3.5 TS power jack (tip positive) and use DC adapter T401-ND. To insert a battery, simply remove the 4 screws from the bottom of the unit and clip a 9-volt alkaline type battery to the battery clip. Replace the bottom and screws.

On the Selector are three 1/4” jacks, one 2.1mm DC jack (center negative), two LEDs and two footswitches as outlined below.

I/O PORT A 1/4” jack that should be used for input from a musical instrument when the unit is being used as a 1-in, 2-out device, or as an output to an amplifier when the unit is being used as a 2-in, 1-out device.

A and B 1/4” jacks that should be used as outputs to an amplifier when the unit is being used as a 1-in, 2-out device or as inputs from musical instruments when the unit is being used as a 2-in, 1-out device.

A/B (Switch) When pressed, toggles the I/O port between “A” and “B”.

BOTH (Switch) When pressed, engages the A and B channels simultaneously. When pressed again the selection returns to the channel indicated by the flashing LED. The BOTH feature is not recommended when using 2-in, 1-out connections.

LEDs Indicates which jack is selected for output or input. When the BOTH feature is engaged, one LED flashes and one is fully on. Toggling the A/B switch will alternate which LED is flashing to indicate the channel that will be active when the BOTH feature is turned off.

The most in-demand analog delay ever built. Musicians love it and collectors cherish it. Experience the analog edge. Nothing can compare to the organic sound of analog delay, and no one does analog like the Deluxe Memory Man! Up to 550 mS of vibrant echo that rivals tape delay; lush, spatial chorus and haunting vibrato are just a few of the treats in the Memory Man's sonic smorgasbord!

Divine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "how did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

The PH-2 adds an effect similar to that of a rotary speaker, with a phase shift circuit that provides twelve stages of adjustment for smooth, professional-sounding phasing. Two modes give you completely different tonal characteristics.

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.