Bootsy Collins

Featured in this November 15, 2011 video at 3:35.

Featured in this November 15, 2011 video at 6:45.

Visible throughout this November 15, 2011 video.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this photo from this November 23, 2017 Premier Guitar interview.

Collins' first bass, having switched the guitar strings out for bass strings. It is mentioned in this March 2000 Cincinatti interview, this November 1, 2017 NPR interview, this November 23, 2017 Premier Guitar interview and this June 20, 2020 Fender video at 0:09.

Cincinatti March 2000, "Bootsy Unplugged", pg. 75

Bootsy had always told his mother he was going to be a star, and there was little reason to doubt him. When he was 8 years old, he took his older brother's guitar and won a talent show playing Lonnie Mack's version of "Memphis", which he learned just from listening to the record. Two years later he talked his mother into buying him his own guitar, a greenish-blue electric Silvertone from Sears on Reading Road for $29.95. The family was on welfare at the time, so Bootsy got a paper route and gave her his $2.50-a-week earnings to save for a deposit.

He played endlessly, partly to learn and partly to fulfill the promise he made his mother.

"There was always something inside me that was saying, You got to do some-thing to make things happen," he says.

His brother, Phelps (whom Boots later nicknamed Catfish "because he loots like a catfish"), who was eight years older than Bootsy, had his own band called the Pacemakers. Bootsy's goal was to become part of the band; Catfish's goal was to keep his annoying little brother out. When the group's bass player called in sick one night, though, Bootsy got the assignment by default. By that time, Bootsy already figured out that since his brother was the band's guitar player, he had to learn how to play bass if he wanted to be in the band. So he took the strings off his Sears guitar and replaced them with bass strings.

"My brother said. 'You can't do that." I said 'Can I at least see what it sounds like in the amp?' I plugged it in and it actually sounded better than all the basses at the time. I was like, this is deep, getting that kind of sound out of a $29.95 guitar that wasn't even a bass. What I really wanted was a Fender. but we couldn't afford that. But I would sit In on people's gigs, and they would be up there playing their Fenders and I would sit there with my bass and it sounded so much better."

NPR - What's Good with Stretch & Bobbito, "Bootsy Collins"

BARTOS: Your first bass was actually a guitar with four bass strings attached to it?

COLLINS: Yeah. It was a Silvertone guitar, cost 29.99. And, to me, it was the greatest thing, you know, ever. But to James Brown? Don't ever come in here with that thing no more, boy. I mean, he hated that thing, but that's all I had. And I played it to death, you know. But that's what funk is. That's why I came up. People kept asking me, well, what is funk? I said, well, funk is making something out of nothing. Funk is whatever you got, you do something with it. All I had was that guitar.

And, you know, it came down to, well, what are you going to do? You got this guitar, but he needs a bass player. I said, well, I need four bass strings. That's all I need. So when I got the four bass strings, I took the - screwed with the strings off of the edge, and I made it small enough to go on the guitar holes and put four strings on that mother. And that was my bass. And I used that from playing in the clubs all the way to the first gig we did with James. And after that, you know, he fired the bass, kept me and bought me a new bass, a Fender Jazz - never will forget it.

Premier Guitar, "Bootsy Collins: Bass from Outer Space"

You’re known for your distinctive star-shaped basses, but obviously, that’s not what you started with. I read that your first instrument was a guitar strung up with bass strings. Is that true?

Well, it didn’t have bass strings at first. It was a regular $29 job, a Silvertone guitar. The reason I put bass strings on it was because I wanted to play with my brother [Phelps “Catfish” Collins]. He played guitar and he was developing a good reputation. He’s about eight years older than I am. He was a teenager and I was, like, 9 years old. And from the beginning I wanted to play with him. So, I figured if I got a guitar, I could at least learn how to play and then the next step would be to play with him. When that next step came up, he didn’t need another guitar player, he needed a bass player. I didn’t have a bass, so I was like, “Okay, well, what do I do now?” I asked him if he would get me four bass strings. He got me four bass strings, I unwound the thickness of it at the end, I put them on the guitar, and voilà!—that was my bass guitar.

Did you still have that when you joined James Brown?

Yeah. He loved my playing but he was really done with that guitar. The color of it was beat and at that time Fender was the main thing on the market. Everybody had to play a Fender—either a P bass or a Jazz bass. I wanted one for the longest time, but I couldn’t afford it. He dogged me out about my little bass, man, like, “You can’t come up here on my stage anymore with that thing.” He wound up getting me a Fender Jazz bass.

Fender YouTube channel, "Bootsy Collins Shows His Fender Collection"

1969 Fender Jazz Bass. A funketeer's motto is "Funk is makin' somethin' out of nothin'." Well, let me tell you a little story about James Brown gettin' me a Fender Jazz Bass. So when I first joined up with the James Brown crew, I had a Silvertone guitar. It was like a $29 dollar job and I thought I was awesome, you know? Until I got with, I met James Brown and he told me "Son, agh! You can't come on my stage with that funny-lookin' thing right there!" And he broke my heart but at the same time, I was like "Okay, well, um, you know, I would love to have a Fender Jazz Bass, you know?" He said "No problem, son! I'll have it for you tomorrow!" I said "Cool!" The next day came and Mr. James Brown got me a Fender Jazz 1969 Bass and I was like a kid in a candy shop. I was just gone, you know?

Visible in this September 2012 photo featured on Collins' official Ampeg artist page.

One from 1972, decorated for Catfish, is featured in this June 20, 2020 Fender video at 1:42.

1972 Fender Stratocaster. Catfish almost made it famous. Yeah, baby!

Visible throughout this June 20, 2020 Fender video.

Visible throughout this June 20, 2020 Fender video.

Used with James Brown, as mentioned in this May 13, 2016 Twitter reply to one of his retweets.

Source post by Bass Guru: 18 year old @Bootsy_Collins performing “Brother Rapp” with James Brown in Paris in 1971: http://j.mp/1URws5n

[5:31 PM] U heard the term, A Deer in Head lights?This pix me watchin' JB may have inspired that. (I-AM-DAT-DEAR) Bootsy Baby!

[9:50 PM] I was using the Ampeg SVT amp with (2) 8X10 Cabs. I was on the other side of the Moon for real doe!

Featured in Twitter posts dated June 14, 2017 and February 27, 2018.

June 14, 2017

Got my New JBL Monitors what about u? R u playing' Ketchup like I was. Better hit it or quit it! Bootsy baby!!!

February 27, 2018

Oh Funk! I almost forgot my @JBLaudio Speaker's! Y'all know I can't Hear without seeing these Puppies! Uhh Funk me up Becki...😍😍😍

Visible in Twitter posts dated June 14, 2017 and February 27, 2018.

In a Twitter post dated June 14, 2017, Bootsy Collins is seen with a Line 6 Low Down LD15 bass combo amplifier.

Used with Parliament and Funkadelic, as mentioned by Collins in this excerpt from a 1979 Guitar Player interview as transcribed TalkBass here and here from a reprint in Bass Heroes: Styles, Stories & Secrets of 30 Great Bass Players.

What kind of amps do you use in your setup?

The entire system is divided into three different parts - high, mid, and low. But we're not just talking about amplification, we're talking about the effects in each part. On my highs I use a Big Muff fuzz, a Mu-tron III [envelope-following filter], an MXR digital delay, a Morley Fuzz/Wah, a Morley Power Wah, and an Eventide Harmonizer. The Harmonizer sits in a case that looks like R2D2 from Star Wars. It looks just like a little robot, so I call it R2FunkU. There's a sign hanging on it that says, "Can I Play?" Inside of it, there's also a keyboard for the Harmonizer that enables me to preset harmonized intervals to what I'm playing. That way I can play a note and have a fifth or a third coming out at the same time.

All of that equipment just for the highs?

Right. For the mids, I have a Big Muff fuzz, a Mu-tron III, and an MXR digital delay. On the lows, I use a Mu-tron Octave Divider, two Roland Space Echos, a Big Muff fuzz, and a Mu-tron III. I keep all my effects in one box called the Space Case. The highs and mids each have an Alembic preamp, two Crown DC-300A amps, and four Cerwin-Vega speaker cabinets.

What's in each cabinet?

The cabinets used for the highs are called V-32s. They have two 12s, one midrange horn, and two tweeters. The midrange cabinets are basically the same, except there's one 15" speaker instead of two 12s. Those are called V-34s. On the bottom end are three Acoustic 370 heads and six Cerwin-Vega cabinets. Two have one 18" speaker and one 12", two more have an 18 and a 10, and two have one 18" and an 8.

Isn't that a lot of equipment for onstage?

I don't play it that loud. I've just got it there so that I don't have to strain the equipment and everybody can hear. As a matter of fact, the whole stage is set up like that. The guitar player, the keyboard player, everybody is set up like that so there is no real strain.

Mentioned in the official product description.

The BR-2 is already standard equipment for Bass luminaries like Bootsy Collins, Justin Meldal-Johnsen, and TM Stevens as well as Funk Keyboard pioneer Bernie Worrell.

This interview states that Collins uses this pedal.

In an interview with Bassplayer, Bootsy Collins mentions his use of the Modtone MT-EM Extreme Metal Guitar Effects Pedal.

This interview states that Collins uses this pedal.

This interview states that Collins uses this pedal.

This interview states that Collins uses this pedal.

This Bass Player interview states that Collins uses this pedal.

This Bass Player interview states that Collins uses this pedal. Also in Chunk Systems web site it is stated that Collins uses this pedal: http://www.chunk.com.au/os.htm

This Bass Player interview states that Collins uses this pedal.