Bruce Kulick

Seen on Bruce’s recent simplified board. Used by him during all of his Kiss and solo career. Also at home practice.

In this photo (source), the MXR Distortion + is visible.

In this photo (source), the Coron Phaser 50 pedal can be seen.

In this photo (source), the Boss PH-2 phaser pedal can be seen.

In the photo titled "pedals24.jpg" on Bruce Kulick's blog, a Ross R-50 Distortion pedal is visible, indicating its inclusion in his gear collection.

In this photo (source), the Boss DM-2 analog delay is visible in the board.

According to Maxon's website, Kulick uses the Maxon OD-9 overdrive pedal.

"We jumped back to the rhythm track and did the Les Paul again to make it perfect now that the bass and ESP tele were done right. We had a picking part to capture which we used some old Ibanez Phase pedal and a BOSS CH-1. Good tone from that combination."

" We used my new amp, the ORANGE Tiny Terror. We ticked it a bit by putting a Creation Audio MK.4.23 line boost pedal before the amp, and thanks to the MK AUDIO company for hooking me up with this great device last October at the Arlington Guitar show. Made the Tiny Terror really nice in tone."

In this photo (source), the ancient EHX Small Stone pedal is visible.

In this photo (source), Boss CE-2 chorus pedal is visible.

"Hooked it up with the Marshall head I love, and picked the Captain Coconut pedal that has a great Univibe tone in it. The pedal has three sections, Fuzz Face, and Octavia sounds but the only one I used was the Univibe. The guitar sounded perfect and that swirly tone of the pedal created was the perfect vibe for the song."

In this photo (source), ancient Electro-Harmonix Memory Man can be visible.

In this photo (source), the Ibanez DCF-10 chorus/flanger pedal can be seen.

In this photo (source), the Boss DS-1 distortion pedal can be seen.

In this photo (source), the DOD DFX94 digital delay/sampler can be seen.

"Jeremy and I set up some pedals and auditioned the various guitars. BTW, I broke out the old MXR distortion plus from REVENGE! The wah was my GEEK modified Hendrix pedal, and plugged into my old Marshall head." - also, when clicked on a photo, vintage MXR Distortion + can be seen indeed.

In this photo (source), the Ibanez SM9 super metal can be seen.

In this photo (source), the Boss TU-12H tuner pedal can be seen.

In this photo (source), the Dunlop Uni-Vibe pedal can be seen.

In this photo (source), the Boss BCB-60 pedalboard can be seen.

According to Maxon's website, Kulick uses the Maxon AD9 Analog Delay.

According to Maxon's website, Kulick uses the Maxon CS-9 Stereo Chorus Pro pedal.

In this photo (source), the Boss OC-2 octaver pedal is visible.

In this photo (source), Truetone 1 Spot cables can be seen.

In this photo (source), BBE Mind Bender Vibrato pedal can be seen.

In this photo (source), Boss TU-12H can be seen.

"Next was a 12-string sound, and Jeremy owns a sweet double neck Gibson like Jimmy Page's. I made him tune it, as I hate the 12 strings. Six is hard enough! We put a slight Leslie pedal effect on it, with a Korg G4. Really nice tone. Same amp as track one."

"I had my Maxon delay hooked up, and tried a few different delay effects on that one. I was VERY happy with the solo. This song kills. Added one more section of riffs for the end on the old Les Paul. Classic Kulick for sure." - if a link under the Maxon analog delay is clicked, there is a photo of the AD80 analog delay.

"I used an Epiphone Riviera from 1967, and played it through a MXR phase 100, with the Orange Tiny Terror amp, giving me a classic British tone. I tried some riffs on the demo for this song, so that was our starting point. The solo will be one of the best on the CD for sure. I love that Epiphone. I used it on the Butchering The Beatles song "Drive My Car" with Kip Winger singing a few years back. It screams in a great way."