Harry Gregson-Williams

Seen in his equipment rack at 7:07 in the video.

Seen in his equipment rack at 7:07 in the video

The CM Labs Motormix is seen throughout the video on Harry's desk.

Seen in his equipment rack at 7:09 in the video.

Seen in his equipment rack at 7:09 in the video.

Seen in his equipment rack at 7:09 in the video. NOTE: Harry's unit has a silver/light colored face plate.

Seen on a stand at 7:54 in the video.

Seen in the video at 7:51, on the shelf next to his Virus TI2 Polar.

Seen at 11:09 in the video.

Seen at 11:09 in the video and mentioned/talked about around the 11 minute mark.

Seen around 11:09 in the video.

Seen briefly around 11:06 near the bottom of his equipment rack.

Seen throughout the video but clearly at 11:20. He has two units, one with a silver faceplate and one with a black faceplate.

Seen around 12:32, rackmounted near the bottom of his equipment rack.

Two of these can be seen on the floor around 12:32, near his equipment rack.

Seen briefly around 12:27 mounted on the wall.

At least three of these units can be seen in the video - one at the top of each tall rack unit and one above the Avalon mic preamps in the smaller rack unit at his desk.

Seen around 1:38 in one of the small rack systems at his desk.

Seen around 1:25 in one of the small racks at his desk.

Seen on his desk around 8:57 in the video.

Seen around 7:04 briefly in a drawer on his rack system.

Seen around 7:42 in the video. He says he likes it because it's easy to program and has lots of parameters to control.

Seen in one of the small racks at his desk, around 2:40.

Seen on his desk throughout the video, but a clear look is at 7:43.

Seen on his desk throughout the video. He mentions that he doesn't compose in 5.1, although this particular unit is designed for mixing 5.1 monitors. Probably left over from his "big 'ol studio."

Seen at the end of his desk, sitting atop an amplifier of some sort.

Seen on his desk in the video near his phone / behind the Maschine Studio.

Seen very briefly around 11:09. Identifiable through position of knobs/decals as well as its placement above the Roland Super-Jupiter.

"A bottomless well of possibility and invention that will vie for my creative attention for many scores to come." - HARRY GREGSON - WILLIAMS

Composer Harry Gregson-Williams praises Heavyocity Damage for its exceptional sound quality and innovative programming tools, as highlighted by Heavyocity Media.