Harry McVeigh

In this photo, McVeigh is visible with the Fender Telecaster, which has Bigsby vibrato on.

Harry has been using this Gibson SG Junior for several years. He is know for always using the same set of guitars while on tour, to which he comments that he prefers to have only a few reliable instruments. This guitar seems to be built between 1961 and 1963, given the fact that it still has the "Les Paul Jr." branding on the headstock (Gibson removed it in 1963, officially calling it the SG Junior).

Specs-wise, it has a Bigsby B5 installed and probably the stock P-90 pickup, as well as pair of Schaller strap locks and a Graph Tech Black TUSQ XL nut.

Harry got this late-60's/early 70's Olympic White Fender Telecaster with a factory Bigsby B5 in 2008. We know it's a stock Fender Bigsby because the guitar lacks string-thru-body ferrules. Around that time, the guitar snapped in half, and as a result, McVeigh stopped using it on tour until they glued it back together (Here you can see that the Bigsby arm fell off during a concert: Image 1, Image 2).

Similarly to the rest of his guitars, this Telecaster also has a pair of Schaller strap locks and a Graph Tech Black TUSQ XL nut. Originally, when he first got the guitar, it had a different, white nut.

Image source: Sarah Junker Photography | White Lies - Amsterdam

Used in video for Holy Ghost

Uses the Hi Watt for the Crystal clear clean tones.

In this photo, where White Lies can be seen rehearsing, the EHX Micro POG pedal is visible in McVeigh's board.

In this TC Electronic article, McVeigh is spotted with the TC Electronic Flashback Delay. He also has his own toneprint, "unfinished business".

In this article, McVeigh is mentioned as a used of TC Electronic Hall Of Fame reverb pedal. He also has his own toneprint for the pedal.

We can see that Harry has a Providence Chrono Delay on his board

We can see that Harry has a Zvex Double Rock on his board (it's the Vexter version)

We can see a Strymon OB1 on Harry's board.

There is an Eventide Space on Harry's pedalboard.

There is an Afterlife Of Pitch on Harry's pedalboard.

Harrys has a Peterson tuner on his board

He has been using the Shure KSM8/B (Black finish) Dualdyne Cardioid Dynamic Vocal Microphone as his go-to mic at concerts since late 2017.

In this photo, McVeigh is visible playing the Dave Smith Prophet '08 synthesizer.