Hunter Brown's Gear

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"On the intro to the album, “Supercluster,” I’m using a POG harmonizer and then a DigiTech Whammy, and I’ve got those set so that every note I play is a chord, and it’s all going through my pedalboard."

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"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

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"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

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"My main guitar is a 2012 Fender Jazzmaster ’65 vintage reissue. And I’ve got a Rothstein Dual Dial-A-Tap coil-switching system in it, a Mastery Bridge, and Curtis Novak humbuckers. I took the Jazzmaster body that I wanted and tore it apart and put something new together. I love it. It’s my No. 1 right now. Especially with the Rothstein Dial-A-Tap, it’s great having access to both the humbuckers and the single-coil sound with that Fender warm round vibe."

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"I also have a Stratocaster with Lace Sensor pickups and a Blackmore mod that I use a lot, a Gibson ES-335, and a Santa Cruz acoustic that’s my main acoustic at home."

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According to Premier Guitar's interview, one of the items Brown uses is the Dunlop Cry Baby Classic wah pedal.

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"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

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"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

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"Both in the studio and live, I’m basically using a Fender Twin Reverb that’s built within a Dual Showman head. My buddy Jerry Carillo was my guitar tech for a while. He has a shop in New Jersey, and helped put them together. We took an old Dual Showman and put the guts of a Twin in there. I wanted it to sound like a boutique Twin. I’ve also got a Fuchs 100-watt. So those were the main amps, as well as another old Fender Twin that I have"

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According to Premier Guitar's interview, one of the amplifiers Brown uses is the Fuchs ODS-100.

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"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

Find it on:

"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

Find it on:

"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

Find it on:

"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

Find it on:

"I’ve got the Crocodile switcher, Origin Cali76 compressor—which is like a take on the old UA 1176s, then the Fulltone Full-Drive, Wampler Dual Fusion, then some of the Strymon stuff—the Timeline, blueSky, and Mobius, then an Eventide H9, and a wah. First in the chain, I’m using a Pete Cornish input buffer, which is a sweet little piece."

Find it on:

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

Find it on:

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

Find it on:

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

Find it on:

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

Find it on:

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

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"I also have a Stratocaster with Lace Sensor pickups and a Blackmore mod that I use a lot, a Gibson ES-335, and a Santa Cruz acoustic that’s my main acoustic at home."

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According to Premier Guitar's interview, one of the items Brown uses is the Fractal Axe-Fx II guitar processor.

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According to Premier Guitar's interview, one of the items Brown uses are the Ernie Ball RPS-10 guitar strings.

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According to Premier Guitar's interview, one of the items Brown uses are the D'Addario EXL110 guitar strings.

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According to Premier Guitar's interview, one of the items Brown uses are the Dunlop Tortex Standard Guitar Picks (0.88mm).

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